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Girl, Woman, Other: WINNER OF THE BOOKER PRIZE 2019 Paperback – 3 March 2020
Bernardine Evaristo (Author) Find all the books, read about the author, and more. See search results for this author |
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Grace is a Victorian orphan dreaming of the mysterious African father she will never meet.
Winsome is a young Windrush bride, recently arrived from Barbados.
Amma is the fierce queen of her 1980s squatters' palace.
Morgan, who used to be Megan, is blowing up on social media, the newest activist-influencer on the block.
Twelve very different people, mostly black and female, more than a hundred years of change, and one sweeping, vibrant, glorious portrait of contemporary Britain. Bernardine Evaristo presents a gloriously new kind of history for this old country- ever-dynamic, ever-expanding and utterly irresistible.
- Print length464 pages
- LanguageEnglish
- PublisherPenguin (General UK)
- Publication date3 March 2020
- Dimensions12.9 x 2.8 x 19.8 cm
- ISBN-100241984998
- ISBN-13978-0241984994
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Product description
Review
If you haven't discovered [Evaristo] yet, I urge you to read all and any of her books. Devoured one a day already and ordered more. Hilarious, compassionate, moving and brutally honest. -- Richard E Grant via Twitter
Beautifully interwoven stories of identity, race, womanhood, and the realities of modern Britain. The characters are so vivid, the writing is beautiful and it brims with humanity. -- Nicola Sturgeon via Twitter
Weaves through time and space with crackling originality ― Vogue
Exuberant, bursting at the seams in delightful ways... Evaristo continues to expand and enhance our literary canon. If you want to understand modern day Britain, this is the writer to read ― New Statesman
An exceptional book that unites poetry, social history, women's voices and beyond. Order it right now ― Stylist
Evaristo's prose hums with life as characters seem to step off the page fully formed. At turns funny and sad, tender and true, this book deserves to win awards ― Red
Brims with vitality ― FT
With this rich composition, Evaristo deserves a toast ― Literary Review
Masterful... A choral love song to black womanhood in modern Great Britain ― Elle
'Girl, Woman, Other is about struggle, but it is also about love, joy and imagination. ― Guardian
Threads together the diverse life stories of 12 black British women in ways that deliberately resist categorisation ― Metro
Such a satisfying read, funny and true, the characters are so real you feel you know them already -- Miranda Sawyer via Twitter
A warm, humorous and ambitious novel, and one that is enjoyably playful in style. It is both a product of its time and unlike any book ever written about Britain ― Economist
My favorite book of 2019 . . . the most absorbing book I read all year. This novel is a master class in storytelling. It is absolutely unforgettable. When I turned the final page, I felt the ache of having to leave the world Evaristo created but I also felt the excitement of getting to read the book all over again. It should have won the Booker alone. It deserves all the awards and then some. -- Roxanne Gay
'Girl, Woman, Other by Bernardine Evaristo is the best book in recent years to have embodied the idea that there are as many ways to be joyful as there are to be Black. Polyphonic and nuanced, it celebrates the lives of Black British women rather than commiserating with them, which is a crucial - and rare - distinction.' ― Sara Collins
Book Description
About the Author
www.bevaristo.com
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Product details
- Publisher : Penguin (General UK); 1st edition (3 March 2020)
- Language : English
- Paperback : 464 pages
- ISBN-10 : 0241984998
- ISBN-13 : 978-0241984994
- Dimensions : 12.9 x 2.8 x 19.8 cm
- Best Sellers Rank: 950 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

British writer Bernardine Evaristo is the award-winning author of seven books including her new novel, Mr Loverman, about a 74 yr old Caribbean London man who is closet homosexual (Hamish Hamilton/Penguin, 2013 & Akashic USA, 2014). Her writing is characterised by experimentation, daring, subversion and challenging the myths of various Afro-diasporic histories and identities. Her books range in genre from poetry, verse-novels, a novel-with-verse, a novella, short stories, prose novels, radio and theatre drama, and literary essays and criticism. Her eighth book will be a collection of her short stories, published by in Italian by Carocci in 2015. The first monograph on her work, Fiction Unbound by Sebnem Toplu, was published in August 2011 by Cambridge Scholars Publishing. The second will be published by Carocci in 2015.
Her awards include the Jerwood Fiction Uncovered Prize, EMMA Best Book Award, Big Red Read, Orange Youth Panel Award, NESTA Fellowship Award and Arts Council Writer's Award. Her books have been a Best Book of the Year 13 times in British newspapers and magazines and The Emperor's Babe was a Times 'Book of the Decade'. Hello Mum has been chosen as one of twenty titles for World Book Night in 2014. She was made a Fellow of the Royal Society of Literature in 2004, a Fellow of the Royal Society of Arts in 2006, and she received an MBE in 2009.
Her books are: MR LOVERMAN (Penguin, 2013), HELLO MUM (Penguin 2010), LARA (Bloodaxe 2009), BlONDE ROOTS (Penguin 2008), SOUL TOURISTS (Penguin 2005), THE EMPEROR'S BABE (Penguin 2001), the first version of LARA (ARP 1997), ISLAND OF ABRAHAM (Peepal Tree, 1994). For more information visit BOOKS. Her verse novel The Emperor's Babe was adapted into a BBC Radio 4 play in 2013 and her novella Hello Mum was broadcast as a Radio 4 play in 2012. Her writing - essays, articles and non-fiction - has appeared in many publications.
She has edited and guest edited several publications. She is the co-editor of two recent anthologies and a special issue of Wasafiri magazine: Black Britain: Beyond Definition, which celebrated and reevaluated the black writing scene in Britain. In 2012 she was Guest Editor of the winter issue of Poetry Review, Britain's leading poetry journal, in its centenary year. Her issue, Offending Frequencies, featured more poets of colour than had ever previously been published in a single issue of the journal, as well as many female, radical, experimental and outspoken voices.
She is also a literary critic for the national newspapers such as the Guardian and Independent and has judged many literary awards including the National Poetry Competition, TS Eliot Prize, Orange First Novel Award and the Next Generation Poet's List. In 2012 she was Chair of the Caine Prize for African Fiction and Chair of The Commonwealth Short Story Prize. That year she also founded the Brunel University African Poetry Prize. She is Reader in Creative Writing at Brunel University and designed and teaches the anuual six month Guardian¬-University of East Anglia 'How to Tell a Story' fiction course in London.
She has toured widely in the UK and since 1997 she has accepted invitations to take part in over 100 international visits as a writer. She gives readings and delivers talks, keynotes, workshops and courses and she has held visiting fellowships and professorships.
Bernardine Evaristo was born in Woolwich, south east London, the fourth of eight children, to an English mother and Nigerian father. Her father was a welder and local Labour councillor and her mother a schoolteacher. She was educated at Eltham Hill Girls Grammar School, the Rose Bruford College of Speech & Drama, and Goldsmiths, University of London, where she earned a PhD in Creative Writing. She spent her teenage years acting at Greenwich Young People's Theatre. She lives in London with her husband.
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Girl, Woman, Other is filled with slang, non-mainstream words, awkward spelling and grammatical mistakes (maybe done purposely. For example, page 257 - "...she taught Shirley who in turn taught Rachel to ensure they was (sic) all clean and well-dressed when they got on a plane..." ). The punctuation and the arrangement of paragraphs in the book are deplorable. Nevertheless, Girl, Woman, Other must be credited with having one of the longest words in the English language, which is "supercalifragilisticexpialidocious". Sorry to say but I can't recommend this book to anyone. If there were an option to give a negative rating, I would have gladly chosen it.
Got lost a few times on connections, but never bored.
Fast paced.
First third of the book I was ‘off’ lesbian politics, but this was necessary - part of my education.
What a huge exploration of women’s politics and sexuality and relationships and modern day Britain race relations.
Kids, you love ‘em, they give you the ‘irrits’ - blokes, the same!
My only suggestion to other readers is you may like to note down who people are as they are introduced! Towards the end of the book I wished I had done this but then got to the end without missing anything and loving this whole exploration of two worlds I have not experienced myself.
Top reviews from other countries

The twelve narratives are grouped into four sets of three, each set has relatively tight connections with the others in that set, but the four sets are connected sometimes in tangential ways. Each narrative is fully and beautifully told, centring on a black woman but with a lively and diverse cast of supporting characters - sometimes generations of that character’s family, sometimes friends, sometimes employers or offspring.
Each of the twelve characters is sufficiently different to maintain interest and avoid any blurring between them. They range, for example, from a lesbian theatre dramatist, to a city banker, to a Northumbrian farmer, to a narcissistic schoolteacher. Some of the characters are more likeable than others, some of them are happier than others. Taken together, though, they challenge a number of pre-conceptions: e.g. that black skin was not seen in Britain before the Windrush; that the black community is somehow homogenous; that black kids have lower expectations than their white counterparts. We see in great detail the complexity of the backgrounds of many Black Britons; the systematic stifling of ambition and opportunity that Black kids experience; and the power of familial expectations and the perils of wanting something different from life.
Girl, Woman, Other does have a couple of codas. The first is an after party following the opening of a play by Amma, the star of the first narrative. This brings together some of the characters and offers an opportunity for some set-piece politicking. If the novel has a weak spot, this is it. The second coda is much more powerful, as one of the characters discovers her true heritage. The reader will already have worked this out, but the salient feature is more the character’s reaction than the actual fact of it.
This remarkable collection of narratives is dauntingly long to start with, but after the first two or three stories it is very hard to put down. It is written in a compelling, immediate style (almost verse like with line spacing and lack of capital letters), and gives a very convincing insight into lives that the reader might never have previously noticed. This is an important work that gives a better understanding of our country, and an appreciation that the story is still being written.


writing akin to a four year old. So cross that I had to buy this – my book club chose it as our book of the month. Everyone hates it. Emperor’s new clothes, avoid at all costs!

