Simon Spence

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About Simon Spence
Simon Spence collaborated with Rolling Stones manager and producer Andrew Loog Oldham on the classic memoirs Stoned and 2Stoned and is the author of seven admired non-fiction books on subjects such as Immediate Records, Happy Mondays, The Stone Roses and Bay City Rollers. As a music journalist he has written for NME, Dazed & Confused, The Face, i-D, The Independent, Q and Mojo. His latest book is All Or Nothing: The Authorised Story of Steve Marriott.
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Books By Simon Spence
'People say I made the Stones. I didn't. They were there already. They only wanted exploiting. They were all bad boys when I found them. I just brought out the worst in them.'
Andrew Loog Oldham was nineteen years old when he discovered and became the manager and producer of an unknown band called The Rolling Stones. His radical vision transformed them from a starving south London blues combo to the Greatest Rock 'n' Roll Band That Ever Drew Breath, while the revolutionary strategies he used to get them there provoked both adulation and revulsion throughout British society and beyond.
An ultra-hip mod, flash, brash and schooled in style by Mary Quant, he was a hustler of genius, addicted to scandal, notoriety and innovation.
In 1963, in a south London hotel, Andrew Loog Oldham discovered an unknown rhythm and blues band called the Rolling Stones and became their manager and producer; by 1967 they had achieved worldwide celebrity, been arrested in a notorious drugs raid and split with the manager that made them. 2Stoned is the remarkable record of these years, when Oldham's radical strategies transformed them into the Greatest Rock 'n' Roll Band That Ever Drew Breath.
In his first book, Stoned, Oldham recorded his early years and the meeting with the Stones that changed all their fates; 2Stoned is the story of what followed.
This unflinching book exposes the sinister undercurrents and dark truths behind ‘Rollermania’, the pioneering boy band fad that gripped the UK in the seventies and spread across the world as the Edinburgh lads scored number one international hits.
For the first time, former lovers, band members, and record industry insiders have been interviewed to build up the shocking story of the boy band that became immersed in the cult-like world of their Svengali, Tam Paton, a man who oversaw a culture of stalking, sackings, routine sexual abuse and career-furthering prostitution.
Former band leader Paton controlled his charges and promoted them as clean-living teetotalers while subjecting them to various forms of sexual abuse. In Paton, the industry cliché of the manipulative and venal pop manager found its most grotesque expression.
Dazzled by sudden global fame and corrupted by Paton’s unquenchable sexual appetites, The Bay City Rollers soon became part of his world of depravity, victimhood, crime and psychosis.
Tragedies bedevilled every aspect of The Bay City Rollers' career. A 12-year-old girl was left brain damaged in an accident outside Paton's fortified home. A 15-year-old was shot in the head at the home of the lead singer, Les McKeown, who only months earlier had knocked over and killed a woman while behind the wheel of a super-charged sports car he could barely control. Homes were burned down, a policeman killed, a fan committed suicide and two band members claimed that Paton raped them. Nervous breakdowns and suicide attempts were commonplace. One band member was convicted of possessing child pornography and accused of sex with a 13-year-old.
Band members became hooked on drugs, and their fall was almost as rapid as their rise, leaving them penniless and emotionally destroyed. Three years after they fired Paton in 1979 he was finally imprisoned, convicted of gross indecency with teenage boys.
Predictably, the millions of pounds promised by Paton simply disappeared. The band spent a decade in litigation with Sony Records. Paton, who died in 2009, emerged from eventual imprisonment for gross indecency to become a major gangster who ran a huge drug business. The legacy of one of pop's cruellest scandals is still being felt. When The Screaming Stops – a milestone of relentless investigative writing and uncompromising exposure – is hardly a comfortable read but today more than ever it's an essential one.
That such exploitation could have happened to one of the world’s most famous boy bands is a brutal reminder that conspiracies of silence about sexual exploitation were once the norm in the music and entertainment business.
When The Screaming Stops is a no-holds-barred exposé of sex, drugs and financial mismanagement based on over 500 hours of interviews with many of The Bay City Rollers’ closest associates, including former band members.
* Includes previously unseen photographs
‘An impressive work with some truly fantastic set pieces’ Johnny Rogan, author, Starmakers and Svengalis
‘Unrelenting behind-the-scenes darkness’ Bookseller
‘Lifts the lid on the squeaky clean 70s teenyboppers’ Writing.ie, Music Books To Watch Out For In 2016
'There wasn’t a Mondays book out there which was correct, not until Simon came along.' (Paul Ryder)
'Their story is a vindication for every northern hooligan rock band out there. Happy Mondays sparked a British guitar pop renaissance.' Alan McGee
In 1985, when the Happy Mondays exploded onto the Manchester music scene like a Molotov cocktail, no one had heard anything like them before. As they developed into the face of the Acid House ‘Madchester’ movement, critics ranked them alongside The Velvet Underground and Sex Pistols as cultural lightning rods, and that was just for the music.
The stories of their excesses are the stuff of rock ’n’ roll legend: the overdoses, fights on stage, the death threats, the gangsters, the stabbings and shootings in the studio. Yet this seemingly unhinged and uncontrollable band – encouraged by their equally crazed benefactors at Factory Records – transformed British music forever, leaving behind five infectious albums of unparalleled dirt and delight.
Twenty-five years after their breakthrough appearance on Top of the Pops, in November 1989, Simon Spence, the acclaimed biographer of The Stone Roses: War and Peace, tells the story of how the Happy Mondays came to provide the soundtrack to Britain’s last great youth movement. Based on extensive interviews with the band and key associates, he reveals the truth behind the mythic stories that have ensured their outlaw reputation, and unravels the chaos that led to the group’s ultimate implosion and the tragic collapse of Factory Records.
A riotous mix of pills, thrills and joyous chart hits, this is the untold story of Britain’s greatest rock ’n’ roll gang.
Launched in 1965 by The Rolling Stones manager and producer, Andrew Loog Oldham, with a Jagger/Richards writing team and Jimmy Page as in-house producer, Immediate was the best of swinging Sixties London.
The label roster included: Rod Stewart, Small Faces, Nico, John Mayall, The Nice, PP Arnold, Amen Corner, Chris Farlowe, Eric Clapton, Billy Nicholls and Fleetwood Mac.
The hits included: “Lazy Sunday”, “Hang On Sloopy”, “Out Of Time”, “(If Paradise Is) Half As Nice”, “Itchycoo Park”, “Handbags & Gladrags”, “Angel Of The Morning”, “Here Come The Nice”, “First Cut Is The Deepest”, “Man Of The World” and “Tin Soldier”.
This book was written by Simon Spence who collaborated with Andrew Loog Oldham on the memoirs Stoned and 2Stoned. It was first published by Black Dog in 2008 but has been out of print since 2010. This version features the updated text from an unreleased 2012 edition. It includes interviews with many of the insiders who made the label a success including co-founders Andrew Loog Oldham and Tony Calder.
Peter Doherty's is the last of the great rock 'n' roll stories - bad boy and public enemy. To his devoted fans, he is a cult hero, a modern-day Rimbaud. Musically, he has defined the past twenty years of indie rock with his sound, lyrics, lifestyle and aesthetic.
Since The Libertines rose to international fame, Doherty has proved endlessly fascinating. A whirlwind of controversy and scandal has tailed him ever since the early 2000s, so much so that all too often his talents as a songwriter and performer have been overlooked; for every award and accolade, there is a scathing review. Hard drugs, tiny gigs on the hoof, huge stadium shows, collaborations, obliterations, gangsters and groupies - Doherty has led a life of huge highs and incredible lows.
With his wildest days behind him, Doherty candidly explores - with sober and sometimes painful insight - some of his greatest and darkest moments, taking us inside the creative process, decadent parties, substance-fuelled nights, his time in prison and tendency for self-destruction. With his trademark wit and humour, Doherty also details his childhood years, key influences, pre-fame London shenanigans, and reflects on his era-defining relationship with Libertines co-founder Carl Barât and other significant people in his life. There is humour, warmth, insight, baleful reflection and a defiant sense of triumph.
A Likely Lad is Doherty's version of the story - the genuine man behind the fame and infamy. This is a rock memoir like no other.
In the late 70s, The Bee Gees spectacularly revived their career and, with their soundtrack to Saturday Night Fever, became the biggest disco group in the world. But when the disco boom crashed, they went from icons to punch lines overnight. The band was inescapably frozen in time, all long, flowing manes, big teeth, falsettos, medallions, hairy chests, and skin-tight satin trousers, one finger forever pointing in the air.
The Bee Gees would spend the next forty years trying to convince people there was more to them, growing ever more resentful of their gigantic disco success. ‘We’d like to dress “Stayin’ Alive” up in a white suit and gold chains and set it on fire,’ they said.
Staying Alive finally lifts that millstone from around their necks by joyfully reappraising and celebrating their iconic disco era. Taking the reader deep into the excesses of the most hedonistic of music scenes, it tells of how three brothers from Manchester transformed themselves into the funkiest white group ever and made the world dance. No longer a guilty pleasure but a national treasure.
‘When I look at their work it makes me ill with envy. They are up there with The Beatles.’ Bono
‘I cried listening to their music. I knew every note, every instrument.’ Michael Jackson
‘They will be referred to as some kind of Mozart in today’s history.’ Robert Stigwood (Bee Gees manager)
Simon Spence collaborated with Rolling Stones manager and producer Andrew Loog Oldham on the classic memoirs Stoned and 2Stoned and is the author of the highly acclaimed 2012 biography The Stone Roses: War And Peace and the recent When The Screaming Stops: The Dark History Of The Bay City Rollers. He has written for NME, Dazed & Confused, The Face, i-D, the Independent, Japan Times, International New York Times, and Q.
The definitive story of The Stone Roses by Simon Spence, with an updated final chapter covering the reunion rollercoaster ride.
From the Manchester backwaters to the worldwide 2012 tour, War and Peace lays bare the irresistible tale of the last of the great bands.
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Based on 400 hours of interviews with over seventy of The Stone Roses' closest associates, including six former band members, War and Peace is the first major biography of the band that defined a generation.
Originally planned in collaboration with Reni, the reclusive drummer, this book had been a year in the making when the Roses, against all odds, announced their re-formation. It is a remarkable coda to an astonishing story. In 1989 their debut album and the single 'Fools Gold' made them the most exciting British export since the Sex Pistols. With their incendiary aura the Roses became figureheads of the 'Madchester' movement.
War and Peace traces the band's genesis, studded with violent gigs and abandoned recordings, and shaped by their infamous manager Gareth Evans. The Roses' legendary gigs culminated in the era-defining Spike Island show in 1990. From this pinnacle the unravelling was spectacular.
But the true story behind their rise and fall - and resurrection - has never been told. Until now.
* With 40 unseen photos, including from renowned rock photographer Dennis Morris
'This is the one. It's the definitive biography of the band, stuffed with photos that have never been seen before. The writing feels really fresh and definitive. It's a classic' Alex Heminsley BBC 6 Music Book of the Month
'A comprehensive, no-holds-barred account... details with steely, forensic precision the story of the group's ascent, heyday and spectacular implosion. All the triumphs and disasters are here' The Sunday Times
'An era-defining, definitive biography' Q
Simon Spence collaborated with Rolling Stones manager Andrew Loog Oldham on the acclaimed memoirs Stoned and 2Stoned. He has written for the NME, i-D, Dazed & Confused and the Independent. He was at the Stone Roses' legendary Blackpool and Alexandra Palace shows in 1989 and covered their era-defining Spike Island show for The Face.
Depeche Mode sind mehr als Musik. Die Band prägte das Lebensgefühl einer ganzen Generation. Als im Herbst 1981 ihr erstes Album »Speak and Spell« erscheint, ahnt niemand, dass sie dreißig Jahre und zwölf Alben später zu den erfolgreichsten Bands überhaupt gehören. Simon Spence nimmt uns mit auf eine Reise von den Anfängen in Basildon über ihre ersten Auftritte bis zu den Millionen Fans von heute. Ergänzt durch zahlreiche Fotos und Interviews – the Making of Depeche Mode. Das definitive Fanbuch!