Could anyone please elucidate the criteria for awarding the "Booker Prize" for a novel? Girl, Woman, Other had won the Booker Prize for the year 2019, which leaves me perplexed as to how this book earned it! Or was it a mistake?
Girl, Woman, Other is filled with slang, non-mainstream words, awkward spelling and grammatical mistakes (maybe done purposely. For example, page 257 - "...she taught Shirley who in turn taught Rachel to ensure they was (sic) all clean and well-dressed when they got on a plane..." ). The punctuation and the arrangement of paragraphs in the book are deplorable. Nevertheless, Girl, Woman, Other must be credited with having one of the longest words in the English language, which is "supercalifragilisticexpialidocious". Sorry to say but I can't recommend this book to anyone. If there were an option to give a negative rating, I would have gladly chosen it.

Girl, Woman, Other
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Brought to you by Penguin.
Winner of The Booker Prize 2019
Shortlisted for The Women's Prize for Fiction 2020
The Sunday Times best seller
This is Britain as you've never heard it.
This is Britain as it has never been told.
From Newcastle to Cornwall, from the birth of the 20th century to the teens of the 21st, Girl, Woman, Other follows a cast of 12 characters on their personal journeys through this country and the last hundred years. They're each looking for something - a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope....
©2019 Bernardine Evaristo (P)2019 Penguin Audio
- Listening Length11 hours and 7 minutes
- Audible release date2 May 2019
- LanguageEnglish
- ASINB07QTY69TD
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 11 hours and 7 minutes |
---|---|
Author | Bernardine Evaristo |
Narrator | Anna-Maria Nabirye |
Whispersync for Voice | Ready |
Audible.com.au Release Date | 02 May 2019 |
Publisher | Penguin Audio |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B07QTY69TD |
Best Sellers Rank | 3,284 in Audible Books & Originals (See Top 100 in Audible Books & Originals) 8 in Black & African American Women's Fiction (Books) 40 in Coming of Age Fiction (Audible Books & Originals) 104 in Women's Fiction (Audible Books & Originals) |
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4.3 out of 5 stars
4.3 out of 5
14,945 global ratings
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Top reviews from Australia
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Reviewed in Australia on 20 August 2020
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4 people found this helpful
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Reviewed in Australia on 7 January 2020
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What a ride! What a hoot!
Got lost a few times on connections, but never bored.
Fast paced.
First third of the book I was ‘off’ lesbian politics, but this was necessary - part of my education.
What a huge exploration of women’s politics and sexuality and relationships and modern day Britain race relations.
Kids, you love ‘em, they give you the ‘irrits’ - blokes, the same!
Got lost a few times on connections, but never bored.
Fast paced.
First third of the book I was ‘off’ lesbian politics, but this was necessary - part of my education.
What a huge exploration of women’s politics and sexuality and relationships and modern day Britain race relations.
Kids, you love ‘em, they give you the ‘irrits’ - blokes, the same!
2 people found this helpful
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Reviewed in Australia on 21 November 2020
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This is an extraordinary book that is structured around the individual stories of women of colour in the UK. The stories are intriguing particularly for a male reader not normally exposed to the experiences, thoughts feelings and experiences of these extraordinary people. The writing style is different and initially until one gets used it is annoying. I am not entirely sure why the style needed to be so different . I am not convinced that it added to the story. A great read. Highly recommended.
Reviewed in Australia on 28 March 2020
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Although there were significant parts of the book I thoroughly enjoyed, overall I'm not sure what I just finished reading.
3 people found this helpful
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Reviewed in Australia on 19 April 2021
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The is the first book I have read by Bernadine Evaristo and I shall definitely read her other 5 novels now. Her interlinking character story explores the lives - hopes, ambitions, style, generational tension - of English born people of coloured immigrants parents and of same sex relationships. She writes character so well.
My only suggestion to other readers is you may like to note down who people are as they are introduced! Towards the end of the book I wished I had done this but then got to the end without missing anything and loving this whole exploration of two worlds I have not experienced myself.
My only suggestion to other readers is you may like to note down who people are as they are introduced! Towards the end of the book I wished I had done this but then got to the end without missing anything and loving this whole exploration of two worlds I have not experienced myself.
Reviewed in Australia on 30 December 2019
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I have never read a book like this before. It was beautifully written and I loved learning about a diverse group of black women living in the UK today. In my opinion it deserved winning the Booker Prize in 2019.
3 people found this helpful
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Reviewed in Australia on 6 January 2020
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This is a powerful book about women's lives, mostly black women. Stories interlinked by friendship and kinship. Heartbreak of motherhood. The importance of belonging and love. Raw and full of empathy! I cried in the last pages as it all came ..... together!
2 people found this helpful
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Reviewed in Australia on 27 November 2020
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Everything you ever wanted to know but we’re afraid to ask about gay black women in the UK. Beautifully lays bare the stereotypes @nd prejudices while showing you real people who live in the same world inhabited by not black not gay people. It has laugh out loud moments as well. Easy to read once you get used to the style. Looking for something different? Try this one
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MisterHobgoblin
5.0 out of 5 stars
Remarkable
Reviewed in the United Kingdom on 17 September 2019Verified Purchase
Review Girl, Woman, Other is an unconventional novel in the sense that it doesn’t have a plot, doesn’t have a particularly linear timeline, and doesn’t have a single focal character. What it is, essentially, is a collection of twelve different, loosely linked character studies that combine to create a sort of picture of black heritage in Britain.
The twelve narratives are grouped into four sets of three, each set has relatively tight connections with the others in that set, but the four sets are connected sometimes in tangential ways. Each narrative is fully and beautifully told, centring on a black woman but with a lively and diverse cast of supporting characters - sometimes generations of that character’s family, sometimes friends, sometimes employers or offspring.
Each of the twelve characters is sufficiently different to maintain interest and avoid any blurring between them. They range, for example, from a lesbian theatre dramatist, to a city banker, to a Northumbrian farmer, to a narcissistic schoolteacher. Some of the characters are more likeable than others, some of them are happier than others. Taken together, though, they challenge a number of pre-conceptions: e.g. that black skin was not seen in Britain before the Windrush; that the black community is somehow homogenous; that black kids have lower expectations than their white counterparts. We see in great detail the complexity of the backgrounds of many Black Britons; the systematic stifling of ambition and opportunity that Black kids experience; and the power of familial expectations and the perils of wanting something different from life.
Girl, Woman, Other does have a couple of codas. The first is an after party following the opening of a play by Amma, the star of the first narrative. This brings together some of the characters and offers an opportunity for some set-piece politicking. If the novel has a weak spot, this is it. The second coda is much more powerful, as one of the characters discovers her true heritage. The reader will already have worked this out, but the salient feature is more the character’s reaction than the actual fact of it.
This remarkable collection of narratives is dauntingly long to start with, but after the first two or three stories it is very hard to put down. It is written in a compelling, immediate style (almost verse like with line spacing and lack of capital letters), and gives a very convincing insight into lives that the reader might never have previously noticed. This is an important work that gives a better understanding of our country, and an appreciation that the story is still being written.
The twelve narratives are grouped into four sets of three, each set has relatively tight connections with the others in that set, but the four sets are connected sometimes in tangential ways. Each narrative is fully and beautifully told, centring on a black woman but with a lively and diverse cast of supporting characters - sometimes generations of that character’s family, sometimes friends, sometimes employers or offspring.
Each of the twelve characters is sufficiently different to maintain interest and avoid any blurring between them. They range, for example, from a lesbian theatre dramatist, to a city banker, to a Northumbrian farmer, to a narcissistic schoolteacher. Some of the characters are more likeable than others, some of them are happier than others. Taken together, though, they challenge a number of pre-conceptions: e.g. that black skin was not seen in Britain before the Windrush; that the black community is somehow homogenous; that black kids have lower expectations than their white counterparts. We see in great detail the complexity of the backgrounds of many Black Britons; the systematic stifling of ambition and opportunity that Black kids experience; and the power of familial expectations and the perils of wanting something different from life.
Girl, Woman, Other does have a couple of codas. The first is an after party following the opening of a play by Amma, the star of the first narrative. This brings together some of the characters and offers an opportunity for some set-piece politicking. If the novel has a weak spot, this is it. The second coda is much more powerful, as one of the characters discovers her true heritage. The reader will already have worked this out, but the salient feature is more the character’s reaction than the actual fact of it.
This remarkable collection of narratives is dauntingly long to start with, but after the first two or three stories it is very hard to put down. It is written in a compelling, immediate style (almost verse like with line spacing and lack of capital letters), and gives a very convincing insight into lives that the reader might never have previously noticed. This is an important work that gives a better understanding of our country, and an appreciation that the story is still being written.
374 people found this helpful
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carolyn james
1.0 out of 5 stars
Rubbish
Reviewed in the United Kingdom on 12 December 2019Verified Purchase
Self indulgent, unreadable and unpunctuated crap This is a case of the Emperor's new clothes. Save your money
278 people found this helpful
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Kindle Customer
1.0 out of 5 stars
Pretentious Rubbish
Reviewed in the United Kingdom on 26 January 2020Verified Purchase
Unreadable. Fails to engage . Basic style of
writing akin to a four year old. So cross that I had to buy this – my book club chose it as our book of the month. Everyone hates it. Emperor’s new clothes, avoid at all costs!
writing akin to a four year old. So cross that I had to buy this – my book club chose it as our book of the month. Everyone hates it. Emperor’s new clothes, avoid at all costs!
192 people found this helpful
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Clare Bawden
1.0 out of 5 stars
Awful - as others have said 'Emporers new clothes
Reviewed in the United Kingdom on 9 February 2020Verified Purchase
This was chosen as our book club book. Everyone struggled to finish it. Awful style of writing. Childish, contrived, stereotyped anti white male stories to fit her prejudiced narrative. In her view, being anti establishment & gobby=being empowered!
127 people found this helpful
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Philippa Perry
5.0 out of 5 stars
Depth and Beauty
Reviewed in the United Kingdom on 12 September 2019Verified Purchase
Bernadine (for me) has painted in so many stories of UK citizens which are universal we’ve just lost touch with them or never really knew them. She’s shown humanity on such a broad scale that has left me feeling I’ve experienced something brutally beautiful in reading her book.
123 people found this helpful
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