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Why Be Something That You're Not: Detroit Hardcore 1979-1985 Paperback – 6 July 2010

4.7 out of 5 stars 33 ratings

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...Tony talks first person to the people who you idolize: this from Steve Miller of The Fix on the D.C. scene and straight edge: "all those kids in those hardcore bands were throwing out their Aerosmith and AC/DC records. It all seemed fishy to me." This, Barry Hensler, Ian Mackaye, Dave Stimpson, Tesco Vee, and John Brannon chatting like they're at a sleepover. Tony's gift as a writer is not what he knows, which borders on the obsessive, but his ear for the language and music he loves, and his gift for capturing rhetorical pratfalls. This is his head and his heart. Now will someone please pay him to write about Abba and/or Roger Nichols? --Elisa Ambrogio, Arthur Magazine

Upon a quick glance, one may wonder why there is a tome dedicated to such a finite period of time within the hardcore movement, but it does not take long to understand the significance of Detroit within the emergence of the larger American hardcore scene. Tony Rettman does a magnificent job chronicling the birth of Detroit s underground punk movement through copious interviews and poignant and occasionally hilarious anecdotes. For many music fans, Detroit punk usually connotes the MC5 and The Stooges, and when one progresses into the onset of the Reagan years, Necros and Negative Approach instantly come to mind. Both of those bands are given the celebration they deserve through the hardened tales of those who lived it. However, Rettman digs deeper to illuminate the impact of more experimental and visionary individuals such as Larissa Strickland, whose band L-Seven did not fit neatly into any particular label, local teacher Russ Gibb who actually used a new media called cable to put local bands on television, and Tesco Vee s side project Blight, whose use of a trumpet simply perplexed many punks. The book also illuminates the power of fanzines and basic letter writing which now comes across as quaint in the midst of the internet age. The images of the flyers which permeate the book will certainly take old timers back to when self-promotion was done by hand and not by websites. While bands today can earn a massive following by simply posting MP3 s, the dawn of the 80 s saw farsighted masterminds such as Tesco Vee and Dave Stimson concoct the Touch and Go fanzine to reveal the blunt force of the Midwest to the rest of the nation. Suddenly, through zines and true D.I.Y. aesthetic, shows were arraigned and bands like Black Flag, the Circle Jerks, and Minor Threat crossed paths with local acts like Bored Youth, Violent Apathy, and the legendary Meatmen. Why Be Something That You re Not takes the reader into the bowels of clubs like The Freezer, Nunzio s, and Clutch Cargo s where these bands of kids came together to play for each other and for the love of truly making something unique. Rettman also reveals some of the back-biting and cliques that emerged within the movement, with a great deal of frustration vented towards The Fix, a band that toured the West coast only to return to a very different Detroit, and even Necros once they grew their hair. Within the pages are the struggles and labor of love that defined these bands and their true amazement that anyone outside of their little crew would appreciate and even be inspired by what they were doing. There are highly interesting sidebars as well, including the background of Fear s memorable performance on Saturday Night Live, and an uproarious little tale about a leather-clad Rob Halford being brought by limo to a punk club by mistake in his quest to find a gay bar. First hand accounts range from local roadies to Ian MacKaye and Steve Shelley who played drums in the always controversial Crucifucks before moving on to Sonic Youth. At roughly 160 pages the book ends abruptly, but that seems fitting, as the Detroit scene itself seemed to implode with astonishing speed as the shows became scenes of mindless violence by people who came looking for a fight and completely missed the relevance of the music. However, Rettman provides an exhaustive list of the shows, bands, and releases that helped to alert the nation that there was something special happening in Detroit. While many hardcore fans reminisce about the LA, Boston, and DC scenes, Why Be Something That You re Not will certainly educate or remind readers the impact Detroit had and should motivate people to either reconnect or discover these acts for themselves. --Rich Quinlan, Jersey Beat

A previously under documented small and insular scene's story is now legend for good reason; the music. The Necros, The Meatmen, Negative Approach...
Why Be Something That You're Not unfurls in insightful and often hilarious dialog from it's participants. Consider this the mid-west 'Please Kill Me.' --Dave Markey, Director: '1991 - The Year Punk Broke'

About the Author

Tony Rettman is a freelance music journalist whose work has appeared in The Village Voice, Arthur, Swindle, Signal to Noise and Mean. He is also a regular contributor to on-line publications such as Swingset, Terminal Boredom, Blastitude and Double Cross and provided liner notes for releases by such artists as Religious Knives, King Darves and Violent Students. He currently resides on the north shore of Long Island, New York with his girlfriend and cat.

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Product details

  • Publisher ‏ : ‎ Revelation Records (6 July 2010)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 239 pages
  • ISBN-10 ‏ : ‎ 1889703036
  • ISBN-13 ‏ : ‎ 978-1889703039
  • Dimensions ‏ : ‎ 23.11 x 16.26 x 1.78 cm
  • Customer Reviews:
    4.7 out of 5 stars 33 ratings

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Tony Rettman is a freelance music journalist whose work has appeared in The Village Voice, Vice, The Wire, The Guardian, Philadelphia Weekly, Cleveland Scene, Arthur, Swindle, Signal to Noise, Mean and Thrasher. He has provided liner notes for such artists as The Circle Jerks, The Crumbsuckers, Beyond and many more. In 2010, Revelation Records Publishing released his first book, 'Why Be Something That You're Not: Detroit Hardcore 1979-1985'. Rettman's most recent book, 'NYHC 1980 - 1990' was released by Bazillion Points Publishing in December of 2014 and has received praise from The New York Times, The New Yorker, The Huffington Post and many other outlets.

Tony has recently come off hosting the podcast "Green Room Radio" for A24 films to promote their movie, "Green Room". On the ten episodes, Rettman spoke with members of such legendary punk bands as Black Flag, Danzig, Gorilla Biscuits and H20 about their worst gig experiences.

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4.0 out of 5 stars Loin de Motown, proche des Stooges?
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