Carmen Maria Machado

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About Carmen Maria Machado
Carmen Maria Machado's debut short story collection, Her Body and Other Parties, was a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century."
Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Harper’s Bazaar, Tin House, VQR, Conjunctions, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, Michener-Copernicus Foundation, Elizabeth George Foundation, CINTAS Foundation, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the Writer in Residence at the University of Pennsylvania and lives in Philadelphia with her wife.
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Books By Carmen Maria Machado
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017
SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
A wife refuses her husband's entreaties to remove the mysterious green ribbon from around her neck. A woman recounts her sexual encounters as a plague spreads across the earth. A salesclerk in a mall makes a horrifying discovery about a store's dresses. One woman's surgery-induced weight loss results in an unwanted house guest.
Bodies become inconsequential, humans become monstrous, and anger becomes erotic. A dark, shimmering slice into womanhood, Her Body and Other Parties is wicked and exquisite.
'Ravishingly beautiful' Observer
'Excruciatingly honest and yet vibrantly creative' Irish Times
'Provocative and rich' Economist
'Daring, chilling, and unlike anything else you've ever read' Esquire
'An absolute must-read' Stylist
WINNER OF THE RATHBONES FOLIO PRIZE 2021
In the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad. Tracing the full arc of a harrowing experience with a charismatic but volatile woman, this is a bold dissection of the mechanisms and cultural representations of psychological abuse.
Each chapter views the relationship through a different lens, as Machado holds events up to the light and examines them from distinct angles. She casts a critical eye over legal proceedings, fairy tales, Star Trek and Disney villains, as well as iconic works of film and fiction, infusing all with her characteristic wit, playfulness and openness to enquiry. The result is a powerful book that explodes our ideas about what a memoir can do and be.
What do children know that adults can’t begin to believe? The answer is hidden in plain sight in this haunting short story by the bestselling author of Her Body and Other Parties.
Tiger, tiger, burning bright, in the forests of the night. In the town of Never-Again, Pennsylvania, this hand-game song contains a history—centuries of inexplicable tiger sightings. A researcher arrives to write yet another academic paper about the well-studied town, called “Big Cats in the Children’s Hand-Games of Never-Again, Pennsylvania.” Nobody expects to find new clues—but, years after a scene of unimaginable violence, the truth about this childish chant is about to come out.
Carmen Maria Machado’s Bloody Summer is part of Trespass, a collection of wild stories about animal instincts, human folly, and survival from award-winning, bestselling authors. Read or listen to each in a single sitting.
But there are more stories loved by the Hugo voters, stories on the longer nomination list that WSFS publishes after the Hugo Award ceremony at WorldCon. The Long List Anthology collects 21 tales from that nomination list, totaling almost 500 pages of fiction by writers from all corners of the world.
Within these pages you will find a mix of science fiction and fantasy, the dramatic and the lighthearted, from near future android stories to steampunk heists, too-plausible dystopias to contemporary vampire stories.
There is something here for everyone.
When El and Octavia wake up in a movie theater with no memory of the last few hours of their lives, the two teenage dirtbags begin a surreal and terrifying journey to discover the truth about the strange town that they call home. Like so many women in Shudder-to-Think before them, all they have is a void where the truth once was. But as time passes, El finds herself needing to know more about what has happened, while Octavia wants nothing more than to forget the forgetting. Can these two teens reconcile their differences before the horrible things lurking beneath their town emerge and swallow them whole? Collects The Low, Low Woods #1-6.
These compelling visions of post-apocalyptic societies and dystopian worlds include short stories by some of the most acclaimed authors of our time. Among the noteworthy contributors and their works are Stephen King's "The End of the Whole Mess," "The Pedestrian" by Ray Bradbury, and Arthur C. Clarke's "No Morning After."
The first-ever apocalyptic fantasy about global warming, "The End of the World," appears here, in translation from Eugene Mouton's 1872 French-language original. "The Pretence," by Ramsey Campbell, questions the nature and structure of everyday life in the aftermath of a doomsday prediction. In addition, thought-provoking stories by Philip K. Dick, Kurt Vonnegut, Jr., Greg Bear, Erica L. Satifka, and others offer an end-of-the-world extravaganza for fans of science fiction, horror, and fantasy.
"These doomsday tales are highly original, thought provoking, and reality questioning. Recommended as a collection for fans of intriguing and eccentric sci-fi!" — Read Well
Joseph Sheridan Le Fanu’s compelling tale of a young woman’s seduction by a female vampire was a source of influence for Bram Stoker’s Dracula, which it predates by over a quarter century. Carmilla was originally serialized from 1871 to 1872 and went on to inspire adaptations in film, opera, and beyond, including the cult classic web series by the same name.
Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as:
Neil Gaiman
Kim Stanley Robinson
Stephen King
Linda Nagata
Laird Barron
Margo Lanagan
And many others
With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.
Through the lens of horror—from Halloween to Hereditary—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.
Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.
It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.
Das Archiv der Träume ist Carmen Maria Machados ganz persönliche Geschichte und literarische Auseinandersetzung mit toxischen Beziehungen. Aber auch eine Geschichte des Heranwachsens und des sexuellen Erwachens im ländlichen Amerika.
Endlich scheint in den USA etwas in Bewegung zu geraten: Die gleichgeschlechtliche Ehe rückt in greifbare Nähe und Carmen Maria Machado stürzt sich in ihre erste große Beziehung zu einer Frau, die sich sehr bald als toxisch herausstellt. Kann man darüber schreiben, was wirklich passiert ist, und wenn ja, wie? Machado hat ihre Form gefunden. Mit jedem Kapitel durchschreitet sie ein anderes literarisches Topos: Gespensterhaus, Erotika, Bildungsroman. So entsteht ein Kaleidoskop, das sich genauso mit ihrer religiös geprägten Jugend wie den Stereotypen queerer Beziehungen oder popkulturellen Bezügen auseinandersetzt. Machado gelingt es, sich auf einzigartige Weise, voll Witz, Spielfreude und Lust am Ausprobieren, der harschen Realität von Gewalt in einer queeren Beziehung zu stellen. Am Ende steht ein fesselndes Buch, das die Grenzen autofiktionalen Erzählens sprengt und einmal mehr beweist, dass Machado eine der talentiertesten jungen literarischen Stimmen der USA ist.
El testimonio personal de una historia de abusos en el marco de una relación lésbica relatado con un estimulante virtuosismo literario.
Cuando era una joven aspirante a escritora, Carmen Maria Machado conoció a una chica menuda, rubia, de clase alta, licenciada en Harvard, sofisticada y fascinante con la que inició su primera relación lésbica, después de varias experiencias sexuales con hombres. La chica poseía una idílica cabaña en Bloomington, Virginia: la casa de los sueños del título. Pero los sueños se convirtieron en pesadillas cuando la novia de Machado empezó a mostrarse celosa, controladora y paranoica, para luego acusarla de engañarla con todo el mundo y acabar agrediéndola verbal e incluso físicamente.
Este libro es el testimonio de una relación tóxica, que en este caso no tiene como agresor a un varón heterosexual de mentalidad patriarcal y machista, sino a una lesbiana. Y este es un primer elemento que da valor al texto: la denuncia de la violencia en la pareja dentro de la comunidad queer. Pero la calidad excepcional de la propuesta de Machado va más allá: en lugar de quedarse en un mero ejercicio de testimonio personal, utiliza la historia vivida –y sufrida– para explorar más a fondo el tema, jugando literariamente con él. Y lo hace mediante la manipulación de los géneros narrativos –la novela romántica, la erótica, la de iniciación, la de terror...–, lo cual le permite contar su historia y reflexionar a la vez sobre cómo contamos todos las nuestras.
El resultado: una nueva muestra del talento inmenso y transgresor de Carmen Maria Machado, una de las voces femeninas más radicales y lúcidas del panorama literario contemporáneo, capaz de combinar la exploración formal con una transparencia absoluta en el relato de la experiencia vivida y la sexualidad. El libro es una pirueta literaria brillantísima y seductora, así como un testimonio de una sinceridad arrolladora sobre los abusos emocionales y físicos.
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