Marc Spitz

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About Marc Spitz
Marc Spitz is the author of the novels, How Soon Is Never and Too Much, Too Late and the biographies We Got the Neutron Bomb: The Untold Story of LA Punk (with Brendan Mullen), Nobody Likes You: Inside the Turbulent Life, Times and Music of Green Day, Bowie: A Biography and Jagger: Rebel, Rock Star, Rambler, Rogue, as well as Poseur: A Memoir of Downtown Manhattan in the 90s and Twee: The Gentle Revolution in Music, Books, Television, Fashion and Film . His writing has appeared in Spin, The New York Times, Uncut Magazine in the U.K, New York, Maxim, Nylon, and Vanity Fair.
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Books By Marc Spitz
New York Times, Spin, and Vanity Fair contributor Marc Spitz explores the first great cultural movement since Hip Hop: an old-fashioned and yet highly modern aesthetic that’s embraced internationally by teens, twenty and thirty-somethings and even some Baby Boomers; creating hybrid generation known as Twee. Via exclusive interviews and years of research, Spitz traces Generation Twee’s roots from the Post War 50s to its dominance in popular culture today.
Vampire Weekend, Garden State, Miranda July, Belle and Sebastian, Wes Anderson, Mumblecore, McSweeney’s, Morrissey, beards, artisanal pickles, food trucks, crocheted owls on Etsy, ukuleles, kittens and Zooey Deschanel—all are examples of a cultural aesthetic of calculated precocity known as Twee.
In Twee, journalist and cultural observer Marc Spitz surveys the rising Twee movement in music, art, film, fashion, food and politics and examines the cross-pollinated generation that embodies it—from aging hipsters to nerd girls, indie snobs to idealistic industrialists. Spitz outlines the history of twee—the first strong, diverse, and wildly influential youth movement since Punk in the ’70s and Hip Hop in the ’80s—showing how awkward glamour and fierce independence has become part of the zeitgeist.
Focusing on its origins and hallmarks, he charts the rise of this trend from its forefathers like Disney, Salinger, Plath, Seuss, Sendak, Blume and Jonathan Richman to its underground roots in the post-punk United Kingdom, through the late’80s and early ’90s of K Records, Whit Stillman, Nirvana, Wes Anderson, Pitchfork, This American Life, and Belle and Sebastian, to the current (and sometimes polarizing) appeal of Girls, Arcade Fire, Rookie magazine, and hellogiggles.com.
Revealing a movement defined by passionate fandom, bespoke tastes, a rebellious lack of irony or swagger, the championing of the underdog, and the vanquishing of bullies, Spitz uncovers the secrets of modern youth culture: how Twee became pervasive, why it has so many haters and where, in a post-Portlandia world, can it go from here?
Part profane, confidential tell-all and part sweetly frank coming-of-age tale, this dirty, witty memoir finds Spitz careening through the scene, meeting and sometimes clashing with cultural icons like Courtney Love, Jeff Buckley, Rivers Cuomo of Weezer, Chloëevigny, Kim Deal, The Dandy Warhols, Guns N' Roses, Ryan Adams, Paul Rudd, Coldplay, Pavement, Peter Dinklage, Julie Bowen, The Strokes, Trent Reznor, Chuck Klosterman, Interpol, and Franz Ferdinand, as well as meeting heroes like Allen Ginsberg, Shirley Clarke, Joe Strummer, and Morrissey. Along the way he finds literary guru Gordon Lish is a long-lost relative, and erstwhile pal and sensation JT LeRoy is an even bigger poseur.
Spitz refuses to give up the romantic ghost until a post-9/11 breakdown and an improbable new love (fellow music writer Lizzy Goodman) finally help him strike the hardest pose of all: his true self.
As the Rolling Stones' legendary front man Mick Jagger remains an enigma. He hasn't given an in-depth interview for a decade and a half and never commented on his friend and partner, Keith Richard's often critical biography. Drawing on firsthand recollections from rockers, filmmakers, writers, radicals, and other artists who have been transformed by Mick Jagger's work, acclaimed music journalist Marc Spitz has created a unique examination of the Jagger legacy, debunking long held myths and restoring his status as a complicated artist. Combining biography with cultural history, Jagger unfolds like a captivating documentary, a series of episodes tracing the icon's rise from his childhood in middle-class postwar London to his status as a jet-setting knight.
A culturally astute, often funny, and painstakingly researched read, Jagger offers a far richer portrait than biographies published previously. The book reveals much about his relationships (with Marianne Faithfull and ex-wives Bianca Jagger and Jerry Hall); his complex, creative partnership with Keith Richards; his friends like John Lennon and David Bowie; and enemies like Hells Angels leader Sonny Barger. Spitz goes even deeper, exploring Jagger's many roles: an authentic soul man; powerful social commentator; sexual liberator; would-be movie star; and yes, sometimes, a shrewd businessman with an enthusiasm for much younger women. The myth of Mick is examined and rebooted for the twenty-first century.
Welcome to the big Reagan ’80s, where ketchup is a vegetable and the Cold War looms large and chilly. If like Joe Green you were coming of age during this boom era, your main concerns include one or more of the following: a rainbow assortment of Polo shirts worn with the collar flipped up, K-Swiss tennis shoes, a new cable channel called MTV, and Top 40 radio. Stuck in the suburban haze of Long Island, New York, Joe Green knows there has got to be more to life.
However, salvation is on the way, in the form of a quiffed-up quartet from Manchester, England, who take over the airways of a local radio station. Hearing the Smiths for the first time jerks Joe awake: Morrissey’s wry and witty lyrics speak to him, and Johnny Marr’s driven guitar chords get under his skin. He destroys his Phil Collins cassettes, pomades his hair into New Wave submission, studies up on his Oscar Wilde, and falls in love. He even shows up for dinner on time. That is, until his favorite band breaks up and then breaks his heart.
Fast-forward some fifteen years. Joe Green is making a living as a rock journalist, still recovering from a wicked post-college smack addiction and slumming with youngsters who ironically “appreciate” the seminal ’80s music that once gave his life meaning. It’s too late to go home, or is it?
What if Joe Green can get the Smiths back together? What if reuniting the long-broken-up band can reverse the passage of time and bring back the magic of youth? What if it helps him win the heart of the woman he loves?
How Soon Is Never? is an acerbic, ingenious look at Reagan-era adolescence, the power of hearing a record that changes your life, and the dangers of nostalgia.
Be prepared to see a bit of yourself in Joe Green.
“California was wide-open sex—no condoms, no birth control, no morality, no guilt.” —Kim Fowley
“The Runaways were rebels, all of us were. And a lot of people looked up to us. It helped a lot of kids who had very mediocre, uneventful, unhappy lives. It gave them something to hold on to.” —Cherie Currie
“The objective was to create something for our own personal satisfaction, because everything in our youthful and limited opinion sucked, and we knew better.” —John Doe
“The Masque was like Heaven and Hell all rolled into one. It was a bomb shelter, a basement. It was so amazing, such a dive ... but it was our dive.” —Hellin Killer
“At least fifty punks were living at the Canterbury. You’d walk into the courtyard and there’d be a dozen different punk songs all playing at the same time. It was an incredible environment.” —Belinda Carlisle
Assembled from exhaustive interviews, We Got the Neutron Bomb tells the authentically gritty stories of bands like the Runaways, the Germs, X, the Screamers, Black Flag, and the Circle Jerks—their rise, their fall, and their undeniable influence on the rock ’n’ roll of today.