
Freedom
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The new novel from the author of The Corrections.
Patty and Walter Berglund were the new pioneers of old St. Paul - the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbour who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter - environmental lawyer, commuter cyclist, family man - she was doing her small part to build a better world.
But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz - outré rocker and Walter's old college friend and rival - still doing in the picture? Most of all, what has happened to poor Patty?
Why has the bright star of Barrier Street become "a very different kind of neighbour", an implacable Fury coming unhinged before the street's attentive eyes?
In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of too much liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom's intensely realized characters, as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.
- Listening Length25 hours and 57 minutes
- Audible release date22 September 2010
- LanguageEnglish
- ASINB00NWBISNU
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 25 hours and 57 minutes |
---|---|
Author | Jonathan Franzen |
Narrator | David Ledoux |
Audible.com.au Release Date | 22 September 2010 |
Publisher | HarperCollins Publishers Limited |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B00NWBISNU |
Best Sellers Rank | 17,036 in Audible Books & Originals (See Top 100 in Audible Books & Originals) 614 in Literary Fiction (Audible Books & Originals) 2,596 in Literary Fiction (Books) |
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It would be easy to dislike Patty but I didn't. She's an innocent who, when she does bad things, does them not out of malice but almost accidentally. Her one great gift, as a basketball player, is taken from her by injury. Mild-mannered Walter, meanwhile, with his endless concerns for the environment and zero-population growth, matures into a man nearly burned alive by anger.
At first I found the prose style annoying, with its very long, rambling, unstructured sentences (I found one that went on for two pages), but I got used to it after a while and it ceased to bother me. The chapters are also long, each centred on one member of the small group of main characters, some of them a sort of autobiography written by Patty, which will come back to bite her in the end.
This is a profoundly sad book: people are unhappy; government is corrupt; big business amoral and self-seeking. The fact that it manages to end on a note of hope is a small blessing. Franzen's message may be the same as Forster's in Howard's End -- that what matters is personal relations and being kind to each other.

What Franzen is so good at is family relations and for me, a female, he gives a wondrous look into the masculine mind and sexual drive. Anne Tyler, who insists on writing novels from the male point of view should read this book closely.
I found both the sex-crazed Richard and the anal retentive Walter more convincing than the heroine, Patty, whose later persona as a mixed up mother and wife does not follow well from her teenage years as an outstanding athlete.
Still, Jonathan is a formidable writer and I think deserves all the accolades.
[...]

I was, though, utterly mesmerised by the writing - the prose, and the storytelling, of course, but most of all the constantly surprising and interesting riffs on all sorts of subthemes - in politics, economics, environmentalism, family life, community life, etc. I liked so many of them, and loved the one on cats.
I mentionded Dickens, and I suppose the most surprising thing about this book is how old fashioned it really is and how modern it really feels. In this last regard, his treatment of sex is exemplary. Its insistent and troubling nature is there for all to see (and feel!).All its variations are graphically allowed their spot in the limelight (at least the heterosexual ones - the strong, male loves are convncingly matey, and certainly no basis for a life), but it is surrounded by neither moralising mystery nor sub-teen prurience or porn. There is also no feeling of having a writerly sex interlude, it is all part of the grand story. Is that what modern sex is?