'[The Gulag Archipelago] helped to bring down an empire. Its importance can hardly be exaggerated' Doris Lessing, Sunday Telegraph

WITH A NEW FOREWORD BY JORDAN B. PETERSON

A vast canvas of camps, prisons, transit centres and secret police, of informers and spies and interrogators but also of everyday heroism, The Gulag Archipelago is Aleksandr Solzhenitsyn's grand masterwork. Based on the testimony of some 200 survivors, and on the recollection of Solzhenitsyn's own eleven years in labour camps and exile, it chronicles the story of those at the heart of the Soviet Union who opposed Stalin, and for whom the key to survival lay not in hope but in despair.

A thoroughly researched document and a feat of literary and imaginative power, this edition of The Gulag Archipelago was abridged into one volume at the author's wish and with his full co-operation.

'Solzhenitsyn’s masterpiece...The Gulag Archipelago helped create the world we live in today' Anne Applebaum

THE OFFICIALLY APPROVED ABRIDGEMENT OF THE GULAG ARCHIPELAGO VOLUMES I, II & III

“BEST NONFICTION BOOK OF THE 20^TH CENTURY.” —Time

Volume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society. Features a new foreword by Anne Applebaum.

“The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan

“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker

“Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago helped create the world we live in today.” —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword

“BEST NONFICTION BOOK OF THE 20^TH CENTURY.” —Time

“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker

The Nobel Prize winner’s towering masterpiece of world literature, the searing record of four decades of terror and oppression, in one abridged volume (authorized by the author). Features a new foreword by Anne Applebaum.

Drawing on his own experiences before, during and after his eleven years of incarceration and exile, on evidence provided by more than 200 fellow prisoners, and on Soviet archives, Solzhenitsyn reveals with torrential narrative and dramatic power the entire apparatus of Soviet repression, the state within the state that once ruled all-powerfully with its creation by Lenin in 1918. Through truly Shakespearean portraits of its victims-this man, that woman, that child-we encounter the secret police operations, the labor camps and prisons, the uprooting or extermination of whole populations, the “welcome” that awaited Russian soldiers who had been German prisoners of war. Yet we also witness astounding moral courage, the incorruptibility with which the occasional individual or a few scattered groups, all defenseless, endured brutality and degradation. And Solzhenitsyn’s genius has transmuted this grisly indictment into a literary miracle.

“The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan

“Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago helped create the world we live in today.” —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword

“BEST NONFICTION BOOK OF THE 20^TH CENTURY.” —Time

Volume 2 of the Nobel Prize-winner’s towering masterpiece: the story of Solzhenitsyn's entrance into the Soviet prison camps, where he would remain for nearly a decade. Features a new foreword by Anne Applebaum.

“The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan

“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker

“Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago helped create the world we live in today.” —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword

For the centenary of the Russian Revolution, a new edition of the Russian Nobel Prize-winning author's most accessible novel

One Day in the Life of Ivan Denisovich is an undisputed classic of contemporary literature. First published (in censored form) in the Soviet journal Novy Mir in 1962, it is the story of labor-camp inmate Ivan Denisovich Shukhov as he struggles to maintain his dignity in the face of communist oppression. On every page of this graphic depiction of Ivan Denisovich's struggles, the pain of Aleksandr Solzhenitsyn's own decade-long experience in the gulag is apparent—which makes its ultimate tribute to one man's will to triumph over relentless dehumanization all the more moving.

An unforgettable portrait of the entire world of Stalin's forced-work camps, One Day in the Life of Ivan Denisovich is one of the most extraordinary literary works to have emerged from the Soviet Union. The first of Solzhenitsyn's novels to be published, it forced both the Soviet Union and the West to confront the Soviet's human rights record, and the novel was specifically mentioned in the presentation speech when Solzhenitsyn was awarded the Nobel Prize in Literature in 1970. Above all, One Day in the Life of Ivan Denisovich establishes Solzhenitsyn's stature as "a literary genius whose talent matches that of Dostoevsky, Turgenev, Tolstoy" (Harrison Salisbury, The New York Times).

This unexpurgated, widely acclaimed translation by H. T. Willetts is the only translation authorized by Solzhenitsyn himself.

To commemorate the 100th anniversary of the Russian Revolution, the University of Notre Dame Press is proud to publish Nobel Prize–winner Aleksandr Solzhenitsyn’s epic work March 1917, Node III, Book 1, of The Red Wheel.

The Red Wheel is Solzhenitsyn’s magnum opus about the Russian Revolution. Solzhenitsyn tells this story in the form of a meticulously researched historical novel, supplemented by newspaper headlines of the day, fragments of street action, cinematic screenplay, and historical overview. The first two nodes—August 1914 and November 1916—focus on Russia’s crises and recovery, on revolutionary terrorism and its suppression, on the missed opportunity of Pyotr Stolypin’s reforms, and how the surge of patriotism in August 1914 soured as Russia bled in World War I.

March 1917—the third node—tells the story of the Russian Revolution itself, during which not only does the Imperial government melt in the face of the mob, but the leaders of the opposition prove utterly incapable of controlling the course of events. The action of book 1 (of four) of March 1917 is set during March 8–12. The absorbing narrative tells the stories of more than fifty characters during the days when the Russian Empire begins to crumble. Bread riots in the capital, Petrograd, go unchecked at first, and the police are beaten and killed by mobs. Efforts to put down the violence using the army trigger a mutiny in the numerous reserve regiments housed in the city, who kill their officers and rampage. The anti-Tsarist bourgeois opposition, horrified by the violence, scrambles to declare that it is provisionally taking power, while socialists immediately create a Soviet alternative to undermine it. Meanwhile, Emperor Nikolai II is away at military headquarters and his wife Aleksandra is isolated outside Petrograd, caring for their sick children. Suddenly, the viability of the Russian state itself is called into question.

The Red Wheel has been compared to Tolstoy’s War and Peace, for each work aims to narrate the story of an era in a way that elevates its universal significance. In much the same way as Homer’s Iliad became the representative account of the Greek world and therefore the basis for Greek civilization, these historical epics perform a parallel role for our modern world.

“BEST NONFICTION BOOK OF THE 20^TH CENTURY.” —Time

Volume 3 of the Nobel Prize winner’s towering masterpiece: Solzhenitsyn's moving account of resistance within the Soviet labor camps and his own release after eight years. Features a new foreword by Anne Applebaum.

“The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan

“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, New Yorker

“Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago helped create the world we live in today.” —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword

‘Can one part of humanity learn from the bitter experience of another or can it not?

Is it possible or impossible to warn someone of danger...to assess soberly the worldwide menace that threatens to swallow the whole world?

I was swallowed myself. I have been in the dragon’s belly, in its red-hot innards. It was unable to digest me and threw me up. I have come to you as a witness to what it is like there, in the dragon’s belly’

During 1975 and 1976, Nobel Prize-winner Aleksandr Solzhenitsyn embarked on a series of speeches across America and Britain that would shock and scandalise both countries. His message: the West was veering towards moral and spiritual bankruptcy, and with it the world’s one hope against tyranny and totalitarianism.

From Solzhenitsyn’s warnings about the allure of communism, to his rebuke that the West should not abandon its age-old concepts of ‘good’ and ‘evil’, the speeches collected in Warning to the West provide insight into Solzhenitsyn’s uncompromising moral vision. Read today, their message remains as powerfully urgent as when Solzhenitsyn first delivered them.

FROM THE NOBEL PRIZE-WINNING AUTHOR OF THE GULAG ARCHIPELAGO

‘Solzhenitsyn is one of the towering figures of the age, as a writer, as moralist, as hero’ Edward Crankshaw

After years in enforced exile on the Kazakhstan steppes, a cancer diagnosis brings Oleg Kostoglotov to Ward 13. Brutally treated in squalid conditions, and faced with ward staff and other patients from across the Soviet Union, Kostoglotov finds himself thrown once again into the gruelling mechanics of a state still haunted by Stalinism.

One of the great allegorical masterpieces of world literature, Cancer Ward is both a deeply compassionate study of people facing terminal illness and a brilliant dissection of the “cancerous” Soviet police state. Withdrawn from publication in Russia in 1964, it became, along with One Day in the Life of Ivan Denisovich, a work that awoke the conscience of the world.

‘One word of truth shall outweigh the whole world’ Aleksandr Solzhenitsyn

In the first month of the First World War the Russian campaign against the Germans creaks into gear. Crippled by weak, indecisive leadership the Russian troops battle desperately, even as the inevitability of failure and their own sacrifice dawns. Solzhenitsyn’s astounding work of historical fiction is a portrait of pre-revolutionary Russia, a tragic war story, and an epic novel in the great Russian tradition.

At the height of Stalin's postwar terror, Innokenty, a young diplomat and scion of a corrupt ruling class, discovers an earlier and more spiritual tradition than that adopted by the October Revolution, the beginning of a process which is Solzhenitsyn's basic theme: the individual's experience of acquiring an immortal soul.

Unwisely but generously, Innokenty helps a friend in danger of arrest, only to be arrested himself and sent to a special prison. This, the archetype of the Gulag, is described with masterful psychological insight. There are no heroes and hardly any villains; oppressors are no less victims then the oppressed.

In the great tradition of the Russian novel, The First Circle is both a brooding account of human nature and a scrupulously exact description of a historical period.