Regina Bradley

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About Regina Bradley
Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow (Hutchins Center, Harvard University, Spring 2016), Assistant Professor of English and African Diaspora Studies at Kennesaw State University, and co-host of the critically acclaimed southern hip hop podcast Bottom of the Map with music journalist Christina Lee. Dr. Bradley is one of the foremost authorities on contemporary Black culture in the American South. Her expertise and research interests include post-Civil Rights African American literature, hip hop culture, race and the contemporary U.S. South, and sound studies. Dr. Bradley earned a B.A. in English from Albany State University (GA), an M.A. in African American and African Diaspora Studies from Indiana University Bloomington, and a Ph.D. in African American Literature from Florida State University.
Dr. Bradley is the author of Chronicling Stankonia: the Rise of the Hip-Hop South. Chronicling Stankonia explores how Atlanta, GA hip hop duo OutKast influences the culture of the Black American South in the long shadow of the Civil Rights Movement. Dr. Bradley is also the editor of a collection of essays about OutKast for the University of Georgia Press titled An OutKast Reader.
As a complement to her scholarship, Dr. Bradley is also an acclaimed fiction writer. Her first short story collection, Boondock Kollage: Stories from the Hip Hop South, was published by Peter Lang press in 2017. Jesmyn Ward described the stories in Boondock Kollage as leaving her “breathless and incoherent.” Dr. Bradley’s short story “Beautiful Ones” was a 2017 Pushcart Prize nominee in short fiction. She is currently working on her first novel, Reluctant Ancestors, about the disappearance of a teenaged black boy in Southwest Georgia.
Dr. Bradley can be reached via Twitter (@redclayscholar) or through her website, www.redclayscholar.com.
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Books By Regina Bradley
Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity.
Boondock Kollage: Stories from the Hip Hop South is a collection of twelve short stories that addresses issues of race, place, and identity in the post–Civil Rights American South. Using historical, spectral, and hip hop infused fiction, Boondock Kollage critically engages readers to question the intersections of regionalism and black culture in current American society.