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Jonathan Franzen

Freedom Kindle Edition

by Jonathan Franzen (Author) Format: Kindle Edition

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“A masterpiece of American fiction”
Sam Tanenhaus, The New York Times Book Review

A novel from the author of The Corrections.

This is the updated version of the text.

This is the story of the Berglunds, their son Joey, their daughter Jessica and their friend Richard Katz. It is about how we use and abuse our freedom; about the beginning and ending of love; teenage lust; the unexpectedness of adult life; why we compete with our friends; how we betray those closest to us; and why things almost never work out as they ‘should’. It is a story about the human heart, and what it leads us to do to ourselves and each other.

In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. In charting the mistakes and joys of Freedom's intensely realized characters, as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.

Print length

610 pages
Language

English
Publisher

Fourth Estate
Publication date

23 September 2010
File size

2338 KB
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Product description

Review

'Head and shoulders above any other book this year: moving, funny and unexpectedly beautiful. I missed it when it was over' Sam Mendes, Observer, Books of the Year

'A cat's cradle of family life, and if the measure of a good book is its afterburn, ‘Freedom’ is a great book' Kirsty Wark Observer, Books of the Year

'I loved ‘Freedom’. His acute observations of emotional faultlines, his dialogue and above all his wry humour are delightful' Antony Beevor, Sunday Telegraph, Books of the Year

'Franzen pulls off the extraordinary feat of making the lives of his characters more real to you than your own' David Hare, Guardian, Books of the Year

'No question about it: ‘Freedom’ swept everything before it in intricately observed, humane, unprejudiced armfuls. There was no novel to touch it in 2010' Philip Hensher, Daily Telegraph, Books of the Year

'By the end of ‘Freedom’ you may feel you understand its protagonists better than you know anyone in the world around you' Nicholas Hytner, Evening Standard, Books of the Year

'The novel of the year. Its portrait of a marriage, luminously and wittily drawn against a backdrop of modern America, is as good as literature gets' Sarah Sands, New Statesman, Books of the Year

--This text refers to an alternate kindle_edition edition.

About the Author

Jonathan Franzen’s work includes four novels (The Twenty-Seventh City, Strong Motion, The Corrections, Freedom), two collections of essays (Farther Away, How To Be Alone), a memoir (The Discomfort Zone), and, most recently, The Kraus Project. He is recognised as one of the best American writers of our age and has won many awards. He lives in New York City and Santa Cruz, California.

--This text refers to an alternate kindle_edition edition.

Product details

ASIN ‏ : ‎ B0044DE906
Publisher ‏ : ‎ Fourth Estate (23 September 2010)
Language ‏ : ‎ English
File size ‏ : ‎ 2338 KB
Text-to-Speech ‏ : ‎ Enabled
Screen Reader ‏ : ‎ Supported
Enhanced typesetting ‏ : ‎ Enabled
X-Ray ‏ : ‎ Enabled
Word Wise ‏ : ‎ Enabled
Print length ‏ : ‎ 610 pages

Best Sellers Rank: 112,077 in Kindle Store (See Top 100 in Kindle Store)
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About the author

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Jonathan Franzen

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Jonathan Franzen is the author of five novels--Purity, Freedom, The Corrections, The Twenty-Seventh City, and Strong Motion--and five works of nonfiction and translation, including Farther Away, How to Be Alone, and The Discomfort Zone, all published by Farrar, Straus and Giroux. He is a member of the American Academy of Arts and Letters, the German Akademie der Kunste, and the French Ordre des Arts et des Lettres.

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Greenfairy

Loved it!

Reviewed in Australia on 23 September 2015

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Life, love, betrayal and redemption. A college basketball player forgoes a sports career to marry a good and decent man with whom she is not really in love. She is besotted with his womanising, seemingly unattainable best friend who is a musician. The consequences of this decision will play out over several decades. This epic book has it all. The superbly drawn characters became real to me as they struggled to find meaning in their lives. This was an excellent study of the psychology of relationships, but above all it was a very human story. Brilliant writing. This is my first go at a Jonathon Franzen book. I will definitely be reading more of his work.

3 people found this helpful

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Amazon Customer

It's a story well told but I didn't really care about it.

Reviewed in Australia on 3 August 2019

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Good writing but I couldn't identify with the characters and I didn't really care what happened. I didn't really get the social commentary (if that was the point) but I don't live in the USA, so maybe that's why.

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Fiona Steinberg

I ended up just skimming over the more boring bits. I won't be seeking out any more ...

Reviewed in Australia on 12 January 2016

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This was such a long winded, wordy book! It took absolutely forever to read, and what could have been said in 200 pages, took 600. I ended up just skimming over the more boring bits. I won't be seeking out any more of his work, that's for sure!

One person found this helpful

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Mrs Roslyn Ridgeway

A very thought provoking story

Reviewed in Australia on 20 July 2014

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A great insight into human nature and all its complexities. Excellent reading told in an unusual way with some light humour

One person found this helpful

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Tealady2000

There but for the grace of God go all of us

Reviewed in the United Kingdom on 1 May 2016

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Based on other reviews, this seems to be a real Marmite book, with people either loving it or loathing it. I got it free as some kind of Kindle special offer and I was a bit apprehensive starting it because it has a lot of negative reviews. But luckily for me, it grabbed me immediately and I really enjoyed it. It is a family saga, centred around an ageing couple and their three grown-up children, and I think my enjoyment stemmed from the fact that the dynamics were so instantly familiar. I must admit that my pleasure was tempered in places by the fact that the familiarity was incredibly close to the bone. The story touches on many universal themes - the difficulties we have coping as we get older, the expectations that the older generation have of the younger generation, the need of the younger generation to build their own lives, and the conflicts that all this brings. Despite these "heavy" issues, the book has a humorous tone, and although it is very long, it is extremely well written. I haven't read any Jonathan Franzen before and I was very impressed with his literary style.

12 people found this helpful

Top Cat

I really grew to love these characters

Reviewed in the United Kingdom on 5 July 2020

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Franzen writes such brilliant characters. This isn't a book about plot, although I really enjoyed discovering how the story unfolded. Instead, this is about gaining an understanding of how the characters tick. And Franzen does this brilliantly. You heard the voice of each main character and grow to love them. And then you move on to another, while the plot gives structure. Superb.

2 people found this helpful

E. Clarke

witty riffs, etc

Reviewed in the United Kingdom on 11 July 2011

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This is a hugely enjoyable book, mainly because of the excellent writing. The framework is, I suppose, modern American life. I guess it helps a little not to be American, so you can discount the many implausiblilities by telling yourself, ah, well, I suppose this could happen in America. (I was surprised at how many of the local references and current argot were unfamiliar/impenetrable to me). The characters are not exactly grotesques, but there is something of the Dickensian exaggeration about them, which makes it all the more suprising that I was often very moved (at least twice to tears) by what happened to them. But the family saga framework is intricately and skillfully worked out, without exactly being a plot. Franzen manages to touch on just about every current modern theme, most obviously, environmentalism and freedom, though strangely he avoids racism - blacks and the poor get one, totally insignificant walk-on part each. All the themes are treated comprehensively, and all are shown to be intractable. As is the main theme of the book, the puzzling phenonomeon of love. Given the intractability of this, I can't blame him for his method of bringing the book to a conclusion (and not just because I was totally unconvinced at the same time as being totally moved).
I was, though, utterly mesmerised by the writing - the prose, and the storytelling, of course, but most of all the constantly surprising and interesting riffs on all sorts of subthemes - in politics, economics, environmentalism, family life, community life, etc. I liked so many of them, and loved the one on cats.

I mentionded Dickens, and I suppose the most surprising thing about this book is how old fashioned it really is and how modern it really feels. In this last regard, his treatment of sex is exemplary. Its insistent and troubling nature is there for all to see (and feel!).All its variations are graphically allowed their spot in the limelight (at least the heterosexual ones - the strong, male loves are convncingly matey, and certainly no basis for a life), but it is surrounded by neither moralising mystery nor sub-teen prurience or porn. There is also no feeling of having a writerly sex interlude, it is all part of the grand story. Is that what modern sex is?

2 people found this helpful

S. B. Kelly

Playing Unhappy Families

Reviewed in the United Kingdom on 14 April 2012

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Tolstoy said that each unhappy family is unhappy in its own way, but I've never really believed that. Certainly, the families of Walter and Patty Berglund are very similar: each of them is the outsider, the family scapegoat, bullied by both parents and siblings. That should perhaps make them a natural couple, but Patty really yearns for Walter's cool friend Richard, the laid-back, womanising musician. In the end, she settles for Walter and they build a life together in small-town Minnesota with two children of their own.

It would be easy to dislike Patty but I didn't. She's an innocent who, when she does bad things, does them not out of malice but almost accidentally. Her one great gift, as a basketball player, is taken from her by injury. Mild-mannered Walter, meanwhile, with his endless concerns for the environment and zero-population growth, matures into a man nearly burned alive by anger.

At first I found the prose style annoying, with its very long, rambling, unstructured sentences (I found one that went on for two pages), but I got used to it after a while and it ceased to bother me. The chapters are also long, each centred on one member of the small group of main characters, some of them a sort of autobiography written by Patty, which will come back to bite her in the end.

This is a profoundly sad book: people are unhappy; government is corrupt; big business amoral and self-seeking. The fact that it manages to end on a note of hope is a small blessing. Franzen's message may be the same as Forster's in Howard's End -- that what matters is personal relations and being kind to each other.

8 people found this helpful

Gary

Why does anyone else bother writing novels?

Reviewed in the United Kingdom on 16 December 2010

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Anyone who occasionally considers writing a novel shouldn't read Jonathan Franzen. He makes you just give up. Not only does he do the big things - family, freedom, entrapment by society, the hugely different perspectives of rich and poor, educated and uneducated - but he manages the fine-grained stuff perfectly as well - the little (big) lies, the ways in which we fool ourselves as much as we are fooling those around us. And on top of all this he manages to weave the big stuff together with the small and he tells a story. Admittedly, the story - the plot - is not a page-turner, but one wants to know about the characters enough to wonder what is happening with them. The story is told persuasively.

But you don't read it for the plot. You read it for the depth of its commentary on everyday life. Other reviewers here have compared Franzen here with Updike and Tolstoy, but for me it was more like Richard Yates and Revolutionary Road. It was about the disappointments and road-blocks we face in our everyday choices - about the kind of work that we choose to do, about the choices of life partner we make and the compromises we let ourselves into in making those choices. So, none of us is free. Yet we persuade ourselves that we are making the right choices - we delude ourselves that we have done it right. So, Walter the environmentalist gets into bed with big oil persuading himself with his potty Green plan that it is best for a little bird, but the loss of a mountain compared to the tiny gain for the bird is obvious to everyone except Walter and his beautiful assistant - whom he also gets into bed with, leaving his wife Patty to explore her own compromise in having married Walter and not having gone with the much sexier Richard, all of those years ago. And when she does eventually go with Richard, it all falls apart of course. Moral: they would have been better staying with their compromises; better not pretending to themselves that something better - something more unequivocally 'them' - was tantalisingly within reach.

Like the other reviewers I was surprised ('disappointed' would be too strong a word) by the way that Franzen didn't manage to change the style and register of Patty's writing from his own, apart from the occasional rather gross clue (such as Patty's use of scare quotes). And (having the uncorrected version) I was surprised that he thought Cypress was a place. But, hey, it shows he is human and we can surely celebrate.

Probably the best novel I've ever read (apart from The Corrections).

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