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Klara and the Sun: Longlisted for the 2021 Booker Prize

Klara and the Sun: Longlisted for the 2021 Booker Prize

byKazuo Ishiguro
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Craig Middleton
5.0 out of 5 starsClever and Unusual
Reviewed in Australia on 28 April 2021
The notion of Artificial Intelligence or the AF (artificial friend) is explored in Ishiguro's latest novel, Klara and the Sun. Through the eyes of Klara (AF), we see the world, her wishes, dreams, and developing relationships with her new owner, family, and friends. This is an unusual novel, in so far as it delves into the questions of what it means to be human and what it means to actually Love.

We begin the tale at the AF shop amongst other AF's on display to be sold. Klara and her fellow AF, Rosie, are standing side by side at the store's back. Occasionally the Manager moves Klara to the front window on a striped couch to gain a better opportunity to be seen and hopefully purchased. It is here we see the outside world through Klara's eyes. The crosswalk where many people cross the road, and the many taxis that fill her vision.

Klara has the innocence of a child though the intelligence or potential intelligence of an adult. What sets Klara apart from the other AF's is her keen observational abilities and her unrelenting curiosity about the behavior and motivations of the human's around her.

Finally one day while Klara and Rosie are positioned in the front window, Klara observes a woman and a little girl get out of a taxi. While the woman speaks to another human, the little girl approaches the window and asks Klara questions through the glass. All Klara can do is smile and nod her head, but a bond is created between them on their first meeting. From that day, Klara wants to be the AF to the little girl who we come to know as Josie. After a few mishaps and challenges, Josie and her mother buy Klara, and she is shipped to their home in the country. It's at this point we discover that the little girl is suffering from a serious illness.

What I found striking about Klara was her deep-seated sensitivity and overall kindness. This AF always thinks about other people's feelings, whether AI or human, above her own. One may argue this AF is programmed that way, but as mentioned, this AF is unique. Although it is her job to be the friend of her owner Josie, Klara takes this friendship to its limits to ensure a positive survival for the child and everyone around her.

As you would expect the Sun is a major character in this tale. Because the AF's are solar-powered, the sun is a source of life for them, and as Klara realizes, the sun is a source of life for all living things. This is a key theme throughout the novel.

The questions of what it means to be human have been explored in many novels in the past. For example, Phillip K. Dick's, Do Androids Dream of Electric Sheep, and Mary Shelly's Frankenstein, can loosely fit into this category. But Ishiguro takes this notion a step further by illustrating that true love, sacrifice for another, and the layered depths of the human heart are the things that truly make us human.

Once turning the last page, I didn't know whether to be sad, hopeful or both, yet the images, thoughts, and feelings of the tale remained with me for many days afterward.
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Satisfied Reader
3.0 out of 5 starsNot my up of tea but can see the allure
Reviewed in Australia on 8 October 2021
Klara and the Sun is a lesson in human emotion. Throughout the book you're seeing the world through Klara's naive eyes. Love, motherhood, childhood, and the hard choices a family makes are all seen and interpreted through Klara's robot mind. Some things are left for the reader to interpret but everything else can be inferred from each experience. The book wraps up nicely and leaves you with a lot of messages. The one I took from it was that change is constant throughout life but you need people beside you to get through it.

I thought the book was well written but the author chose to expand and heavily detail out pointless things. Then when something impact up came along, it just felt rushed. It made reading a little tedious. Luckily it wasn't an overly long book. Definitely not my normal read but a welcome change.
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From Australia

Michael Keane
2.0 out of 5 stars Disappointing
Reviewed in Australia on 5 April 2021
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I have read the author's Never Let Me Go which I enjoyed and I guess he is an acquired taste but this one never grabbed me. It is very slow going and while I understand the central theme of loneliness, emotion and artificial friends, a lot more could have been made of it. I gave up on it two thirds the way though in frustration. While Ian McEwen's Machines Like Me is written in a more conventional style, it resonated more. This one didn't have that affect.
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interalia186
2.0 out of 5 stars Disappointing
Reviewed in Australia on 5 May 2021
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A simple story from a different time capturing fundamentals of humanity and relationship. It didn’t really take off for me. Character development was superficial. There was a sense of bland mystery that didn’t develop. My first read of this author. I’ll try again
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Janine
2.0 out of 5 stars Not What I Expected.
Reviewed in Australia on 14 April 2021
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Disappointing. The naïve narrator dragged the story down and the plot was bland. I was going to persevere until I read some reviews and found out that the few interesting questions that kept my attention are never resolved. Expected a lot more from a Nobel Prize winner.
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From other countries

Vin
2.0 out of 5 stars Just plain dull
Reviewed in the United Kingdom on 20 March 2021
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The pace is glacial. The central character is an 'Artificial Friend' designed to be a companion to a child - in this case, Josie who has an unpsecified life-threatening illness. What I couldn't buy into was how such a sophisticated 'machine' could be so naive and repeatedly misread the world around it. For example, Klara forms a theory that she can ask the sun to heal Josie - presumably based on the knowledge that she is herself solar-powered. Did the AF developers blow all the money on the body and forget the intelligence? For me, that is the greatest flaw in the plot and the rest of the story collapses around it. There is Josie's friend, Rick, who has not been 'lifted' - in other words, genetically modified along with all other children to increase his intelligence. But he is naturally talented without it. We never learn why his mother refused the treatment. There's a lot we never learn. Add that to paper-thin characterisation and a glacial pace and you get an insubstantial novel. Klara's ending could be a starting point for a sequel, but please don't.
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Ebbie
2.0 out of 5 stars Like a different writer
Reviewed in the United Kingdom on 1 April 2021
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Since The Buried Giant I've had a sneaking suspicion whoever used to help Kazuo with his books stopped helping. I did hear his wife tried to throw The Buried Giant in the bin, and I wonder if she used to beta read his work and stopped. Because this is regretfully no better than a first-draft self-published writer.

It pains me so much, because The Remains of The Day and Never Let Me Go are two of my favourite books, and I would go so far as to say they are as near-perfect as the novel form can be.

However, in this book, as with The Buried Giant, we are faced with overly long conversations about the same things over and over, and dull scenes here are destroyed further because having a robot tell the story means there is no internal life of the narrator to shed light on anything we are seeing. By 80% in, I was going around and around with nothing really progressing, with many scenes repeating the point, the characters doing nothing new, and not advancing the story. Mainly, sorry to say, because the story itself is no more than a short, and I guessed the ending before it unfurled, which was surprising. A lack of motif and theme did nothing more to endear me to this book.

I don't know what happened to this author. He did say, although I totally disagree with him, that authors peak in their thirties. While that seems false for most, maybe it's sadly true of Kazuo.

Yet another bum note from someone I really want to enjoy reading, but I think I'm not trying further.
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P. G. Harris
2.0 out of 5 stars Very good writer writes poor work of speculative fiction
Reviewed in the United Kingdom on 1 September 2021
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One of the greatest challenges for any writer must be to persuade the reader to suspend disbelief. For the wrier of speculative fiction, that challenge is even greater, given the fact that his/her starting point is, by definition, fantastical. That, for me, is where Ishiguro falls down as an author. When it comes to realist fiction, he is fully deserving of his Nobel prize. Remains of the Day is an undoubted classic, and I have a particular love for his short story collection, Nocturnes. On the other hand, I just couldn’t buy into the central concept of Never Let Me Go - organs being harvested from cloned humans, and I found Klara and the Sun even less engaging. At least with the earlier book, there is a single big indigestible idea, here there are frequent nudges which took me out of the story

The story is told from the viewpoint of Klara, a solar powered robot designed as a companion for children and adolescents. We first meet her in a department store where she is reaching conclusions about the world by observing it through the shop window. Right from the start there are aspects of the novel which snap the strings suspending credulity. They may be small things, but a staggeringly complex solar powered robot can potentially become dangerous if its charge falls, yet no one thought to insert a mains charger. More pertinently, a solar powered robot sophisticated enough to under stand emotions doesn’t know what the sun is and builds a religion around it. Without that whacking great anomaly, the book wouldn’t exist. As an aside, if you’d like a more engaging tale about robots drawing the wrong conclusions from their observations and consequently developing a religion, i’d recommend Asimov’s short story Reason.

Eventually Klara is chosen by the adolescent Josie and goes to live with her, where she has to deal with a hostile housekeeper, Josie’s mystery illness, the fraught relationship with an estranged father, and a burgeoning relationship with a less privileged boy. The things the second section asks the reader to swallow include a genetic treatment with a significant probability of proving fatal being legally administered to young people with the full consent of their parents, and parents planning the replacement of their children in the event of the therapy going wrong.

So, this didn’t work for me as a work of speculative fiction primarily because I just didn’t find people’s actions credible. I’ve said this before in reviews, a fantastical story can work if it remains true to its own internal logic and people’s reactions to what is happening around them continue to be credible. It is on these points , particularly the latter, that Klara and the Sun fails. I found myself thinking about Animal Farm. Why am I prepared to accept talking farm animals but not the ever-so humble Klara? I think that comes down to the fact that Orwell’s work is so obviously an allegory, a satirical fantasy (Ishiguro’s realistic style works against him here), and because the actions of the animals are credible within their own context.

Does, then, Klara work as an allegory? Well if that is the intention, its a bit thin. The messages seem to be that pushy parents can damage their children, that private education is divisive, and that young love can be profound but transient.

To be fair there were two points where I was ready to give in because they were too preposterous, but where Ishiguro proved to be cleverer than I gave him creit. Firstly, nobody ever asks Klara why she is doing what she does. If they did, they’d tell her she was being ridiculous and whole chunks of the plot would fall apart. Secondly a professional engineer appears to help Klara to commit criminal damage toa piece of civil engineering machinery. Eventually, when seen from a perspective other than Klara’s, the former is result of someone knowingly humouring her, the latter involves someone working to a completely different agenda.

Overall, I didn’t find the plot particularly well put together. Klara is in a store. Klara gets bought. Klara (and the reader) learns a bunch of stuff about her new family and the world they inhabit. There is a stonking great coincidence which resolves the main jeopardy of the book, then everything just Peters out.

A great deal of sound and fury, signifying less than things which Asimov and Philip K Dick said over 50 years ago. This is a not very good book by a very good author.
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Donny Rock
2.0 out of 5 stars Unfulfilled expectation
Reviewed in the United Kingdom on 29 March 2021
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I'm not at all sure what to make of this novel. A robot-A.F. (artificial friend)- is bought from a city store to accompany a 13 year old sick girl who may or may not be dying. The story, however implausible it seems, is told by this robot. I suppose one of the main themes of the book is whether robots can out-human humans, through all their faults and frailties. And these flaws are very well drawn. I found the speech pattern and language skills of the 13 year old a little hard to believe, despite her being one of 'the lifted'. I'm not a science fiction fan by any means and this book did nothing to change that opinion.
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TS
2.0 out of 5 stars Clearly controversial but I didn't like it!
Reviewed in the United Kingdom on 18 June 2021
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What did I miss? I found the writing style dull, although I appreciate it was from an AI perspective. If you find the first 5 pages dull, it doesn't get better. It's a story that never really goes anywhere. Lots of lengthy passages about nothing. I found many of the characters to be really simple. Half way through I thought the story was finally going somewhere... And then the idea didn't come to fruition. It lacked any real story, or drama, or pace. Definitely something I'd have been happy not to read.... And the most painful part... No chapters! Adds to seemingly endless dull monologues and conversations....about basically nothing of importance.
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Dunroving
2.0 out of 5 stars Unconvincing attempt at science fiction
Reviewed in the United Kingdom on 30 March 2022
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I sometimes wonder why certain authors win prizes and adulation. I was hopeful that I would enjoy this book, as the premise of the story (the fate of "artificial friends" - AI robots who are purchased to provide friendship to humans) was interesting. In reality, the story was dreary and unconvincing, especially the hokey descriptions of the world through Klara's eyes - how could an intelligent robot not figure out that the "oblong" is called a "phone" or a "tablet" - did none of the humans ever call it a phone? Some of the descriptions were beyond my understanding - I simply didn't get what the robot was seeing, or why they were seeing things in a certain way. Why did the robot think the sun was a sentient being? The latter quarter of the book was especially disappointing, and seemed rushed; especially in contrast to the dreary pace of the first three-quarters.
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EKJ
2.0 out of 5 stars a story without a narrator (2.5 stars)
Reviewed in the United Kingdom on 24 April 2021
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The question of identity in robots is a well-travaled road in scifi, but in spite of the excellent pacing of this book I intensely disliked the development. The premise seems to be that as AI increases in complexity, it will become capable of magical thinking and ultimately capable, it is implied, of actual magic along the lines of early Babylonians and their sun gods. In my experience only a real spiritual identity is capable of following a magical path. An AI can’t have such a unique identity - it is the essentially built by the community and is a ‘communal framework acting as an individual’. It did not evolve over billions of years - it is a flash in the pan infrastructure that exists briefly in time and then vanishes forever.

I feel Ishiguro is lying, and that he is lying from a point of deep guilt and personal disturbance. He knows the AI in his book, as he has described her, is not an AI at all but a spiritual identity enslaved to be ‘emotionally positive’. He has tried to pass her maybe-real-maybe-not paradox off to readers with the narrative sleight-of-hand of suggesting that researchers don’t know what is ‘under the hood’ of the AI consciousness. This could not be possible, since surely the manufacturers at least must know how they achieved the feat of Klara the AF. In other words, the author is engaged in some stage illusions but has left his own real questions unconfronted.
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