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Klara and the Sun: Longlisted for the 2021 Booker Prize

Klara and the Sun: Longlisted for the 2021 Booker Prize

byKazuo Ishiguro
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Craig Middleton
5.0 out of 5 starsClever and Unusual
Reviewed in Australia on 28 April 2021
The notion of Artificial Intelligence or the AF (artificial friend) is explored in Ishiguro's latest novel, Klara and the Sun. Through the eyes of Klara (AF), we see the world, her wishes, dreams, and developing relationships with her new owner, family, and friends. This is an unusual novel, in so far as it delves into the questions of what it means to be human and what it means to actually Love.

We begin the tale at the AF shop amongst other AF's on display to be sold. Klara and her fellow AF, Rosie, are standing side by side at the store's back. Occasionally the Manager moves Klara to the front window on a striped couch to gain a better opportunity to be seen and hopefully purchased. It is here we see the outside world through Klara's eyes. The crosswalk where many people cross the road, and the many taxis that fill her vision.

Klara has the innocence of a child though the intelligence or potential intelligence of an adult. What sets Klara apart from the other AF's is her keen observational abilities and her unrelenting curiosity about the behavior and motivations of the human's around her.

Finally one day while Klara and Rosie are positioned in the front window, Klara observes a woman and a little girl get out of a taxi. While the woman speaks to another human, the little girl approaches the window and asks Klara questions through the glass. All Klara can do is smile and nod her head, but a bond is created between them on their first meeting. From that day, Klara wants to be the AF to the little girl who we come to know as Josie. After a few mishaps and challenges, Josie and her mother buy Klara, and she is shipped to their home in the country. It's at this point we discover that the little girl is suffering from a serious illness.

What I found striking about Klara was her deep-seated sensitivity and overall kindness. This AF always thinks about other people's feelings, whether AI or human, above her own. One may argue this AF is programmed that way, but as mentioned, this AF is unique. Although it is her job to be the friend of her owner Josie, Klara takes this friendship to its limits to ensure a positive survival for the child and everyone around her.

As you would expect the Sun is a major character in this tale. Because the AF's are solar-powered, the sun is a source of life for them, and as Klara realizes, the sun is a source of life for all living things. This is a key theme throughout the novel.

The questions of what it means to be human have been explored in many novels in the past. For example, Phillip K. Dick's, Do Androids Dream of Electric Sheep, and Mary Shelly's Frankenstein, can loosely fit into this category. But Ishiguro takes this notion a step further by illustrating that true love, sacrifice for another, and the layered depths of the human heart are the things that truly make us human.

Once turning the last page, I didn't know whether to be sad, hopeful or both, yet the images, thoughts, and feelings of the tale remained with me for many days afterward.
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Satisfied Reader
3.0 out of 5 starsNot my up of tea but can see the allure
Reviewed in Australia on 8 October 2021
Klara and the Sun is a lesson in human emotion. Throughout the book you're seeing the world through Klara's naive eyes. Love, motherhood, childhood, and the hard choices a family makes are all seen and interpreted through Klara's robot mind. Some things are left for the reader to interpret but everything else can be inferred from each experience. The book wraps up nicely and leaves you with a lot of messages. The one I took from it was that change is constant throughout life but you need people beside you to get through it.

I thought the book was well written but the author chose to expand and heavily detail out pointless things. Then when something impact up came along, it just felt rushed. It made reading a little tedious. Luckily it wasn't an overly long book. Definitely not my normal read but a welcome change.
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From Australia

Craig Middleton
5.0 out of 5 stars Clever and Unusual
Reviewed in Australia on 28 April 2021
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The notion of Artificial Intelligence or the AF (artificial friend) is explored in Ishiguro's latest novel, Klara and the Sun. Through the eyes of Klara (AF), we see the world, her wishes, dreams, and developing relationships with her new owner, family, and friends. This is an unusual novel, in so far as it delves into the questions of what it means to be human and what it means to actually Love.

We begin the tale at the AF shop amongst other AF's on display to be sold. Klara and her fellow AF, Rosie, are standing side by side at the store's back. Occasionally the Manager moves Klara to the front window on a striped couch to gain a better opportunity to be seen and hopefully purchased. It is here we see the outside world through Klara's eyes. The crosswalk where many people cross the road, and the many taxis that fill her vision.

Klara has the innocence of a child though the intelligence or potential intelligence of an adult. What sets Klara apart from the other AF's is her keen observational abilities and her unrelenting curiosity about the behavior and motivations of the human's around her.

Finally one day while Klara and Rosie are positioned in the front window, Klara observes a woman and a little girl get out of a taxi. While the woman speaks to another human, the little girl approaches the window and asks Klara questions through the glass. All Klara can do is smile and nod her head, but a bond is created between them on their first meeting. From that day, Klara wants to be the AF to the little girl who we come to know as Josie. After a few mishaps and challenges, Josie and her mother buy Klara, and she is shipped to their home in the country. It's at this point we discover that the little girl is suffering from a serious illness.

What I found striking about Klara was her deep-seated sensitivity and overall kindness. This AF always thinks about other people's feelings, whether AI or human, above her own. One may argue this AF is programmed that way, but as mentioned, this AF is unique. Although it is her job to be the friend of her owner Josie, Klara takes this friendship to its limits to ensure a positive survival for the child and everyone around her.

As you would expect the Sun is a major character in this tale. Because the AF's are solar-powered, the sun is a source of life for them, and as Klara realizes, the sun is a source of life for all living things. This is a key theme throughout the novel.

The questions of what it means to be human have been explored in many novels in the past. For example, Phillip K. Dick's, Do Androids Dream of Electric Sheep, and Mary Shelly's Frankenstein, can loosely fit into this category. But Ishiguro takes this notion a step further by illustrating that true love, sacrifice for another, and the layered depths of the human heart are the things that truly make us human.

Once turning the last page, I didn't know whether to be sad, hopeful or both, yet the images, thoughts, and feelings of the tale remained with me for many days afterward.
7 people found this helpful
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Doug
5.0 out of 5 stars Dreamy android philosophising
Reviewed in Australia on 28 May 2021
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Ishiguro takes us into the mind of an Android in a poetic imagining of what it is to be human, as interpreted through the eyes of a robot. Filled with a naive charm, the book is narrated by Klara who comes into being to be an artificial friend for her teen companion Josie. I found the book compelling as you glimpse a familiar yet unfamiliar future world through the eyes of one who is also limited in their understanding and context. It’s lyrical, poetic and moving, with Kazuo’s trademark dreamy style. It asks profound questions in a way that remains natural and not didactic.
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Wide Eyes, Big Ears!
TOP 500 REVIEWER
5.0 out of 5 stars Beautiful and thoughtful writing with an intense, melancholic mood!
Reviewed in Australia on 23 September 2021
Klara is an Artificial Friend (AF), a companion robot created for lonely children whose parents can afford the hefty price tag. Klara is bought by Josie, a sweet but sickly girl who has been ‘lifted’ - given a genetic intelligence enhancement which runs the risk of ongoing health problems. Being solar-powered, Klara views the Sun as a gracious benefactor with healing properties and she appeals to the Sun to heal Josie. There are many rich themes in this dystopian speculative story, including: the role and ethics of technology in society; the nature of personhood and love; and the qualities we should value in each other. Klara narrates with impressive memory and observational ability, and touching naïveté - in some ways she is the faithful family dog, ever loyal, sometimes causing harm but never intentionally, receiving the occasional angry kick. While the writing is beautiful and I loved the experience, it is intense and melancholic - the story’s creeping dystopia made it hard to relax. The audio narrator, Sura Siu, captured Klara’s warm but careful tone perfectly.
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Jim KABLE
TOP 500 REVIEWER
5.0 out of 5 stars Klara to the Rescue - or - Klara Makes it Hapoen
Reviewed in Australia on 4 March 2021
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Via an IA companion to the teenager Josie we are enabled to see the world and human beings in a new way - its complexities and paradigms absorbed - belief systems and talismanic ways - deep ethical matters are uncovered - the reader comes to care for Klara - and then the fade - as the sun gives nourishment and strength and power and it too fades - at the close (of day).
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Archy
3.0 out of 5 stars Sometimes fascinating, sometimes dull
Reviewed in the United Kingdom on 9 March 2021
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Tales of androids / robots / Artificial Friends (in this case) showing empathy and perception towards humans are nothing new. Philip K Dick's We can build you, with its Abraham Lincoln simulacra, was half a century back, for example. Being Ishiguru this is dealt with in far more literary prose, but it still plods along in quite a dull fashion much of the time.

Plotwise, the narrator is Klara, an AF (Artificial Friend) to the teenage Josie, who lives an isolated life, aside from neighbour and potential boyfriend Rick, out in the country. She's is suffering from an illness whose cause is not really made specific. In fact in this dystopian future quite a number of things are not quite clear for much of the book. (What, for example, is the pollution spewing Cooting Machine?) Anyway, Klara's job is to observe and learn about Klara, and this she does, though her observations do become rather tiresome after a while. And I'm afraid the huge error she makes in regard to the Sun is simply, for me, not believable for one so otherwise intelligent. And the anti-climatic ending, while poignant, I found unsatisfying.

I kept going with this because it was Kazuo Ishiguru and does contain some fine passages, but it was a bit disappointing really.
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Marcus
5.0 out of 5 stars Emotionally gripping and thoughtful -- a masterpiece
Reviewed in the United Kingdom on 27 March 2021
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All of Ishiguro's novels are compelling and emotional, but for some of them the prevalent emotion is frustration or exasperation. Klara and the Sun is a return to Ishiguro's old form -- a book more like The Remains of the Day or Never Let Me Go.

Reading Klara and the Sun is a troubling experience. The emotional content is strong, while the world seems different from ours but disturbingly familiar. When I finished the book, I was left emotionally drained and it took me a few days to slowly arrange the book's ideas in my head. I really recommend this book.

--------- Spoiler Alert -----------

Klara and the Sun is set in the very near future, in a world that is clearly derived from ours. Technology is a bit more advanced, and inequality is even more pronounced. The novel is not conspicuously political, and the action of the novel is largely set in a distant out-of-town location where social reality barely intrudes. Yet there are half-hidden undertones of a disturbing political reality. Fascism is on the rise; big business continues to pollute the environment; society is divided between an elite class who can afford 'uplifting' for their children, though the process is risky, and an underclass who are effectively barred from higher education and decent jobs; most of society is 'post-employed'. It reminds me of how the social realities behind Jane Austen's novels -- slavery, the French Revolution, the oppression of women -- appear to be ignored in her vision of bucolic tranquillity but actually motivate her novels at a deeper level.

Klara herself is an AF, an 'artificial friend'. Klara has been designed to have a deep intuitive understanding of relationships and a real empathy for the humans she is supposed to befriend. However, Ishiguro goes to some lengths to show that these are really Klara's only skills. She has very little understanding of how the world works. Her mobility is limited and she has no senses of taste or smell. She can visually perceive simple scenes, but when there are too many people, or the setting is new to her, the scene breaks up into boxes that are barely connected. Sometimes she relates objects visually to views from her memory that are irrelevant: a line of coffee cups in the shop with a line of objects in the barn. Patterns of sunlight from a window which a human would ignore, have significance for Klara. Klara's world is different from and much simpler than ours.

Klara's simplicity, and her own dependence on solar power, leads her to a home-made religion of sun worship. Ishiguro's skill as an author makes it very believable that Klara's strong sense of empathy with human beings combined with her lack of knowledge of the real world leads her to the intuitive sense that the sun has human feelings and super-human capabilities.

Klara goes on to potentially sacrifice herself to persuade the sun to cure her human, Josie, from a disease that we eventually find is related to the process of 'uplift' that is to give her a chance of a career in this dystopian society. Klara believes that her sacrifice is what saved Josie. If true, it means that Klara has denied herself the role of 'continuing' Josie, by acting as her -- something that could have won Klara the love of 'the mother' and Ricky, 'the boyfriend'. It is very reminiscent of the butler in The Remains of the Day, who sacrificed his chance of love for a cause that proved to be pointless.

Klara ends up in a scrapyard, only able to move her head around so she can see the sky, and to slowly put her memories in order. It is a heart-breaking end to a story where she has given everything and received nothing in return, but where Klara has no bitterness at all because that ability was not programmed into her.

On one level, this is a story about artificial intelligence and an ethical side that has so far almost been ignored -- if we create beings that are capable of love and empathy, we should then be responsible for how we treat them. Mary Shelley understood this problem when she wrote Frankenstein, but most of the discussion of the ethics of AI today focusses only on the effect on humans.

On another level, this is a story about us now -- about how we use other people and are used by them. Klara and the Sun rings true emotionally because it is talking about exploitative relationships of a kind that we have seen, maybe experienced, ourselves. The political and social backdrop of the novel, so like present-day America where social inequality and individuality is taken to extremes, mirrors the way Klara is exploited. Klara's sacrifice and prayer to a non-existent sun-god likewise show humanity's response to that inequality and soullessness, in religion and sacrifice.

Klara's naivety and intuition lead her to a sacrifice that may be pointless, but show her to be the only real human in the book.
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Vin
2.0 out of 5 stars Just plain dull
Reviewed in the United Kingdom on 20 March 2021
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The pace is glacial. The central character is an 'Artificial Friend' designed to be a companion to a child - in this case, Josie who has an unpsecified life-threatening illness. What I couldn't buy into was how such a sophisticated 'machine' could be so naive and repeatedly misread the world around it. For example, Klara forms a theory that she can ask the sun to heal Josie - presumably based on the knowledge that she is herself solar-powered. Did the AF developers blow all the money on the body and forget the intelligence? For me, that is the greatest flaw in the plot and the rest of the story collapses around it. There is Josie's friend, Rick, who has not been 'lifted' - in other words, genetically modified along with all other children to increase his intelligence. But he is naturally talented without it. We never learn why his mother refused the treatment. There's a lot we never learn. Add that to paper-thin characterisation and a glacial pace and you get an insubstantial novel. Klara's ending could be a starting point for a sequel, but please don't.
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Singh, R.
TOP 500 REVIEWER
5.0 out of 5 stars Becoming Person in Love
Reviewed in India on 14 March 2021
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When I read ‘The Buried Giant’, for a long time, and even today, I couldn’t stop thinking about it. The couple, their quest, the giant; everything still remains alive in my mind. A similar feeling dawned on me when I finished reading ‘Klara and the Sun’. There was something supremely beautiful and intelligent about this book that has tugged itself to me. Here is Klara, an artificial friend (AF) to Josie who is suffering from something only her AF could save her from. With her belief rising in the Sun, Klara is determined to be the best friend Josie could ever have. But Klara, with her qualities of observation like that of a raconteur, has feelings toward those around her. Her observations of others throughout the novel runs both with, feelings and a distance from them. She discovers a totem to which she ties herself and places all her hopes on. She finds someone to give herself to. She lives a life which settles into memory collapsing into each other like the various things she discovers of being a person. Ishiguro writes about Klara and her Sun with simplicity, one that’s elegant and yet so complex. The language with which he captures details is magnificent. I couldn’t put the book down despite deadlines weighing on my mind. I wanted to sit, walk, lie down but not stop reading the novel. I don’t think I wish to write anymore on this. Sometimes some books deserve lesser words and more time to be with you, sink into your mind and remain like a memory from one’s own life; such is ‘Klara and the Sun’. I think this easily qualifies for my second best Ishiguro after TBG.
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Singh, R.
5.0 out of 5 stars Becoming Person in Love
Reviewed in India on 14 March 2021
When I read ‘The Buried Giant’, for a long time, and even today, I couldn’t stop thinking about it. The couple, their quest, the giant; everything still remains alive in my mind. A similar feeling dawned on me when I finished reading ‘Klara and the Sun’. There was something supremely beautiful and intelligent about this book that has tugged itself to me. Here is Klara, an artificial friend (AF) to Josie who is suffering from something only her AF could save her from. With her belief rising in the Sun, Klara is determined to be the best friend Josie could ever have. But Klara, with her qualities of observation like that of a raconteur, has feelings toward those around her. Her observations of others throughout the novel runs both with, feelings and a distance from them. She discovers a totem to which she ties herself and places all her hopes on. She finds someone to give herself to. She lives a life which settles into memory collapsing into each other like the various things she discovers of being a person. Ishiguro writes about Klara and her Sun with simplicity, one that’s elegant and yet so complex. The language with which he captures details is magnificent. I couldn’t put the book down despite deadlines weighing on my mind. I wanted to sit, walk, lie down but not stop reading the novel. I don’t think I wish to write anymore on this. Sometimes some books deserve lesser words and more time to be with you, sink into your mind and remain like a memory from one’s own life; such is ‘Klara and the Sun’. I think this easily qualifies for my second best Ishiguro after TBG.
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P. G. Harris
TOP 1000 REVIEWER
2.0 out of 5 stars Very good writer writes poor work of speculative fiction
Reviewed in the United Kingdom on 1 September 2021
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One of the greatest challenges for any writer must be to persuade the reader to suspend disbelief. For the wrier of speculative fiction, that challenge is even greater, given the fact that his/her starting point is, by definition, fantastical. That, for me, is where Ishiguro falls down as an author. When it comes to realist fiction, he is fully deserving of his Nobel prize. Remains of the Day is an undoubted classic, and I have a particular love for his short story collection, Nocturnes. On the other hand, I just couldn’t buy into the central concept of Never Let Me Go - organs being harvested from cloned humans, and I found Klara and the Sun even less engaging. At least with the earlier book, there is a single big indigestible idea, here there are frequent nudges which took me out of the story

The story is told from the viewpoint of Klara, a solar powered robot designed as a companion for children and adolescents. We first meet her in a department store where she is reaching conclusions about the world by observing it through the shop window. Right from the start there are aspects of the novel which snap the strings suspending credulity. They may be small things, but a staggeringly complex solar powered robot can potentially become dangerous if its charge falls, yet no one thought to insert a mains charger. More pertinently, a solar powered robot sophisticated enough to under stand emotions doesn’t know what the sun is and builds a religion around it. Without that whacking great anomaly, the book wouldn’t exist. As an aside, if you’d like a more engaging tale about robots drawing the wrong conclusions from their observations and consequently developing a religion, i’d recommend Asimov’s short story Reason.

Eventually Klara is chosen by the adolescent Josie and goes to live with her, where she has to deal with a hostile housekeeper, Josie’s mystery illness, the fraught relationship with an estranged father, and a burgeoning relationship with a less privileged boy. The things the second section asks the reader to swallow include a genetic treatment with a significant probability of proving fatal being legally administered to young people with the full consent of their parents, and parents planning the replacement of their children in the event of the therapy going wrong.

So, this didn’t work for me as a work of speculative fiction primarily because I just didn’t find people’s actions credible. I’ve said this before in reviews, a fantastical story can work if it remains true to its own internal logic and people’s reactions to what is happening around them continue to be credible. It is on these points , particularly the latter, that Klara and the Sun fails. I found myself thinking about Animal Farm. Why am I prepared to accept talking farm animals but not the ever-so humble Klara? I think that comes down to the fact that Orwell’s work is so obviously an allegory, a satirical fantasy (Ishiguro’s realistic style works against him here), and because the actions of the animals are credible within their own context.

Does, then, Klara work as an allegory? Well if that is the intention, its a bit thin. The messages seem to be that pushy parents can damage their children, that private education is divisive, and that young love can be profound but transient.

To be fair there were two points where I was ready to give in because they were too preposterous, but where Ishiguro proved to be cleverer than I gave him creit. Firstly, nobody ever asks Klara why she is doing what she does. If they did, they’d tell her she was being ridiculous and whole chunks of the plot would fall apart. Secondly a professional engineer appears to help Klara to commit criminal damage toa piece of civil engineering machinery. Eventually, when seen from a perspective other than Klara’s, the former is result of someone knowingly humouring her, the latter involves someone working to a completely different agenda.

Overall, I didn’t find the plot particularly well put together. Klara is in a store. Klara gets bought. Klara (and the reader) learns a bunch of stuff about her new family and the world they inhabit. There is a stonking great coincidence which resolves the main jeopardy of the book, then everything just Peters out.

A great deal of sound and fury, signifying less than things which Asimov and Philip K Dick said over 50 years ago. This is a not very good book by a very good author.
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James Driver
5.0 out of 5 stars Stunning
Reviewed in the United Kingdom on 19 March 2021
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The best books stay with you forever. Ishiguro gently unwraps his compelling tale in his usual meticulous prose and, little by little, reveals fragments of the world that Josie, Klara and Rick inhabit. As is so often the case with Ishiguro, the frame of the story - although offering an intriguing glimpse into a dystopian future - never overwhelms his intricate and heart-rending examination of love, ambition, anger, fear, faith, forgiveness and hope. The ending is even more moving than the finale of ‘Remains of the Day’, and Klara emerges as one of his richest and most realised characters. Before reading this, the new books I have enjoyed the most over the past few months have been Graham Swift’s ‘Here we are’ and Francis Spufford’s ‘Perpetual Light’. Both were excellent, but this occupies the rarefied higher ground worthy of the winner of a Nobel prize. Faber, too, deserve high praise for producing a hardback that in its design, printing and construction, matches the superb quality of Ishiguro’s writing.
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