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Klara and the Sun: Longlisted for the 2021 Booker Prize

Klara and the Sun: Longlisted for the 2021 Booker Prize

byKazuo Ishiguro
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Craig Middleton
5.0 out of 5 starsClever and Unusual
Reviewed in Australia on 28 April 2021
The notion of Artificial Intelligence or the AF (artificial friend) is explored in Ishiguro's latest novel, Klara and the Sun. Through the eyes of Klara (AF), we see the world, her wishes, dreams, and developing relationships with her new owner, family, and friends. This is an unusual novel, in so far as it delves into the questions of what it means to be human and what it means to actually Love.

We begin the tale at the AF shop amongst other AF's on display to be sold. Klara and her fellow AF, Rosie, are standing side by side at the store's back. Occasionally the Manager moves Klara to the front window on a striped couch to gain a better opportunity to be seen and hopefully purchased. It is here we see the outside world through Klara's eyes. The crosswalk where many people cross the road, and the many taxis that fill her vision.

Klara has the innocence of a child though the intelligence or potential intelligence of an adult. What sets Klara apart from the other AF's is her keen observational abilities and her unrelenting curiosity about the behavior and motivations of the human's around her.

Finally one day while Klara and Rosie are positioned in the front window, Klara observes a woman and a little girl get out of a taxi. While the woman speaks to another human, the little girl approaches the window and asks Klara questions through the glass. All Klara can do is smile and nod her head, but a bond is created between them on their first meeting. From that day, Klara wants to be the AF to the little girl who we come to know as Josie. After a few mishaps and challenges, Josie and her mother buy Klara, and she is shipped to their home in the country. It's at this point we discover that the little girl is suffering from a serious illness.

What I found striking about Klara was her deep-seated sensitivity and overall kindness. This AF always thinks about other people's feelings, whether AI or human, above her own. One may argue this AF is programmed that way, but as mentioned, this AF is unique. Although it is her job to be the friend of her owner Josie, Klara takes this friendship to its limits to ensure a positive survival for the child and everyone around her.

As you would expect the Sun is a major character in this tale. Because the AF's are solar-powered, the sun is a source of life for them, and as Klara realizes, the sun is a source of life for all living things. This is a key theme throughout the novel.

The questions of what it means to be human have been explored in many novels in the past. For example, Phillip K. Dick's, Do Androids Dream of Electric Sheep, and Mary Shelly's Frankenstein, can loosely fit into this category. But Ishiguro takes this notion a step further by illustrating that true love, sacrifice for another, and the layered depths of the human heart are the things that truly make us human.

Once turning the last page, I didn't know whether to be sad, hopeful or both, yet the images, thoughts, and feelings of the tale remained with me for many days afterward.
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Satisfied Reader
3.0 out of 5 starsNot my up of tea but can see the allure
Reviewed in Australia on 8 October 2021
Klara and the Sun is a lesson in human emotion. Throughout the book you're seeing the world through Klara's naive eyes. Love, motherhood, childhood, and the hard choices a family makes are all seen and interpreted through Klara's robot mind. Some things are left for the reader to interpret but everything else can be inferred from each experience. The book wraps up nicely and leaves you with a lot of messages. The one I took from it was that change is constant throughout life but you need people beside you to get through it.

I thought the book was well written but the author chose to expand and heavily detail out pointless things. Then when something impact up came along, it just felt rushed. It made reading a little tedious. Luckily it wasn't an overly long book. Definitely not my normal read but a welcome change.
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From Australia

Danger Mouse
5.0 out of 5 stars A beautiful and poignant dystopian novel
Reviewed in Australia on 26 July 2021
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Klara and the Sun is the eighth novel of this very accomplished Nobel Prize and Booker Prize winning author Kazuo Ishiguro. Like most of his other novels he conjures the trick of using deceptively simple language to overlay a deeper and richer meaning. Often the little details left out allow the reader speculate beyond what is told.

The novel holds true to the authors belief that he has secretly re-written the same story. In this idea, the novel is arguably most similar to his novel “Never let me go” that also mused upon what it is to be not quite human. However in this novel, genetic clones raised to harvest organs for medical treatments is replaced with artificial intelligence or what the book calls AFs.

Klara, our narrator, is an AF (Artificial Friend) designed to give company to lonely children in an isolated, polluted and angst ridden future. Through Klara’s keen perception the world in the novel gradually reveals itself. Children are “lifted” implying that they are genetically altered to improve their aptitude and chance of success in life. Classes are divided between the genetic haves and have not and even this lifting process is not without potentially fatal consequences.

Although the story is slow paced, the reveals are well worth while and Klara’s endearing and innocent observations of the world create a beautiful and poignant foil, juxtaposed against a grim and sinister reality that lurks just below the surface.

Like “Never let me go” this feels like a YA dystopian sci-fi novel but is so much more. Only a truly impressive author could pull this off.
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Robert Hitchins
4.0 out of 5 stars Makes you think
Reviewed in Australia on 16 March 2021
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Easy to read, lyrical at times, with a fantasy element. Mr Ishiguro's genius lies in what is left out, between the lines if you prefer, which challenges the reader to think long after he or she has finished reading.
A philosophical sequel in some ways to Never Let Me Go, but unique in it's own right. As always with Mr I, a work to make you think.
The pressure to deliver in his first major work since winning the Nobel Prize and getting knighted for his literary efforts must have been immense. The author rises to the challenge. While probably not his finest work, it’s not far away from it. Klara is one of his most endearing characters.
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MR RACLARKERA
4.0 out of 5 stars Beautiful but familiar.
Reviewed in Australia on 31 March 2021
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Kazuo Ishiguro writes beautifully and creates genuine, moving characters. His latest novel, 'Klara and The Sun' returns to somewhat familiar territory as it deals with a being classed as less than human who is touchingly devoted to its neighbour (in the Biblical sense). A reader cannot help but care for Klara as she takes the path of self-sacrifice in ignorance of the true situation of those she loves but it is a little disappointing that, with a Nobel Prize to his name, Ishiguro did not risk something a little more surprising.
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Janine
2.0 out of 5 stars Not What I Expected.
Reviewed in Australia on 14 April 2021
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Disappointing. The naïve narrator dragged the story down and the plot was bland. I was going to persevere until I read some reviews and found out that the few interesting questions that kept my attention are never resolved. Expected a lot more from a Nobel Prize winner.
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From other countries

Northerner
5.0 out of 5 stars Superb!
Reviewed in the United Kingdom on 4 March 2021
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Absolutely loved this! It's rare for me to spend more than 99p on a Kindle book, being more of a print fan, but I couldn't wait to read this and I haven't been disappointed. This man is thouroughly deserving of his Nobel Prize :)
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P. G. Harris
2.0 out of 5 stars Very good writer writes poor work of speculative fiction
Reviewed in the United Kingdom on 1 September 2021
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One of the greatest challenges for any writer must be to persuade the reader to suspend disbelief. For the wrier of speculative fiction, that challenge is even greater, given the fact that his/her starting point is, by definition, fantastical. That, for me, is where Ishiguro falls down as an author. When it comes to realist fiction, he is fully deserving of his Nobel prize. Remains of the Day is an undoubted classic, and I have a particular love for his short story collection, Nocturnes. On the other hand, I just couldn’t buy into the central concept of Never Let Me Go - organs being harvested from cloned humans, and I found Klara and the Sun even less engaging. At least with the earlier book, there is a single big indigestible idea, here there are frequent nudges which took me out of the story

The story is told from the viewpoint of Klara, a solar powered robot designed as a companion for children and adolescents. We first meet her in a department store where she is reaching conclusions about the world by observing it through the shop window. Right from the start there are aspects of the novel which snap the strings suspending credulity. They may be small things, but a staggeringly complex solar powered robot can potentially become dangerous if its charge falls, yet no one thought to insert a mains charger. More pertinently, a solar powered robot sophisticated enough to under stand emotions doesn’t know what the sun is and builds a religion around it. Without that whacking great anomaly, the book wouldn’t exist. As an aside, if you’d like a more engaging tale about robots drawing the wrong conclusions from their observations and consequently developing a religion, i’d recommend Asimov’s short story Reason.

Eventually Klara is chosen by the adolescent Josie and goes to live with her, where she has to deal with a hostile housekeeper, Josie’s mystery illness, the fraught relationship with an estranged father, and a burgeoning relationship with a less privileged boy. The things the second section asks the reader to swallow include a genetic treatment with a significant probability of proving fatal being legally administered to young people with the full consent of their parents, and parents planning the replacement of their children in the event of the therapy going wrong.

So, this didn’t work for me as a work of speculative fiction primarily because I just didn’t find people’s actions credible. I’ve said this before in reviews, a fantastical story can work if it remains true to its own internal logic and people’s reactions to what is happening around them continue to be credible. It is on these points , particularly the latter, that Klara and the Sun fails. I found myself thinking about Animal Farm. Why am I prepared to accept talking farm animals but not the ever-so humble Klara? I think that comes down to the fact that Orwell’s work is so obviously an allegory, a satirical fantasy (Ishiguro’s realistic style works against him here), and because the actions of the animals are credible within their own context.

Does, then, Klara work as an allegory? Well if that is the intention, its a bit thin. The messages seem to be that pushy parents can damage their children, that private education is divisive, and that young love can be profound but transient.

To be fair there were two points where I was ready to give in because they were too preposterous, but where Ishiguro proved to be cleverer than I gave him creit. Firstly, nobody ever asks Klara why she is doing what she does. If they did, they’d tell her she was being ridiculous and whole chunks of the plot would fall apart. Secondly a professional engineer appears to help Klara to commit criminal damage toa piece of civil engineering machinery. Eventually, when seen from a perspective other than Klara’s, the former is result of someone knowingly humouring her, the latter involves someone working to a completely different agenda.

Overall, I didn’t find the plot particularly well put together. Klara is in a store. Klara gets bought. Klara (and the reader) learns a bunch of stuff about her new family and the world they inhabit. There is a stonking great coincidence which resolves the main jeopardy of the book, then everything just Peters out.

A great deal of sound and fury, signifying less than things which Asimov and Philip K Dick said over 50 years ago. This is a not very good book by a very good author.
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James Driver
5.0 out of 5 stars Stunning
Reviewed in the United Kingdom on 19 March 2021
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The best books stay with you forever. Ishiguro gently unwraps his compelling tale in his usual meticulous prose and, little by little, reveals fragments of the world that Josie, Klara and Rick inhabit. As is so often the case with Ishiguro, the frame of the story - although offering an intriguing glimpse into a dystopian future - never overwhelms his intricate and heart-rending examination of love, ambition, anger, fear, faith, forgiveness and hope. The ending is even more moving than the finale of ‘Remains of the Day’, and Klara emerges as one of his richest and most realised characters. Before reading this, the new books I have enjoyed the most over the past few months have been Graham Swift’s ‘Here we are’ and Francis Spufford’s ‘Perpetual Light’. Both were excellent, but this occupies the rarefied higher ground worthy of the winner of a Nobel prize. Faber, too, deserve high praise for producing a hardback that in its design, printing and construction, matches the superb quality of Ishiguro’s writing.
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El
3.0 out of 5 stars Underwhelming and leaves you with a lot of questions
Reviewed in the United Kingdom on 26 March 2021
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I'm wavering between 3 or 4 stars but I think it's fairer to go with 3 as I'm not about to heap praise on this book. I'm not sure if I've just read the same book as other reviews describing it as incomparable and a masterpiece.

The central character is Klara, an AF robot who initially is in a shop with other AF robots awaiting an owner. I enjoyed this part of the story, reading Klara learning about the outside world through observing the daily life and interactions of the world outside the shop window was fascinating. After a while Klara is chosen by Josie and she starts her new life with Josie and her family. Josie has a life threatening illness which is a central part of the storyline but is never named or described in much detail other than she gets weak and tired frequently. I don't want to give away too many spoilers for those who have yet to read the book so I won't mention the secondary plot line running through the book focusing more on AF technology and it's capabilities but the primary plot (and title of the book) refers to Klara's belief that the sun can heal Josie.

There's a touch of 1984 about it, with themes such as drone technology and surveillance and artificial intelligence. It was done with subtlety and alludes to how technologies such as those slowly creep in and take over. Additionally I think at its heart it is a book about human nature and the human heart.

However I'm left with so many unanswered questions that I'm disappointed. For example what exactly are lifted children, how do you become lifted? (it's very briefly explained but with no detail) and why did Rick's Mother choose not to lift him? I'd have liked further description of the world that they live in but very little was said, the reader discovers things when Klara does because the book is set from her perspective but as she never ventures far from the family home the reader never learns of the wider world. It is alluded to that there are segregations between AF's and humans in other neighbourhoods but again it is never explained further. Finally without giving anything away I found the ending implausible.

It's an interesting read but it didn't make me want to keep reading. The author writes beautifully, that is one of the prominent features of this book and it is easy to see how Ishiguro has been awarded the Nobel Prize for Literature but I am left with too many criticisms to award it a higher rating.
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BookWorm
TOP 1000 REVIEWER
5.0 out of 5 stars Beautifully understated, moving and thought-provoking
Reviewed in the United Kingdom on 27 December 2021
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It takes a few years for Kazuo Ishiguro to write each of his novels, in keeping with his restrained, careful style. But they are usually worth waiting for - and this one is especially so. Reading this makes you realise what a deserving winner of various prizes he is - including the Nobel Literature prize. He is the grand master of the old literary adage 'show, don't tell'. Ishiguro almost never explicitly states anything - but you are never in any doubt about what he wants to get across. His writing is so subtle, so clever that the reader discovers everything about the characters and their situation for themselves, in a natural way.

This is particularly unusual in a science fiction novel like 'Klara and the Sun'. Any other author would have needed to explain the concepts, give the bigger picture, construct a history. introduce some technical information. Ishiguro does not. He allows the reader to build up their own picture and knowledge gradually - and without anything being spelt out, I feel I understood everything I needed to. In fact, extra 'factual' information would have got in the way of my appreciation of and absorption in the story. The restraint is really admirable - I don't doubt Ishiguro knew more about the world he wrote about - he isn't missing details for lack of ability to invent them. All too often authors overdo their excitement to show how thoroughly they have researched or imagined something. This is never the case here.

The story is narrated by Klara, a robot who works as an 'artificial friend' for a teenage girl named Josie. It becomes clear that Josie is ill, perhaps terminally so. Klara, who is solar powered, has a near-religious belief in the sun and its ability to heal. So she sets out to beg the sun to cure her owner. Of course, the reader knows that her faith in the sun is based on a series of misunderstandings and aches for poor Klara as she attempts to gain comfort and hope - and becomes increasingly worried as her attempts to fulfil the sun's 'wishes' might lead her into danger.

Klara is an extremely sympathetic and likeable narrator. Although she is a robot, I don't think anyone who read this book would doubt she had feelings and think of her as in some way human. There is nothing clinical about her, and she is full of compassion and empathy. It does make you think about the big questions of what it means to be human, and about how we should treat and interact with artificial intelligences in the future. Is Klara just like a 'vacuum cleaner' as someone describes her, or is she more akin to a person, with rights of her own? Is her intelligence something to be valued and protected in its own right?

Besides the questions about artificial intelligences, there is also an important theme about the potential for genetic modification and enhancement of human beings. The novel's world sees a two tier society, with only children who have had genetic enhancements able to go to university and get well paid work. But the enhancements are not risk free. It's a scenario that could easily play out in the future. Ishiguro doesn't give any answers, he just presents the situation and shows some people affected by it.

The other thing I really liked about Ishiguro's depiction of Klara is something you rarely find in novels about robots/artificial intelligences, and that's her imperfections. For example, Klara often describes seeing things in 'boxes' which you presume is due to delays in interfacing the feeds from her various camera sensors. Sometimes things become jumbled, particularly in bright light. And she struggles to walk on uneven surfaces. These little things give the reader the sense they are genuinely seeing things from the perspective of a different kind of being, and makes Klara all the more believable and (bizarrely) 'human'. Too often robots in sci-fi works are near perfect, with multiple superhuman abilities. The reality is probably much closer to Klara - extraordinary, but still not quite like a human and with certain imperfections/differences.

Ultimately this is a very thought provoking and beautifully written novel that at its heart is about love and compassion. Klara's touching and irrational faith in the sun and its ability to heal the ailing Josie drive the narrative and provide a tear-jerking emotional core to the story. I am certain that this will be remembered as one of Ishiguro's finest and most interesting novels.
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Henry Tegner
5.0 out of 5 stars Yet another great novel from my favourite author
Reviewed in the United Kingdom on 3 June 2021
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Kazuo Ishiguro is the author of eight novels and one collection of short stories. He has won numerous awards including the Whitbread prize for ‘An Artist of the Floating World’, the Booker prize for ‘The Remains of the Day’ and in 2017 the Nobel Prize in Literature.
I have read all his novels. Ishiguro is without doubt one of my favourite authors. I share the view of the Nobel committee that ‘in novels of great emotional force, [he] has uncovered the abyss beneath our illusory sense of connection with the world’. Certainly this ‘illusory sense of connection’ is most prevalent in ‘Klara and the Sun’.
The world that Ishiguro depicts in this novel is seen through the eyes of an ‘Artificial Friend’ (AF), one of many similar androids that have been developed and manufactured as companions for children in what seems to be a dystopic world of the near future. The concept of a world view described and narrated by a creature that is not human may take a little while to grasp fully and I may be a little forward in suggesting that herein lies a problem for many readers: the world as it is drawn is seen to be defective, unreal if you like and not equating at all with the way that we – human beings – perceive it. But Klara’s senses are not human senses. Some human senses, indeed, she does not possess – a sense of smell for example. She sees, but in quite different ways from that which you or I do – images often become ‘partitioned’ into ‘boxes’.
One might be tempted to wonder if what is being described is the real world at all. Or possibly a ‘dream world’ as in another of Ishiguro’s novels ‘The Unconsoled’. But no – this is clearly ‘Earth’ and not some alien planet or this world but in a distant future. There are references to California and England. There are fleeting references to Christianity. The name ‘Jesus’ appears five times – on every occasion as an expletive. There is a single reference to Christmas. Telephone calls seem to be made entirely from hand-held computer devices referred to as ‘oblongs’. The car seems still to be the favoured means of transport. The picture of the world, though, is incomplete – things are hinted at but left unexplained. But this has always been Ishiguro’s tendency and for me, at least, one of the greatest attributes and attractions of his writing. I suspect that Ishiguro does not in fact have the explanation or answers for most of these conundrums, but rather he leaves his readers to make their own projections. There is a sort of simplicity in Klara’s universe. It is full of gaps that we ourselves are left to fill in. For some this may result in a fundamental dissatisfaction while for others – myself included – this represents a great strength of the narrative.
May I divert for a moment: across the road from the room where I am now sitting at my desk there are some workmen - ‘overhaul men’ – occupied with some noisy machinery. I think immediately – ‘Cootings machine?’ So what is this thing, this anathema of the Sun’s? That is for me to speculate upon, not for the author of the tale to tell me. It has to do with pollution – I should say ‘Pollution’ as the first letter of the word is capitalised twenty-one of the twenty three times that it appears. So pollution becomes an entity, almost a person and, hand in hand with the Cootings machine, an antithesis to the Sun itself.
The world we are seeing is Klara’s. Not ours. And a very strange one it is.
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