
Call Me by Your Name: A Novel
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*Now a major motion picture from director Luca Guadagnino, starring Armie Hammer and Timothée Chalamet. Winner of the 2018 Academy Award for Adapted Screenplay*
Celebrate André Aciman's sensational novel with a dynamic audiobook, read by Armie Hammer
A New York Times Notable Book of the Year
A Publishers Weekly Best Book of the Year
A Washington Post Best Fiction Book of the Year
A New York magazine "Future Canon" Selection
A Chicago Tribune Favorite Book of the Year
One of The Seattle Times' Michael Upchurch's Favorite Books of the Year
Call Me by Your Name first swept across the world in 2007. It is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliffside mansion on the Italian Riviera. During the restless summer weeks, unrelenting but buried currents of obsession, fascination, and desire intensify their passion as they test the charged ground between them and verge toward the one thing both already fear they may never truly find again: total intimacy. André Aciman's critically acclaimed debut novel is a frank, unsentimental, heartrending elegy to human passion.
More praise forCall Me By Your Name:
"Hammer’s soft, velvety voice lends itself perfectly to the story and its Italian setting. While you might think this one isn’t worth a listen if you’ve already seen the movie or read the book, many reviewers say it is still worth taking in even if you know the story - some even say it’s worth listening to more than once." (AskMen)
- Listening Length7 hours and 48 minutes
- Audible release date3 October 2017
- LanguageEnglish
- ASINB07166ZZVV
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 7 hours and 48 minutes |
---|---|
Author | André Aciman |
Narrator | Armie Hammer |
Whispersync for Voice | Ready |
Audible.com.au Release Date | 03 October 2017 |
Publisher | Macmillan Audio |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B07166ZZVV |
Best Sellers Rank | 2,430 in Audible Books & Originals (See Top 100 in Audible Books & Originals) 5 in LGBTQ+ Romance (Audible Books & Originals) 6 in LGBTQ+ Literature & Fiction (Audible Books & Originals) 107 in Literary Fiction (Audible Books & Originals) |
Customer reviews

Reviewed in Australia on 5 October 2020
Top reviews from Australia
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The narration has a beautiful cadence and reads like Elio's journal, complete with inner musings, pontifications, daydreams and erotic fantasies. However I found it difficult to immerse myself into and speed-read the entire novel. The writing style did not sit well with me. It felt fanciful and full of itself... selfish. I found myself craving for more structure, more dialogue.
Elio as a protagonist felt like a mix of intelligence, petulance, and aggressive/possessive hormone fuelled adolescence.
It felt uncomfortable the boy lusting after a man, Oliver, more than 7 years his senior. (This situation is legally statutory rape in our country.) Elio’s overtly flirtatious nature - and his intentions sometimes returned. A mix between grooming behaviour of a paedophile and removing himself from the equation as to not be overcome by his desires. The teacher in me felt extremely uncomfortable. Elio and Oliver wouldn't be sneaking around and trying to hide their actions if they didn't know what they were doing was wrong.
Then Oliver gives in to his desires and confirms to me of being the paedophile he is. Elio has regret, then turns into a tremendous flirt only to then go and have sex with Mariza... completely ruled by his lower region. What a floozy. This book is making me feel sick where everyone is throwing their cat around and ignoring the ramifications. For having such an inconsolable crush on Oliver, when Elio sleeps with Marzia on a whim and apparently likes it, wants to brag about it. No loyalty, no conviction. This increased my loss of respect for Elio.
Did they seriously watch each other pooh and marvel at it in the toilet bowl. *retching sounds* The other thing that had me throwing up in my mouth is of Oliver eating the peach that Elio had climaxed into. Some may see it as twistedly romantic in a symbolic way, but I couldn’t bet over the hygienic aspect of it. I am such a clean freak. I want to scream triggered! It’s hilarious in a meta perspective.
There was an understated - delicate even - understanding of Elio’s father which I found endearing. However his hands-off approach leaves little to be desired. I would have preferred a father figure to help educate and guide Elio, instead of leaving his son to flounder around in the dark and figure things out by himself, and potentially placing him in dangerous situations.
I can appreciate the romantic symbolism, the artistic eye, but the situation in the real world kinda makes me angry. It’s not about being gay, but about placing a boy in a sexually vulnerable situation where the parents do not seem to care, (in fact they encourage Elio to find his sexuality and explore) and an older man allegedly grooming a high school student – even if he wrestles with his conscience – grosses me out. If this were about two boys around the same age I would have liked it so much better. I feel the artistic tone of the writing covers up the reality of how inappropriate this relationship is. ‘Call Me By Your Name’ feels like a gay version of ‘Lolita.’
I will not recommend this. There was no lesson to learn from the characters – the whole book read like some teen boy’s father-figure sexual fantasy. I won’t be reading the sequel ‘Find Me’ either – after reading reviews and how it deals with more fantasy gratification adultery, I’m sorry, I just can’t.

Reviewed in Australia on 5 October 2020
The narration has a beautiful cadence and reads like Elio's journal, complete with inner musings, pontifications, daydreams and erotic fantasies. However I found it difficult to immerse myself into and speed-read the entire novel. The writing style did not sit well with me. It felt fanciful and full of itself... selfish. I found myself craving for more structure, more dialogue.
Elio as a protagonist felt like a mix of intelligence, petulance, and aggressive/possessive hormone fuelled adolescence.
It felt uncomfortable the boy lusting after a man, Oliver, more than 7 years his senior. (This situation is legally statutory rape in our country.) Elio’s overtly flirtatious nature - and his intentions sometimes returned. A mix between grooming behaviour of a paedophile and removing himself from the equation as to not be overcome by his desires. The teacher in me felt extremely uncomfortable. Elio and Oliver wouldn't be sneaking around and trying to hide their actions if they didn't know what they were doing was wrong.
Then Oliver gives in to his desires and confirms to me of being the paedophile he is. Elio has regret, then turns into a tremendous flirt only to then go and have sex with Mariza... completely ruled by his lower region. What a floozy. This book is making me feel sick where everyone is throwing their cat around and ignoring the ramifications. For having such an inconsolable crush on Oliver, when Elio sleeps with Marzia on a whim and apparently likes it, wants to brag about it. No loyalty, no conviction. This increased my loss of respect for Elio.
Did they seriously watch each other pooh and marvel at it in the toilet bowl. *retching sounds* The other thing that had me throwing up in my mouth is of Oliver eating the peach that Elio had climaxed into. Some may see it as twistedly romantic in a symbolic way, but I couldn’t bet over the hygienic aspect of it. I am such a clean freak. I want to scream triggered! It’s hilarious in a meta perspective.
There was an understated - delicate even - understanding of Elio’s father which I found endearing. However his hands-off approach leaves little to be desired. I would have preferred a father figure to help educate and guide Elio, instead of leaving his son to flounder around in the dark and figure things out by himself, and potentially placing him in dangerous situations.
I can appreciate the romantic symbolism, the artistic eye, but the situation in the real world kinda makes me angry. It’s not about being gay, but about placing a boy in a sexually vulnerable situation where the parents do not seem to care, (in fact they encourage Elio to find his sexuality and explore) and an older man allegedly grooming a high school student – even if he wrestles with his conscience – grosses me out. If this were about two boys around the same age I would have liked it so much better. I feel the artistic tone of the writing covers up the reality of how inappropriate this relationship is. ‘Call Me By Your Name’ feels like a gay version of ‘Lolita.’
I will not recommend this. There was no lesson to learn from the characters – the whole book read like some teen boy’s father-figure sexual fantasy. I won’t be reading the sequel ‘Find Me’ either – after reading reviews and how it deals with more fantasy gratification adultery, I’m sorry, I just can’t.

Until Oliver arrives at her home, a moody writer whom will be there for 6 weeks. The tension is instant and their secret relationship slowly develops yet neither of them speak a word to a soul. Dreams turn to obsession, then to fear and then denial intensifying their passion for one another.
Women may come and go however they know deep down something is there. Everyone can see the chemistry but no one dares to say a thing.
“And we'll want to call it envy, because to call it regret would break our heart.”
I loved this beautiful, one of a kind love story, set in a time when relationships like theirs was seen as wrong. But Love is love and sometimes something so powerful cannot get ignored. There are some steamy scenes in this one!! Call me by your name was adapted into a movie in 2017. Looking forward to watching it.
@becsbookshelf_

Reviewed in Australia on 23 November 2020
Until Oliver arrives at her home, a moody writer whom will be there for 6 weeks. The tension is instant and their secret relationship slowly develops yet neither of them speak a word to a soul. Dreams turn to obsession, then to fear and then denial intensifying their passion for one another.
Women may come and go however they know deep down something is there. Everyone can see the chemistry but no one dares to say a thing.
“And we'll want to call it envy, because to call it regret would break our heart.”
I loved this beautiful, one of a kind love story, set in a time when relationships like theirs was seen as wrong. But Love is love and sometimes something so powerful cannot get ignored. There are some steamy scenes in this one!! Call me by your name was adapted into a movie in 2017. Looking forward to watching it.
@becsbookshelf_

Top reviews from other countries

"It is the first thing I remember about him, and I can hear it still today. Later! I shut my eyes, say the word, and I'm back in Italy, so many years ago, walking down the tree-lined driveway, watching him step out of the cab, billowy blue shirt, wide-open collar, sunglasses, straw hat, skin everywhere. Suddenly he's shaking my hand, handing me his backpack, removing his suitcase from the trunk of the cab, asking if my father is home."
Den ganzen Roman bestimmt von Anfang an ein melancholisch-sehnsüchtiger Grundton, der sich bis zum Ende hält und sich eher noch steigert. Ein Sehnen, das nie zu Ende geht. Das ganze Leben lang. Letztlich geht es hier um die Wirkung der Zeit auf die Menschen und ihre Gefühle und darum, dass ein Paradies nur in der Erinnerung aufrechterhalten werden kann. Darum, wie immer wieder Teile der Persönlichkeit herausgerissen und immer neue Schichten darübergelegt wurden, wie bei einer sehr alten Kirche. Darum wie man sich dabei oberflächlich verändert oder die äußeren Bedingungen, aber vielleicht tief unter den neuen Schichten noch einen Rest Ihrer Liebe von damals entdeckt werden kann. Etwas, was sie geprägt hat, auf der sie sich alles gründet.
Time makes us sentimental. Perhaps, in the end, it is because of time that we suffer.
Das Buch ist in vier Kapitel eingeteilt und die Geschichte der beiden Männer wird aus subjektiver Sicht Elios erzählt im Rückblick 20 Jahre später.
Im ersten trifft Elio (17) auf Oliver (24), den amerikanischen Doktoranden, der über sechs Wochen in Ihrem Haus in Italien verbringen soll, um dort zu arbeiten. Vom ersten Moment an richtet sich eine fast obsessive Aufmerksamkeit auf Oliver. Jeder Schritt, jede Aussage, jedes Verhalten Olivers wird analysiert und interpretiert, jede Stelle seines Körpers gescannt. Wir sind in Elios Kopf. Aber Oliver ist abweisend. Elio hasst ihn dafür aber im nächsten Moment verfällt er ihm wieder, sobald er von dem anderen etwas Aufmerksamkeit oder Zuspruch erfährt.
Im zweiten und längsten Kapitel gesteht Elio nach ca. zwei Wochen der Qualen Oliver seine Empfindungen. Trotz Zögerns seitens Olivers beginnt eine erst sehr vorsichtige Annäherung, die noch über weitere zwei Wochen andauert bis auch bei Ihm alle Schranken fallen.
Im dritten Kapitel verbringen beide gemeinsam Olivers letzte Tage in Rom, wo sie das erste mal außerhalb des paradiesischen elterlichen Hauses sind, fern von Elios Familie.
Im letzten Kapitel beschreibt Elio Treffen der beiden 15 und 20 Jahre später und wie er versucht herauszufinden, was von Ihrer Liebe noch überlebt hat. Dieser Teil ist der melancholischste, dichteste und schönste und fehlt im Film fast vollständig. So viele der poetischen Sätze in diesem Kapitel könnte man einrahmen und an die Wand hängen.
Die Sprache ist dicht, intensiv und sehr erotisch, dabei aber wunderschön und nie pornografisch.. Emotional aber nicht kitschig. Die Sätze sind teilweise sehr lang und verwunden:
…It would finally dawn on us both that he was more me than I had ever been myself, because when he became me and I became him in bed so many years ago, he was and would forever remain, long after every forked road in life had done its work, my brother, my friend, my father, my son, my husband, my lover, myself.
Dieser Satz beschreibt auch gefühlvoll die Essenz dieser Liebe, die vielleicht weit über eine Beziehung hinausgeht. Sie finden sich jeweils selbst durch den anderen. "Call me by Your name and I'll call You by mine". Alles was ein Mann für Elio sein kann, war vereinigt in Oliver. Allumfassend und total, bis hin zum Verschmelzen zu einem gemeinsamen Wesen. Hier werden Vorstellungen aus der Antike wieder erweckt.
Von solchen wunderschönen sinnlichen Sätzen gibt es so viele in diesem Buch, hier noch ein Beispiel:
From this moment on, I thought, from this moment on – I had , as I'd never before in my life, the distinct feeling of arriving somewhere very dear, of wanting it forever, of being me, me, me, me and no one else, just me, of finding in each shiver that ran down my arms something totally alien and yet by no means unfamiliar, as if all this had been part of me all my life and I'd misplaced it and he helped me find it.
Der Autor arbeitet auch mit der Vorstellung von gespiegelten Liebhabern, die den jeweils anderen bei dem eigenen Namen nennen, Das Symbol Ihrer Verbundenheit und Einheit (und Gleichheit), wobei die Spiegelung auch ein eindeutig queeres Element der Geschichte bildet. Auch die beiden Namen sind bewusst gewählt: Wenn man das V und das R aus OLIVER entfernt, bleibt OLIE übrig, aus dem man ELIO bilden kann. Oliver ist in Elios Augen die vollkommenere und bessere Version von sich selbst. Er schaut zu ihm auf, vergöttert ihn, will zugleich bei ihm sein und er sein. Man kann das im wahren Leben bei den sogenannten „Boyfriend Twins“ beobachten.
Auch der Austausch von Körperflüssigkeiten wird hier zu einem philosophischen Akt:
I believe with every cell in my body that every cell in yours must not, must never, die, and if it does have to die, let it die inside my body.
Wichtig ist hier auch, dass die Pfirsichszene, über die alle sprechen, die den Film gesehen haben, hier wirklich eine starke Symbolkraft hat und hier auf etwas andere Art stattfindet. Ein Grund mehr, das Buch zu lesen.
Diese Liebesgeschichte ist sicherlich für alle verständlich und auch nachfühlbar, wenn man nicht gänzlich homophob ist (erste Liebe, Sehnsucht und Verlust und Schmerz). Ich finde, dass jeder sie lesen sollte. Und doch finde ich „universell“ („Coming - Of- Age- Liebesgeschichte“) etwas zu allgemein formuliert. Das wird immer gerne gesagt, um eine Geschichte aufwerten zu wollen und meint, damit ein größeres Publikum ansprechen zu können. Es ist aber auch eindeutig eine queere Geschichte und ersetzte man eine Figur durch eine Frau, würde alles gar keinen Sinn ergeben, z.B. die Spiegelung. Die Poesie dieser Geschichte wäre dahin. Verheimlichen müssen die Jungs Ihre Beziehung. Scham spielt eine Rolle, sowohl bei Elio nach dem ersten Sex mit Oliver als auch bei diesem wegen seiner Eltern, die ihn in eine Anstalt gesteckt hätten, hätten sie davon erfahren. Wenn beide sich küssen wollen, nur dann wenn keiner hinsieht. Ihre Liebe lebt gleichsam nur in einem Arkadien. Elio erzählt seinen Eltern einmal am Frühstückstisch, dass er beinahe mit einem Mädchen Sex gehabt hätte, hier spielt Scham keine Rolle.
Ich finde es ganz außerordentlich, wie ein heterosexueller Autor mann-männliches Begehren, Phantasien und Sehnsüchte in derart intensiver und erotischer Weise in Worte gefasst hat, dass ich sämtliche Gefühlszustände durchlebt habe.
We had found the stars, you and I. And this is given once only.

The film is a lovely condensing of the love story and captures some of the rapture and desire of the book.
Thought provoking in its unchallenged freedom - let there be more of this.

This was different, whilst Elio ticks the seemingly required introverted, nerd on cusp of adulthood box; he has a genuine appreciation of the adults in his life and their wisdom. Yet he has the selfish wants of a teen, and this forms much of his inner dialogue. It does meander on at times and this is my reason for 4 rather than 5 stars.
When Oliver arrives to spend the summer with Elio's family he finds himself captivated by the older and (to Elio) sophisticated man. I think many reviewers have missed the subtlety of Elio's sexuality - he is sometimes confused about how he can engage in sex with a man and woman but it is his emotional attachment to Oliver that he finds hardest to rationalise.
I believe the author is showing us no matter how precocious Elio is, hormones and sex can make intelligence take a firm back seat. But he doesn't ruin his life or prospects, he simply falls in love for the first time. And to me that's the crux of the story, it's so rare to spend your life with the first person you fall for - but they also stay with you inside.
Maybe if Oliver had been braver their story would have had a different outcome, but I felt this story was truer to real life and much the better for it. I thought the ending was quite beautiful, and for me invoked the strongest emotional response.

