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Cloud Cuckoo Land Audio CD – CD, 28 September 2021
Anthony Doerr (Author) Find all the books, read about the author, and more. See search results for this author |
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"If you're looking for a superb novel, look no further." --The Washington Post
From the Pulitzer Prize-winning author of All the Light We Cannot See, comes the instant New York Times bestseller that is a "wildly inventive, a humane and uplifting book for adults that's infused with the magic of childhood reading experiences" (The New York Times Book Review).
Among the most celebrated and beloved novels of recent times, Cloud Cuckoo Land is a triumph of imagination and compassion, a soaring story about children on the cusp of adulthood in worlds in peril, who find resilience, hope, and a book.
In the 15th century, an orphan named Anna lives inside the formidable walls of Constantinople. She learns to read, and in this ancient city, famous for its libraries, she finds what might be the last copy of a centuries-old book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. Outside the walls is Omeir, a village boy, conscripted with his beloved oxen into the army that will lay siege to the city. His path and Anna's will cross.
In the present day, in a library in Idaho, octogenarian Zeno rehearses children in a play adaptation of Aethon's story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege.
And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father.
Anna, Omeir, Seymour, Zeno, and Konstance are dreamers and outsiders whose lives are gloriously intertwined. Doerr's dazzling imagination transports us to worlds so dramatic and immersive that we forget, for a time, our own.
- LanguageEnglish
- PublisherSimon & Schuster Audio
- Publication date28 September 2021
- Dimensions12.7 x 3.05 x 14.92 cm
- ISBN-101797128523
- ISBN-13978-1797128528
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Product description
Review
About the Author
Simon Jones Broadway credits include: The Real Thing, Benefactors, The School for Scandal, The Herbal Bed, and Waiting in the Wings (Outer Critics Circle nominee). Off-Broadway credits include: Woman in Mind, Terra Nova, Privates On Parade (Drama Desk nominee). Film and TV highlights: Monty Python's The Meaning of Life, Brazil, Twelve Monkeys, The Devil's Own, Brideshead Revisited, PBS's Liberty and HBO's Oz.
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Product details
- Publisher : Simon & Schuster Audio; Unabridged edition (28 September 2021)
- Language : English
- ISBN-10 : 1797128523
- ISBN-13 : 978-1797128528
- Dimensions : 12.7 x 3.05 x 14.92 cm
- Best Sellers Rank: 811,341 in Books (See Top 100 in Books)
- 56,015 in Literary Fiction (Books)
- 86,114 in Historical Fiction (Books)
- Customer Reviews:
About the author

Anthony Doerr has won numerous prizes for his fiction, including the Pulitzer Prize and the Carnegie Medal. His novel, 'All the Light We Cannot See,' was a #1 New York Times Bestseller and his new novel, 'Cloud Cuckoo Land,' published in September of 2021, was a finalist for the National Book Award. Learn more at www.anthonydoerr.com.
Customer reviews

Reviewed in Australia on 17 March 2022
Top reviews from Australia
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This thematic thread doesn’t just run through Cloud Cuckoo Land, it is the one idea that holds up the entire edifice, a flimsy foundation for a monumental novel that is always on the brink of crashing down.
It doesn’t crumble. Anthony Doerr is a skilled and imaginative writer. He also built his opus as three distinct but interwoven stories, an interrupted narrative that promises depth - just around the corner, reader! - but mostly delivers scope. And lots of it.
Even summarizing the three stories is preemptively exhausting. Suffice to say they take place in different periods – the 1453 siege of Constantinople, a beleaguered 20th century and a distant future where humans travel to Mars, our civilization in tow. All three narratives suggest literature is our one redemptive feature as a species, yet the convoluted structure cannot hide that taken in isolation and read linearly, each tale is somewhat pedestrian in its telling.
To make sure we care – and it’s important that we do, there are over 600 pages to get through – the author repeatedly puts young people (and animals) in harm’s way. That slightly formulaic brand of melodrama worked wonders in uber-bestseller All The Light We Cannot See, but wears thin here, perhaps because the device is used ad nauseam.
Books are messages across cultures and eras, and we readers have a responsibility of stewardship. It’s a beautiful sentiment nearly crushed under the sheer weight of storytelling. At the risk of letting everyone down, I will relinquish my responsibility in this case and fail to recommend the book to others. Rest easy, though, Cloud Cuckoo Land is already adored by many and will be read long after we’ve left our dying planet and settled on Mars.

Reviewed in Australia on 17 March 2022
This thematic thread doesn’t just run through Cloud Cuckoo Land, it is the one idea that holds up the entire edifice, a flimsy foundation for a monumental novel that is always on the brink of crashing down.
It doesn’t crumble. Anthony Doerr is a skilled and imaginative writer. He also built his opus as three distinct but interwoven stories, an interrupted narrative that promises depth - just around the corner, reader! - but mostly delivers scope. And lots of it.
Even summarizing the three stories is preemptively exhausting. Suffice to say they take place in different periods – the 1453 siege of Constantinople, a beleaguered 20th century and a distant future where humans travel to Mars, our civilization in tow. All three narratives suggest literature is our one redemptive feature as a species, yet the convoluted structure cannot hide that taken in isolation and read linearly, each tale is somewhat pedestrian in its telling.
To make sure we care – and it’s important that we do, there are over 600 pages to get through – the author repeatedly puts young people (and animals) in harm’s way. That slightly formulaic brand of melodrama worked wonders in uber-bestseller All The Light We Cannot See, but wears thin here, perhaps because the device is used ad nauseam.
Books are messages across cultures and eras, and we readers have a responsibility of stewardship. It’s a beautiful sentiment nearly crushed under the sheer weight of storytelling. At the risk of letting everyone down, I will relinquish my responsibility in this case and fail to recommend the book to others. Rest easy, though, Cloud Cuckoo Land is already adored by many and will be read long after we’ve left our dying planet and settled on Mars.

I often dislike books with multiple stories that are loosely connected, but this author stitches the different narratives together so cleverly, with such an unpretentious love of story. Wow.
Top reviews from other countries

...but.... but, but... when done right, a slow-builder that promises much can sometime deliver most. Multiple stories, when told right, can deliver multiple times the load. Cloud Cuckoo Land is ABSOLUTELY a quality read that doesn't fail to deliver and the mythical tale of Aethon's adventures tie it all together beautifully, even as it seems possibly "annoyingly quirky" to begin with.
There aren't too many "all in one" works of fiction these days, with a start, a middle and and end. It used be that fiction had this to aim for at least, but nowadays never-ending book-series seem the order of the day. To my mind, the best fiction is a story that builds to a knockout ending that leaves you dazed (and likely confused) by the end. This IS such a tale.
I still don't know if it all makes sense (well, I kind of know it doesn't / also of course it does) - but it doesn't matter. I still haven't thought enough about it to figure out if there are some inconsistencies or a coincidence-too-far in places. Part of me is looking forward to thinking on it for a long time to come and part of me doesn't want to over-analyse it. There's a lot to digest here, but sometimes, like a good cake, it's best to gorge and enjoy rather than spend time dissecting the ingredients, trying to find an element that could be eliminated. The little tangy taste you get from an isolated under-ripe raspberry can be just what's needed to raise the flavour of a slightly-too-musky dark chocolate. And maybe you don't like cream, but when it has just the right consistency, with just the right flavours flowing through, the whole is many times more than the sum of its parts.
That's not to put-down the individual parts of this book. Each, in turn is magnificently told and a lovely read. But, stitched together with "Diogenes's" thread, the whole is multiple times more special.
Thank you for restoring my faith in modern fiction.



Even though this is a long book, the many separate chapters make it fly by.
Well worth the read.
