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About Michael Connelly
Michael Connelly is the bestselling author of over thirty novels and one work of nonfiction. With over eighty million copies of his books sold worldwide and translated into forty-five foreign languages, he is one of the most successful writers working today. A former newspaper reporter who worked the crime beat at the Los Angeles Times and the Fort Lauderdale Sun-Sentinel, Connelly has won numerous awards for his journalism and his fiction. His very first novel, The Black Echo, won the prestigious Mystery Writers of America Edgar Award for Best First Novel in 1992. In 2002, Clint Eastwood directed and starred in the movie adaptation of Connelly's 1998 novel, Blood Work. In March 2011, the movie adaptation of his #1 bestselling novel, The Lincoln Lawyer, hit theaters worldwide starring Matthew McConaughey as Mickey Haller. His most recent New York Times bestsellers include The Law Of Innocence, Fair Warning, The Night Fire, Dark Sacred Night, Two Kinds Of Truth, and The Late Show. Michael is the executive producer of Bosch, an Amazon Studios original drama series based on his bestselling character Harry Bosch, starring Titus Welliver and streaming on Amazon Prime. He is also the executive producer of the documentary films, "Sound Of Redemption: The Frank Morgan Story' and 'Tales Of the American.' He spends his time in California and Florida.
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Finding herself up against deadly inertia and foundering morale in a police department ravaged by the pandemic and recent riots, Ballard must look outside to the one detective she can count on: Harry Bosch. But as the two determined detectives join forces, they cannot relax their guard. The brutal predators they track won't hesitate to kill to keep their secrets hidden.
Unfolding with unstoppable drive and nail-biting intrigue, The Dark Hours shows that, 'Relentless on their own, Ballard's and Bosch's combined skills . . . could be combustible' (Los Angeles Times).
'This is unmatched crime writing at its summit.'
'Connelly has created heroic and flawed and very real characters who believably find ways to make things right.'
'Connelly is the real deal.'
-New York Times Book Review
Bosch brings the murder book to Renée Ballard and asks her to help him find what about the case lit Thompson's fire all those years ago. That will be their starting point.
The bond between Bosch and Ballard tightens as they become a formidable investigative team. And they soon arrive at a worrying question: Did Thompson steal the murder book to work the case in retirement, or to make sure it never got solved?
At the end of a long, dark night detectives Renee Ballard and Harry Bosch cross paths for the first time.
Detective Renee Ballard works the graveyard shift and returns to Hollywood Station in the early hours to find a stranger rifling through old files.
The intruder is none other than retired legendary LAPD detective Harry Bosch, hunting for leads in an unsolved case that has got under his skin.
Ballard escorts him out but -- curious to know what he was searching for -- soon becomes obsessed by the murder of Daisy Clayton. Was she the first victim of a serial killer who still stalks the streets?
For Bosch, the case is more than personal: it may be all he has left.
But in a city where crime never sleeps, even detectives have a dark side . . .
'Outstanding, complex police procedural ... Bosch and Ballard, both outsiders with complicated pasts, form a perfect partnership in this high spot of Edgar-winner Connelly's long and distinguished career.' --Publishers Weekly (starred review)
'Connelly has created wonderful characters with Bosch and Haller, and Ballard will easily be as beloved. Connelly is a master of crime fiction.' --Associated Press
'Superb crime writing from a master.' --Stephen Loosley, The Australian
'Crime thriller writing of the highest order.' --The Guardian
Jack investigates against the warnings of the police and his own editor, walking a thin line between investigation and obsession, and makes a shocking discovery, connecting the crime to other mysterious deaths across the country. But then he himself becomes a suspect, and as he races to clear his name, Jack's findings point to a serial killer who uses personal data shared by the victims themselves to select and hunt his targets.
Haller knows he's been framed and elects to defend himself.
But it isn't easy to build a defence from a cell in the Twin Towers Jail in downtown Los Angeles - as an officer of the court he is an instant target.
With the help of a handpicked team, including his half-brother Harry Bosch, Mickey races time to figure out who has plotted to destroy his life and why. And then he must go before a judge and jury to prove his own innocence.
In his highest stakes case yet, Mickey Haller fights for his life and shows why he is 'a worthy colleague of Atticus Finch . . . the front of the pack in the legal thriller game' (Los Angeles Times).
'This is unmatched crime writing at its summit' -The Australian
'The Raymond Chandler of this generation' -Associated Press
When evidence links a brutal murder in 1989 to a convicted rapist named Clayton Pell, the case should be water-tight. Pell's DNA was found on the victim--but he was only eight years old at the time.
This is not the only mystery Harry Bosch has to solve. A man jumped--or was pushed--from a window. The victim's father is Councilman Irving, who's been intent on destroying Harry's career for years. Now Irving wants Harry to head up the investigation.
Harry uncovers traces of the city's deepest secrets: a killer operating for as many as three decades without being detected, and a conspiracy that goes back into the dark history of the police department . . .
Los Angeles can be a dangerous city - never more so than in the dead of night.
Renee Ballard works the night shift at the LAPD in Hollywood, beginning many investigations but finishing none as each morning she turns her cases over to day shift detectives. A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor.
But one night she catches two cases she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting. Ballard is determined not to give up at dawn. Against orders and her own partner's wishes, she works both cases by day while maintaining her shift by night.
As the cases entwine, they pull her closer to her own demons and the reason she won't give up her job - no matter what the department throws at her.
To make matters worse, Harry Bosch recognises the victim. Billy Meadows was a fellow 'tunnel rat' in Vietnam, running against the VC and the fear they all used to call the Black Echo. Bosch believes he let down Billy Meadows once before, so now he is determined to bring the killer to justice.
He focuses on Alonzo Winslow, a 16-year-old drug dealer in jail after confessing to a brutal murder. But as he delves into the story, Jack realises that Winslow's so-called confession is bogus. The kid might actually be innocent.
Jack is soon running with his biggest story since The Poet made his career years ago. He is tracking a killer who operates completely below police radar - and with perfect knowledge of any move against him. Including Jack's.
Harry Bosch is back as a volunteer working cold cases for the San Fernando police and is called out to a local drug store where a young pharmacist has been murdered. Bosch and the town's three-person detective squad sift through the clues, which lead into the dangerous, big business world of prescription drug abuse.
Meanwhile, an old case from Bosch's LAPD days comes back to haunt him when a long-imprisoned killer claims Harry framed him, and seems to have new evidence to prove it. Bosch left the LAPD on bad terms, so his former colleagues aren't keen to protect his reputation. He must fend for himself in clearing his name and keeping a clever killer in prison.
The two unrelated cases wind around each other like strands of barbed wire. Along the way Bosch discovers that there are two kinds of truth: the kind that sets you free and the kind that leaves you buried in darkness.
When LAPD detective Harry Bosch shot and killed Norman Church - the 'Dollmaker' - the police were convinced it marked the end of the search for one of the city's most bizarre serial killers.
But four years later, Norman Church's widow is taking Bosch to court, accusing him of killing the wrong man. To make matters worse, Bosch has just received a note, eerily reminiscent of the ones the Dollmaker used to taunt him with, giving him a location where a body can be found.
Is the Dollmaker still alive? Or is this the work of a vicious copycat killer, determined to repeat the Dollmaker's grisly feats and destroy Bosch's career in the process?
'The finest crime writer working today' Neil Cross, lead scriptwriter for Spooks and creator of Luther
Jack's brother was a homicide detective, and he had been depressed about a recent murder case, a hideously grisly one, that he'd been unable to solve.
McEvoy decides that the best way to exorcise his grief is by writing a feature on police suicides. But when he begins his research, he quickly arrives at a stunning revelation. Following his leads, protecting his sources, muscling his way inside a federal investigation, Jack grabs hold of what is clearly the story of a lifetime. He also knows that in taking on the story, he's making himself the most visible target for a murderer who has eluded the greatest investigators alive.