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Klara and the Sun: Longlisted for the 2021 Booker Prize

Klara and the Sun: Longlisted for the 2021 Booker Prize

byKazuo Ishiguro
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Craig Middleton
5.0 out of 5 starsClever and Unusual
Reviewed in Australia on 28 April 2021
The notion of Artificial Intelligence or the AF (artificial friend) is explored in Ishiguro's latest novel, Klara and the Sun. Through the eyes of Klara (AF), we see the world, her wishes, dreams, and developing relationships with her new owner, family, and friends. This is an unusual novel, in so far as it delves into the questions of what it means to be human and what it means to actually Love.

We begin the tale at the AF shop amongst other AF's on display to be sold. Klara and her fellow AF, Rosie, are standing side by side at the store's back. Occasionally the Manager moves Klara to the front window on a striped couch to gain a better opportunity to be seen and hopefully purchased. It is here we see the outside world through Klara's eyes. The crosswalk where many people cross the road, and the many taxis that fill her vision.

Klara has the innocence of a child though the intelligence or potential intelligence of an adult. What sets Klara apart from the other AF's is her keen observational abilities and her unrelenting curiosity about the behavior and motivations of the human's around her.

Finally one day while Klara and Rosie are positioned in the front window, Klara observes a woman and a little girl get out of a taxi. While the woman speaks to another human, the little girl approaches the window and asks Klara questions through the glass. All Klara can do is smile and nod her head, but a bond is created between them on their first meeting. From that day, Klara wants to be the AF to the little girl who we come to know as Josie. After a few mishaps and challenges, Josie and her mother buy Klara, and she is shipped to their home in the country. It's at this point we discover that the little girl is suffering from a serious illness.

What I found striking about Klara was her deep-seated sensitivity and overall kindness. This AF always thinks about other people's feelings, whether AI or human, above her own. One may argue this AF is programmed that way, but as mentioned, this AF is unique. Although it is her job to be the friend of her owner Josie, Klara takes this friendship to its limits to ensure a positive survival for the child and everyone around her.

As you would expect the Sun is a major character in this tale. Because the AF's are solar-powered, the sun is a source of life for them, and as Klara realizes, the sun is a source of life for all living things. This is a key theme throughout the novel.

The questions of what it means to be human have been explored in many novels in the past. For example, Phillip K. Dick's, Do Androids Dream of Electric Sheep, and Mary Shelly's Frankenstein, can loosely fit into this category. But Ishiguro takes this notion a step further by illustrating that true love, sacrifice for another, and the layered depths of the human heart are the things that truly make us human.

Once turning the last page, I didn't know whether to be sad, hopeful or both, yet the images, thoughts, and feelings of the tale remained with me for many days afterward.
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Satisfied Reader
3.0 out of 5 starsNot my up of tea but can see the allure
Reviewed in Australia on 8 October 2021
Klara and the Sun is a lesson in human emotion. Throughout the book you're seeing the world through Klara's naive eyes. Love, motherhood, childhood, and the hard choices a family makes are all seen and interpreted through Klara's robot mind. Some things are left for the reader to interpret but everything else can be inferred from each experience. The book wraps up nicely and leaves you with a lot of messages. The one I took from it was that change is constant throughout life but you need people beside you to get through it.

I thought the book was well written but the author chose to expand and heavily detail out pointless things. Then when something impact up came along, it just felt rushed. It made reading a little tedious. Luckily it wasn't an overly long book. Definitely not my normal read but a welcome change.
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From Australia

Danger Mouse
5.0 out of 5 stars A beautiful and poignant dystopian novel
Reviewed in Australia on 26 July 2021
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Klara and the Sun is the eighth novel of this very accomplished Nobel Prize and Booker Prize winning author Kazuo Ishiguro. Like most of his other novels he conjures the trick of using deceptively simple language to overlay a deeper and richer meaning. Often the little details left out allow the reader speculate beyond what is told.

The novel holds true to the authors belief that he has secretly re-written the same story. In this idea, the novel is arguably most similar to his novel “Never let me go” that also mused upon what it is to be not quite human. However in this novel, genetic clones raised to harvest organs for medical treatments is replaced with artificial intelligence or what the book calls AFs.

Klara, our narrator, is an AF (Artificial Friend) designed to give company to lonely children in an isolated, polluted and angst ridden future. Through Klara’s keen perception the world in the novel gradually reveals itself. Children are “lifted” implying that they are genetically altered to improve their aptitude and chance of success in life. Classes are divided between the genetic haves and have not and even this lifting process is not without potentially fatal consequences.

Although the story is slow paced, the reveals are well worth while and Klara’s endearing and innocent observations of the world create a beautiful and poignant foil, juxtaposed against a grim and sinister reality that lurks just below the surface.

Like “Never let me go” this feels like a YA dystopian sci-fi novel but is so much more. Only a truly impressive author could pull this off.
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Robert Hitchins
4.0 out of 5 stars Makes you think
Reviewed in Australia on 16 March 2021
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Easy to read, lyrical at times, with a fantasy element. Mr Ishiguro's genius lies in what is left out, between the lines if you prefer, which challenges the reader to think long after he or she has finished reading.
A philosophical sequel in some ways to Never Let Me Go, but unique in it's own right. As always with Mr I, a work to make you think.
The pressure to deliver in his first major work since winning the Nobel Prize and getting knighted for his literary efforts must have been immense. The author rises to the challenge. While probably not his finest work, it’s not far away from it. Klara is one of his most endearing characters.
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Michael Keane
2.0 out of 5 stars Disappointing
Reviewed in Australia on 5 April 2021
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I have read the author's Never Let Me Go which I enjoyed and I guess he is an acquired taste but this one never grabbed me. It is very slow going and while I understand the central theme of loneliness, emotion and artificial friends, a lot more could have been made of it. I gave up on it two thirds the way though in frustration. While Ian McEwen's Machines Like Me is written in a more conventional style, it resonated more. This one didn't have that affect.
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Governor
3.0 out of 5 stars Written in a rush?
Reviewed in Australia on 6 September 2021
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By Ishiguro's standards, this is clunky. Only the central character is defined, and I wonder whether I have read a children's book or an under-cooked work of fiction. The idea that it might be the latter is reinforced by the wide variety of plot contrivances and minor characters that are needed to drag the storyline to its conclusion. The over-reliance on science fiction is especially disappointing in this regard. Where 'Never Let Me Go' used science fiction sparingly to illuminate its characters, this book is wildly indulgent with it, and those elements effectively eclipse all characters but the main protagonist.

Yet Ishiguro knows how to render his alluring brand of tragedy with the most unlikely characters. When all is said and done, he has managed that again here. For the life of me, I can't work out how. And therein lies the poetry of the thing.
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Marcus
5.0 out of 5 stars Emotionally gripping and thoughtful -- a masterpiece
Reviewed in the United Kingdom on 27 March 2021
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All of Ishiguro's novels are compelling and emotional, but for some of them the prevalent emotion is frustration or exasperation. Klara and the Sun is a return to Ishiguro's old form -- a book more like The Remains of the Day or Never Let Me Go.

Reading Klara and the Sun is a troubling experience. The emotional content is strong, while the world seems different from ours but disturbingly familiar. When I finished the book, I was left emotionally drained and it took me a few days to slowly arrange the book's ideas in my head. I really recommend this book.

--------- Spoiler Alert -----------

Klara and the Sun is set in the very near future, in a world that is clearly derived from ours. Technology is a bit more advanced, and inequality is even more pronounced. The novel is not conspicuously political, and the action of the novel is largely set in a distant out-of-town location where social reality barely intrudes. Yet there are half-hidden undertones of a disturbing political reality. Fascism is on the rise; big business continues to pollute the environment; society is divided between an elite class who can afford 'uplifting' for their children, though the process is risky, and an underclass who are effectively barred from higher education and decent jobs; most of society is 'post-employed'. It reminds me of how the social realities behind Jane Austen's novels -- slavery, the French Revolution, the oppression of women -- appear to be ignored in her vision of bucolic tranquillity but actually motivate her novels at a deeper level.

Klara herself is an AF, an 'artificial friend'. Klara has been designed to have a deep intuitive understanding of relationships and a real empathy for the humans she is supposed to befriend. However, Ishiguro goes to some lengths to show that these are really Klara's only skills. She has very little understanding of how the world works. Her mobility is limited and she has no senses of taste or smell. She can visually perceive simple scenes, but when there are too many people, or the setting is new to her, the scene breaks up into boxes that are barely connected. Sometimes she relates objects visually to views from her memory that are irrelevant: a line of coffee cups in the shop with a line of objects in the barn. Patterns of sunlight from a window which a human would ignore, have significance for Klara. Klara's world is different from and much simpler than ours.

Klara's simplicity, and her own dependence on solar power, leads her to a home-made religion of sun worship. Ishiguro's skill as an author makes it very believable that Klara's strong sense of empathy with human beings combined with her lack of knowledge of the real world leads her to the intuitive sense that the sun has human feelings and super-human capabilities.

Klara goes on to potentially sacrifice herself to persuade the sun to cure her human, Josie, from a disease that we eventually find is related to the process of 'uplift' that is to give her a chance of a career in this dystopian society. Klara believes that her sacrifice is what saved Josie. If true, it means that Klara has denied herself the role of 'continuing' Josie, by acting as her -- something that could have won Klara the love of 'the mother' and Ricky, 'the boyfriend'. It is very reminiscent of the butler in The Remains of the Day, who sacrificed his chance of love for a cause that proved to be pointless.

Klara ends up in a scrapyard, only able to move her head around so she can see the sky, and to slowly put her memories in order. It is a heart-breaking end to a story where she has given everything and received nothing in return, but where Klara has no bitterness at all because that ability was not programmed into her.

On one level, this is a story about artificial intelligence and an ethical side that has so far almost been ignored -- if we create beings that are capable of love and empathy, we should then be responsible for how we treat them. Mary Shelley understood this problem when she wrote Frankenstein, but most of the discussion of the ethics of AI today focusses only on the effect on humans.

On another level, this is a story about us now -- about how we use other people and are used by them. Klara and the Sun rings true emotionally because it is talking about exploitative relationships of a kind that we have seen, maybe experienced, ourselves. The political and social backdrop of the novel, so like present-day America where social inequality and individuality is taken to extremes, mirrors the way Klara is exploited. Klara's sacrifice and prayer to a non-existent sun-god likewise show humanity's response to that inequality and soullessness, in religion and sacrifice.

Klara's naivety and intuition lead her to a sacrifice that may be pointless, but show her to be the only real human in the book.
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Ebbie
2.0 out of 5 stars Like a different writer
Reviewed in the United Kingdom on 1 April 2021
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Since The Buried Giant I've had a sneaking suspicion whoever used to help Kazuo with his books stopped helping. I did hear his wife tried to throw The Buried Giant in the bin, and I wonder if she used to beta read his work and stopped. Because this is regretfully no better than a first-draft self-published writer.

It pains me so much, because The Remains of The Day and Never Let Me Go are two of my favourite books, and I would go so far as to say they are as near-perfect as the novel form can be.

However, in this book, as with The Buried Giant, we are faced with overly long conversations about the same things over and over, and dull scenes here are destroyed further because having a robot tell the story means there is no internal life of the narrator to shed light on anything we are seeing. By 80% in, I was going around and around with nothing really progressing, with many scenes repeating the point, the characters doing nothing new, and not advancing the story. Mainly, sorry to say, because the story itself is no more than a short, and I guessed the ending before it unfurled, which was surprising. A lack of motif and theme did nothing more to endear me to this book.

I don't know what happened to this author. He did say, although I totally disagree with him, that authors peak in their thirties. While that seems false for most, maybe it's sadly true of Kazuo.

Yet another bum note from someone I really want to enjoy reading, but I think I'm not trying further.
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P. G. Harris
2.0 out of 5 stars Very good writer writes poor work of speculative fiction
Reviewed in the United Kingdom on 1 September 2021
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One of the greatest challenges for any writer must be to persuade the reader to suspend disbelief. For the wrier of speculative fiction, that challenge is even greater, given the fact that his/her starting point is, by definition, fantastical. That, for me, is where Ishiguro falls down as an author. When it comes to realist fiction, he is fully deserving of his Nobel prize. Remains of the Day is an undoubted classic, and I have a particular love for his short story collection, Nocturnes. On the other hand, I just couldn’t buy into the central concept of Never Let Me Go - organs being harvested from cloned humans, and I found Klara and the Sun even less engaging. At least with the earlier book, there is a single big indigestible idea, here there are frequent nudges which took me out of the story

The story is told from the viewpoint of Klara, a solar powered robot designed as a companion for children and adolescents. We first meet her in a department store where she is reaching conclusions about the world by observing it through the shop window. Right from the start there are aspects of the novel which snap the strings suspending credulity. They may be small things, but a staggeringly complex solar powered robot can potentially become dangerous if its charge falls, yet no one thought to insert a mains charger. More pertinently, a solar powered robot sophisticated enough to under stand emotions doesn’t know what the sun is and builds a religion around it. Without that whacking great anomaly, the book wouldn’t exist. As an aside, if you’d like a more engaging tale about robots drawing the wrong conclusions from their observations and consequently developing a religion, i’d recommend Asimov’s short story Reason.

Eventually Klara is chosen by the adolescent Josie and goes to live with her, where she has to deal with a hostile housekeeper, Josie’s mystery illness, the fraught relationship with an estranged father, and a burgeoning relationship with a less privileged boy. The things the second section asks the reader to swallow include a genetic treatment with a significant probability of proving fatal being legally administered to young people with the full consent of their parents, and parents planning the replacement of their children in the event of the therapy going wrong.

So, this didn’t work for me as a work of speculative fiction primarily because I just didn’t find people’s actions credible. I’ve said this before in reviews, a fantastical story can work if it remains true to its own internal logic and people’s reactions to what is happening around them continue to be credible. It is on these points , particularly the latter, that Klara and the Sun fails. I found myself thinking about Animal Farm. Why am I prepared to accept talking farm animals but not the ever-so humble Klara? I think that comes down to the fact that Orwell’s work is so obviously an allegory, a satirical fantasy (Ishiguro’s realistic style works against him here), and because the actions of the animals are credible within their own context.

Does, then, Klara work as an allegory? Well if that is the intention, its a bit thin. The messages seem to be that pushy parents can damage their children, that private education is divisive, and that young love can be profound but transient.

To be fair there were two points where I was ready to give in because they were too preposterous, but where Ishiguro proved to be cleverer than I gave him creit. Firstly, nobody ever asks Klara why she is doing what she does. If they did, they’d tell her she was being ridiculous and whole chunks of the plot would fall apart. Secondly a professional engineer appears to help Klara to commit criminal damage toa piece of civil engineering machinery. Eventually, when seen from a perspective other than Klara’s, the former is result of someone knowingly humouring her, the latter involves someone working to a completely different agenda.

Overall, I didn’t find the plot particularly well put together. Klara is in a store. Klara gets bought. Klara (and the reader) learns a bunch of stuff about her new family and the world they inhabit. There is a stonking great coincidence which resolves the main jeopardy of the book, then everything just Peters out.

A great deal of sound and fury, signifying less than things which Asimov and Philip K Dick said over 50 years ago. This is a not very good book by a very good author.
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Ea Zere
3.0 out of 5 stars 3.5
Reviewed in the United Kingdom on 11 March 2021
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Let me start by saying that the first half of the book was brilliant! Ishiguro builds nicely the plot, intrigues the reader by leaving stuff out, a lot of attention to character development, and expectedly Ishiguro's beautiful writing.

I won't get into details but the second half was less convincing for me. The characters ceased being real and the plot became confused. Also, another problem was that some of the social and technology interpretation were a wee bit repetitive for me. But even though it sounded repetitive it was well done because of how beautiful Ishiguro's writing is.

It is a story about friendship, love, ethics, technology, altruism and being human if you haven't read anything about the author it would be a good start although I've heard "Never Let Me Go" it's beautiful and can't wait to read it since I don't know how I felt about this one. Disappointed overall, but the writing was beautiful and captured very sweet moment's from Klara's perspective .
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Stewart Clay
5.0 out of 5 stars Another masterpiece
Reviewed in the United Kingdom on 16 March 2021
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I've read The Remains of the Day, Never Let Me Go, and The Buried Giant previously. I saw a review which suggested Never Let Me Go and The Buried Giant could form a trilogy with Klara and the Sun, and I can see that they have a voice "narrating" which has similar characteristics - a certain appealing naivety and a way of revealing details over time, so that the full picture seems to be discovered by the reader only as the main character begins to understand it.

The Remains of the Day is an acknowledged masterpiece, and is more than 30 years old now. This is another classic in my opinion, and I more or less read it cover to cover without putting it down.
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Janie U
TOP 500 REVIEWER
3.0 out of 5 stars Loved the start but it went downhill from about the half way point
Reviewed in the United Kingdom on 11 April 2022
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I've read a few books by this author over the years, going onto watch a couple of films adapted from the novels which is always interesting.
This book seemed to cause quite a stir when published as it was his first for several years and I was looking forward to reading the paperback.
A few authors have tackled the possibilities of AI and the idea of creating an artificial human being has been explored in several novels, including a great novel by Ian McEwan.
Kazuo Ishiguro is a highly acclaimed author so I started this book with high expectations.
It has 340 pages which are split into 6 chapters.
The premise is really clever with the narrator being an "Artificial Friend", beginning the book in a shop window hoping to be purchased. She is a female and relatively new to the market, although there are a few of the more advanced models around her.
The start of the book is uncomfortable (and deliberately so) with the AFs standing in the window, trying to encourage buyers. This is reminiscent of Amsterdam with the sex workers on display as you walk along a street.
Klara (the AF) is an observer and the reader sees the world through her eyes. She has clear rules and specifications which control her, making the reader have to work to understand what is happening. The gaps that Klara doesn't pick up on have to be filled. Klara isn't good at interpreting or recognising emotion at first but learns fast.
There are many mysteries that are hinted at in the first part of the book which is all very intriguing. Klara accepts her environment without questioning anything but the reader has a lot to learn. What is an "oblong", what is a "meeting" what is a "lifted kid"?? Curiosity kept me hooked.
The book has a sinister undertone in a similar way to that introduced by the author in Never Let Me Go. Something odd is happening to these children and we don't know exactly what. Have conscious decisions been made to engineer society or has the world just evolved naturally?
The sun is Klara's connection with the world as it fuels her. Unfortunately I was completely unconvinced about the spiritual connection that she had as it was illogical which contradicted everything else about her personality. I'm not sure that the sun needed to be anymore than just fuel - it was at this point that the novel started to lose my attention.
From a strong first half the book went downhill gradually for the rest of the book, with the last third being overcomplicated and losing the clear focus that Klara had created up until then. As the confusion set in the characters lost their plausibility. Klara's thoughts began to become unclear which prevented the reader being able to understand her, let alone be able to continue to work out what she didn't say.
Take away of overriding importance of the sun and this would have been a much better book. The sun gave a fantasy element which clashed with the scientific possibility created by the AI.
When I got to the end, that was disappointing as well. I wanted more answers.
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