$38.77

FREE delivery September 30 - 7 October. Details

Usually dispatched within 5 to 6 days.

[{"displayPrice":"$38.77","priceAmount":38.77,"currencySymbol":"$","integerValue":"38","decimalSeparator":".","fractionalValue":"77","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"vh3OPpzT9k57qRHoSS%2BhAUX4737Hup3jqq1wv3pbhUMXeuL3hUiZJ53bLkfiBqfVjrx9fE2BeRBFPuMSz2EqQCd3LM7%2BXdJ6xxdEKsMFdMwm64yq00PofCjih5tyPvyJgWhFPtDfIj58ewcZI0ByIYWmzBdzvXF8L9euErHgbLvM%2B1pv5lKt9ULdjU8tisbG","locale":"en-AU","buyingOptionType":"NEW"}]

$$38.77 () Includes selected options. Includes initial monthly payment and selected options. Details

The enhancements that you chose aren't available for this seller. Details

${cardName} not available for the seller that you chose

${cardName} unavailable for quantities greater than ${maxQuantity}.

Secure transaction

Ships from

ShopAbroad

Sold by

ShopAbroad

Details

Ships from

ShopAbroad

Sold by

ShopAbroad

Other Sellers on Amazon

Added

Not added

$28.11
+ $23.14 Delivery

Sold by: Amazon UK

Added

Not added

$52.53
+ FREE Delivery

Sold by: Amazon US

Image Unavailable

Sorry, this item is not available in
Image not available
To view this video download Flash Player

Rashomon

Format: Blu-ray

493 ratings

$38.77

Additional Blu-ray options

Amazon Price

New from

Used from

Blu-ray

"Please retry"

1-Disc Version

$38.77

$28.11

$34.88

Enhance your purchase

Genre	Drama, Crime
Format	Blu-ray
Language	Japanese

Frequently bought together

Total Price:

To see our price, add these items to your cart.

One of these items dispatched sooner than the other.

Show details Hide details

Choose items to buy together.

Blu-ray
$38.77
Usually dispatched within 5 to 6 days.
Ships from and sold by ShopAbroad.
Get it 30 Sep - Oct 7
by Toshir Mifune Blu-ray
$77.42
In stock.
Ships from and sold by Amazon UK.
Get it 29 Aug - Sep 1

Toshir Mifune
588
Blu-ray
7 offers from $54.76
Akira Kurosawa
5
Blu-ray
3 offers from $14.97
199
Blu-ray
4 offers from $55.02
Tatsuya Nakadai
411
Blu-ray
5 offers from $28.95
Takashi Shimura
55
DVD
4 offers from $62.35
Akira Terao
365
Blu-ray
5 offers from $43.64

Product description

RASHÔMON (Blu-ray) A Film by Akira Kurosawa
A woodcutter witnesses a horrific series of events - an ambush, rape and murder. In the telling of the tale, however, each of the four participants gives a different view of what actually happened is anyone telling the truth? Kurosawa's masterly and influential film plays on the subjective nature of truth while unfurling a riveting tale of violence and greed.
The first film to alert Western audiences to the riches of Japanese cinema, Rashômon was remade in Hollywood as The Outrage starring Paul Newman, and is credited as a key influence on Bryan Singer's The Usual Suspects
Special features: Newly restored in High Definition New audio commentary by Kurosawa expert Stuart Galbraith IV Rashômon at 65 (Stuart Galbraith IV, 2015, 34 mins): documentary visiting some of Rashômon's key locations, featuring interviews with former staff from Daiei-Kyoto Studios John Boorman on Rashômon (6 mins) 2010 BFI theatrical reissue trailer Illustrated booklet with a new essay by Stuart Galbraith IV and full credits
Japan | 1950 | black & white | Japanese language with English subtitles | 88 minutes | Original aspect ratio 1.33:1 | BD50 | 24fps | PCM mono audio (48k/24-bit) | Cert 12 (contains moderate violence and sex references) | Region B Blu-ray

Product details

Aspect Ratio ‏ : ‎ 1.33:1
Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ Japanese
Package Dimensions ‏ : ‎ 18.03 x 13.76 x 1.48 cm; 83.16 Grams
Media Format ‏ : ‎ Blu-ray
Subtitles: ‏ : ‎ English
Studio ‏ : ‎ Bfi
ASIN ‏ : ‎ B00T05OAQ6
Country of origin ‏ : ‎ United Kingdom
Number of discs ‏ : ‎ 1

Best Sellers Rank: 4,591 in Movies & TV (See Top 100 in Movies & TV)
- 3,553 in Movies (Movies & TV)

Customer Reviews:
493 ratings

Customer reviews

5 star		71%
4 star		19%
3 star		6%
2 star		1%
1 star		2%

How are ratings calculated?

Review this product

Write a customer review

Top reviews from other countries

Translate all reviews to English

ゆうくん

人間も歴史も真実は藪の中、客観的立場だけが信憑性を補完する

Reviewed in Japan on 12 February 2019

Verified Purchase

本作の面白さは既に伝説級で、何度観ても画面にかぶり付いてしまう日本映画の傑作。

黒澤作品の中でも異色中の異色作だが、世界的にも驚愕の映画だったらしく、ベネツィア国際映画祭で初めて日本作品が金獅子賞を受賞した。翌年アカデミー賞名誉賞も獲得し、11作目にして初めて黒澤明の名が世界に轟いた瞬間だ。

全ての人類史に喧嘩を売るが如き野心的なテーマ、モノクロながら自然光を活かした鮮烈な画面と躍動的かつ溜めもあるカメラワーク、同じ役柄を全く異なる性格で４回演じる達者な役者達、映画用の格好良い殺陣ではなく素人同士の敢えてみっともない決闘を撮るセンス、そして主役は事件当事者達ではなく陪審員的な傍観者、何れもが当時の映画のセオリーを無視していたのだろう。

特に四者四様の自画自賛ストーリーこそ鍵だ。大映と黒澤の制作意図は人間のエゴイズムを嘲笑的に暴くだけだったかも知れないが、欧米映画関係者が日本作品として観た視点は全く違った筈だ。
それは｢歴史は勝者によって記される｣の太古からの欺瞞に挑戦する、敗者日本の未曾有の大胆な試みに映ったからだ。

原作通り｢歴史の真実は常に藪の中｣を、日本が撮ったのだから同じ敗者のイタリアのベネツィアで化学反応を起こした事はある意味で必然だったと言える。
それが偶然の産物だったのは大映は映画祭への出品を辞退したのに、イタリア映画制作会社の社長が惚れ込んで無理矢理出品したからだ。だからグランプリ授賞式に日本人が誰も出席しない珍事が起きたし、黒澤も授賞を知らなかった。
つまり大映も黒澤も、日本ですらヒットしなかった作品で世界に勝負する気はさらさら無く、ましてや世界的には黒澤は未だ無名なのに世界に訴える大それた作品とは思っていなかった。
が、人間と歴史への高尚なアンチテーゼに世界が勝手に盛り上がったのだ。
黒澤の類い稀な映像表現が有ってこその話だが、現実とは何と面白いのだろうと一人合点している。

また、芥川龍之介等の日本文壇が世界に対しても普遍的に通用するメッセージを書き遺してくれた偉業にも感謝したくなる。邦画を世界に知らしめた歴史的作品を丁寧にリマスターしてくれた角川映画、他二団体の英断にも感謝したい。
観る人の立場や主観でこれほど印象の違う作品は恐らく他に類をみない。無理矢理、観客も陪審員に引きずり込むとは何とも罪深い異色の傑作だ。

145 people found this helpful

Translate review to English

Gazza

Rashomon

Reviewed in the United Kingdom on 14 November 2018

Verified Purchase

One of the best movies I’ve ever seen. When I first saw it, sitting there reading the subtitles, I thought it would be too taxing and simply boring. But you quickly get into this classic of Japanese cinema as we watch different versions of a story laid out before us, each one seemingly as true as the other.

It is one of my all time top movies. Absolutely fascinating and definitely worth watching numerous times.

I hope you find my review helpful

16 people found this helpful

Orchidroom

Absolutely brilliant - and unexpected!

Reviewed in the United Kingdom on 14 August 2022

Verified Purchase

I’ve watched some Akira Kurosawa films and was aware that some other hugely successful Hollywood films had stolen a number of plots and even in the case of 7 Samurai - whole films - from him. BUT I was not expecting to see and hear the basis of Blake Edwards’ 1979 film “10” (starring Bo Derek)!
In this 1952 film, a shabby, unscrupulous bandit sees a married woman being led through the forest on horseback by her samurai husband. A veil flowing from her hat entirely covers her face. By chance, a sudden gust of wind blows the veil aside and reveals to the bandit, such beauty, that he becomes instantly infatuated. He is driven to the most extreme lengths to have sexual intercourse with her. With the music of Ravel’s Bolero playing alongside the bandit’s story, it is totally riveting.
I wasn’t prepared for the final imagery and nature of the last story from the woodcutter, or the scene with the female medium channelling the spirit of the dead husband.
The deepest values of each person’s life is exposed at the crucial moment. It really is a masterpiece - absolutely brilliant - just watch it!!

Keith M

Innovative, Perceptive And Profound

Reviewed in the United Kingdom on 5 December 2013

Verified Purchase

Although particularly notable as being the Kurosawa film that broke the Japanese director in the 'west', and (rightly) cited as a ground-breaking piece of cinema, 1950's Rashomon is a film (I have found) whose qualities gradually 'crept up on me'. Of course, its sensorial appeal is pretty much immediate, with its (for its time) innovative three-point flashback narrative, Kazuo Miyagawa's stunning cinematography (in particular the depiction of light through forests and clouds) and Fumio Hayasaka's mesmerising soundtrack tracking Rashomon's storyline almost to the second. However, its thematic and symbolic significance is more subtle (not to say deliberately opaque), as Kurosawa's film searches for 'the truth' in humanity (whilst along the way touching on elements of fate, chance, memory, honour, jealousy and love (or perhaps lust)).

In one of the most stunning openings in cinema (Kurosawa's influence on Leone seems obvious here), as rain and wind lashes down on the dilapidated Kyoto city gate (a 'hell on earth'), the great Takashi Shimura's woodcutter and Minoru Chiaki's priest stare into nowhere, the woodcutter sighing, 'I don't understand. I just don't understand' (a metaphor for much audience reaction, no doubt!). What follows are (at least) three versions of the truth as Masayuki Mori's travelling samurai and wife (Machiko Kyo) encounter 'notorious' bandit Toshiro Mifune's Tajamuro, leaving the samurai dead. Is it a simple case of 'bandit rape and murder' or is there a 'ritual murder' or even suicide involved? Kurosawa leaves it for us to decide, as the three (the deceased samurai via a medium, no less) give their accounts of events (in court) straight to camera. Throughout, in order to emphasise the 'differing POV' theme, Miyagawa's camera constantly (and cleverly) shifts between 'over the shoulder' shots from each of the three protagonists.

Acting-wise, given the film's cultural milieu these are stylised performances, owing much to the preceding silent film era. Mifune presages his Seven Samurai turn as Kikuchiyo, here as animated (hysterical even) bandit, in a performance of great infectiousness - a dreamer and liar who lives on base instinct certainly, more a petty criminal than cruel murderer, however. Kyo is equally impressive (insecure, desperate, fearful) as the dishonoured wife - either a brazen hussy or a devoted, compromised spouse (depending on your POV), whilst Mori is also good as the stoic cuckold. Shimura is (of course) superb as the priest's co-starer in a (relatively) peripheral role (albeit he is key to the film's denouement).

By the film's conclusion, at which woodcutter and priest achieve some degree of 'redemption', we are left with the strong suspicion that Kurosawa's (almost mythological) characters are mere ciphers for the failings of humanity, moulding the truth to suit their own (nefarious) purposes (base desire, social honour, reputation, etc). Whilst (for me) Rashomon does not quite convey the feel for humanity of Ikiru or the character development (or, of course, pyrotechnics) of Seven Samurai, it makes up for this via its subtle perception, evocative symbolism and technical innovation. And just to reiterate, it is a film (for me at least) whose power (and reputation) grows with each repeat viewing.

8 people found this helpful

Malarchy

Thought Provoking Classic

Reviewed in the United Kingdom on 8 April 2013

Verified Purchase

Rashomon is a groundbreaking 1950 film by the legendary Akira Kurosawa and starring the peerless Toshiro Mifune relatively early in his career. It is largely based on the short story In a Grove by Ryunosuke Akutagawa. What makes Rashomon so innovative is the explicit and repeated use of the unreliable narrator concept. The plot features the telling of the same story from four different perspectives, each perspective imposing the storyteller's own personality and prejudices onto the action.

As Rashomon is a Kurosawa film, it is expertly directed. The pacing of the film is superb. Rashomon has quite limited periods of action but there is seemingly no let-up in the atmosphere. As a black and white film with subtitles for those without sufficient Japanese, it has a somewhat arty feel to it. Rashomon is thought provoking rather than exciting.

Rashomon stars Toshiro Mifune and he is absolutely excellent. He is clearly the class act on screen, able to move his performance with great subtlety to express the different views the story is told from. At times he is the brash and super confident bandit Tajomaru. From the perspectives that see the dangerous bandit as the belligerant, Mifune is imposing and strong, his facial expressions convey his dominance of the environment he inhabits. From other perspectives, Mifune is afflicted by nerves, the very same outcomes happen almost despite Tajomaru rather than because of him.

It is that distinction of perspective that makes Rashomon so cherished. Intriguingly each of the characters plays up their own negative role in the action rather than portraying themselves as heroic. Tajomaru sees himself as a brutal killer when others see him more comedic or even a victim of circumstances. The relationship between the couple in the woods is entirely dependent on the perspective being told from. From Machiko's perspective she is wronged by her partner seeing dishonour in her. From Mayusaki's perspective he is scorned by the woman he loves.

None of the narratives are reliable. There is no real way for the viewer to decide which perspective is true. It is a fascinating study to watch, to be exposed so bluntly to egoistic way each of us understands the actions of others.

Often great film is enhanced by tremendous music. This is not true of Rashomon. Fumio Hayasaka's score is not excellent. The sligtly disjointed tones of the majority of the film are somewhat ruined by an inappropriate use of Ravel's Bolero. Bolero really does not fit Rashomon, it was a bad choice by Kurosawa to insist on it.

There are other aspects of the experience though that are tremendous, in particular the lighting. The oppressive rain experienced by the three characters at the Kyoto city gate is beautifully lit. The various woodland scenes also work very well with incredible use of sunlight.

What makes Rashomon something special is the unreliability of each of the narrators. It is the subjectivity of perception explored so ruthlessly that makes it so intriguing. None of the narrators is willfully unreliable, the tale each tells seems genuinely theirs. These are not narrators manipulating the viewer deliberately and that makes them far more engaging.

The scope and feel of Rashomon does not itself necessarily suit film brilliantly. Kurosawa makes it work thanks to his own genious and the presence of Mifune. They turn a concept into something compelling. Still, Rashomon seems more suited to being a stage performance, it just does not have the scope of Kurosawa's greatest films, tales like Seven Samurai , Yojimbo , or Hidden Fortress . Rashomon is not an epic, it is a thought provoking piece that sets and then exceeds expectations.

The DVD Extras are ok. The Extras mainly offers a discussion among several of those who worked on the 1950 film. It is a somewhat technical discussion about how certain effects were created. The special edition includes a booklet with a terrific extract from The Emperor and the Wolf by Stuart Galbraith as well as text from the novellas Rashomon and In A Grove. Galbraith's history of the film and his own analysis are high quality and offers a fascinating 20 page insight.

Rashomon is a very good film, not the greatest of Kurosawa's unequalled career but still fascinating. The concept is thought provoking and can sit with a viewer for a long time afterwards. The unreliable narrator has a very long tradition but to see that unreliability come about through subjective egoism rather than as a deliberate act is a terrific concept.

6 people found this helpful

See all reviews

Other Sellers on Amazon

Image Unavailable

Rashomon

Enhance your purchase

Frequently bought together

Customers who viewed this item also viewed

Product description

Product details

Customer reviews

Review this product

Top reviews from Australia

Top reviews from other countries