Now a major Netflix film starring Tessa Thompson, Ruth Negga and Alexander Skarsgård

Childhood friends Clare and Irene are both light-skinned enough to pass as white, but only one of them has chosen to cross the colour line and live with the secret hanging over her. Clare believes she had successfully cut herself off from any connection to her past. Married to a racist white man who is oblivious to her African-American heritage, it is vital to her that the truth remains hidden. Irene is living as a middle-class Black woman with her husband and children in Harlem, taking on an important role in her community and embracing her origins.

Both women are forced to re-examine their relationships with each other, with their husbands and with the truth, confronting their most closely guarded fears. Nella Larsen's powerful, tragic and acutely observant writing established her as a lodestar of America's Harlem Renaissance. Almost a century later, Passing and its nuanced exploration of the many fraught ways in which we seek to survive remains as timely as ever

Nella Larsen’s 1929 novel Passing is hailed today as a significant literary work of Harlem Renaissance, though for several decades it, like all of her works, was out of print. As history rights a wrong and recommits Larsen’s name to memory, it is beneficial to look at the other writings she published over her short career, collected here in Beyond Passing: The Further Writings of Nella Larsen. Contained within are her autobiographical novel Quicksand, and three short stories: “Freedom,” “The Wrong Man,” and “Sanctuary.”

With a growing number of titles under its Magna Releases banner, CSRC Storytelling promotes and provides positivity, power and presence in print, restoring literary classics across genres and making them newly accessible to modern readers. This collection of Nella Larsen stories is a CSRC Storytelling Magna Release.