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The Dictionary of Lost Words

The Dictionary of Lost Words

byPip Williams
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Top positive review

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Philomena the Wombat
5.0 out of 5 starsLove, lexicography, loss: A voice not demanding we see the truth of our language, but whispering it
Reviewed in Australia on 30 April 2020
Warning: Some spoiler alerts below:

I didn't think it would be possible to enjoy (and learn from) a better book on lexicography than Winchester's 'The Surgeon of Crowthorne': I was wrong.

The Dictionary of Lost Words is a stately walk through Victorian England's values, from a woman's point of view, but always with the gentle overlay of the Oxford English Dictionary's lexicography. The facts of the task of compiling the OED were fascinating, but more-so the philosophical questions central to this book - What defines 'validity' in a word? Must it have been written down? Does a tabloid newspaper coining a new word, constitute its having been 'written down'? Is slang acceptable? Is slang only acceptable after it's been in use for a time? Should profanities be included, and if not, why not? The protagonist, Esme has to address these questions, then in a profoundly chauvinistic society, she has to present and argue her case. Her 'lost words' are the oral vocabularies of women. Not a topic many men in Victorian England were interested in.

Pip Williams' portrayal of English as a changing language, and her recognition of its inbuilt sexism is fascinating. As Esme observes; Nearly every (polite) term for a woman (such as Miss, Mrs, maiden, harlot) informs the hearer of the virginity-status of the woman concerned... and none of the male terms do equally. Even the derogatory ones such as 'git' do not allude to a man's virginity status.
Then there are the words for women, which have no male equivalent - 'scold'. Blame encompassed in just one word.

As in real life, nothing happens quickly and with Esme's accidental death, some actions are left to those who come after. This may disappoint those who like all the loose ends of a story tied up before the final page. But these characters, for the most part, are based on real individuals.

Finally this is a love story - typical of the age. Love finally declared... too late, bound by the constraints of the society (which impose on Esme a belief she is not worthy of happiness in marriage), and ended too soon by the horrohs of WWI.

A wonderful book. The best I have read for years.
_______

I don't know who I wish I could have dinner with more.... Pip Williams, or Esme.
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13 people found this helpful

Top critical review

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Barbara Rohde
3.0 out of 5 starsFor lovers of words
Reviewed in Australia on 18 September 2020
Enjoyed this story based on fact of creating the first Oxford English Dictionary. But I did think that too many new issues were brought up in the last third of the book which could have been omitted.
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From Australia

Philomena the Wombat
5.0 out of 5 stars Love, lexicography, loss: A voice not demanding we see the truth of our language, but whispering it
Reviewed in Australia on 30 April 2020
Verified Purchase
Warning: Some spoiler alerts below:

I didn't think it would be possible to enjoy (and learn from) a better book on lexicography than Winchester's 'The Surgeon of Crowthorne': I was wrong.

The Dictionary of Lost Words is a stately walk through Victorian England's values, from a woman's point of view, but always with the gentle overlay of the Oxford English Dictionary's lexicography. The facts of the task of compiling the OED were fascinating, but more-so the philosophical questions central to this book - What defines 'validity' in a word? Must it have been written down? Does a tabloid newspaper coining a new word, constitute its having been 'written down'? Is slang acceptable? Is slang only acceptable after it's been in use for a time? Should profanities be included, and if not, why not? The protagonist, Esme has to address these questions, then in a profoundly chauvinistic society, she has to present and argue her case. Her 'lost words' are the oral vocabularies of women. Not a topic many men in Victorian England were interested in.

Pip Williams' portrayal of English as a changing language, and her recognition of its inbuilt sexism is fascinating. As Esme observes; Nearly every (polite) term for a woman (such as Miss, Mrs, maiden, harlot) informs the hearer of the virginity-status of the woman concerned... and none of the male terms do equally. Even the derogatory ones such as 'git' do not allude to a man's virginity status.
Then there are the words for women, which have no male equivalent - 'scold'. Blame encompassed in just one word.

As in real life, nothing happens quickly and with Esme's accidental death, some actions are left to those who come after. This may disappoint those who like all the loose ends of a story tied up before the final page. But these characters, for the most part, are based on real individuals.

Finally this is a love story - typical of the age. Love finally declared... too late, bound by the constraints of the society (which impose on Esme a belief she is not worthy of happiness in marriage), and ended too soon by the horrohs of WWI.

A wonderful book. The best I have read for years.
_______

I don't know who I wish I could have dinner with more.... Pip Williams, or Esme.
13 people found this helpful
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Melbourne Gal
5.0 out of 5 stars Dedication to making a dictionary makes a good story!
Reviewed in Australia on 1 July 2021
Verified Purchase
This was a fascinating story for a wordsmith like me. I find the origins of words and their connections with other languages fascinating, but this story told of their uses in history, related to class and gender in particular. The story conveys attitudes of its era, from the late 1800s to post WW1; women's rights playing quite a large part. I was actually surprised to read that some currently largely unacceptable words were in use by the 'lower classes' back then. Although there is a large focus on the making of a dictionary, the story of Esme is both uplifting and distressing, making for an excellent novel by Pip Williams.
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Donné
5.0 out of 5 stars What a pleasure, to read a book about dictionaries, from a women's perspective.
Reviewed in Australia on 1 July 2020
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So to all who recommended this thank you! This book was extraordinarily different. What a pleasure, to read a book about dictionaries, from a women's perspective, in difficult times for women. Loved that the novel was interwoven around real events. I never knew about Bondmaid being missed, and now I will always remember. Excellent read.♥️
4 people found this helpful
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*#*
5.0 out of 5 stars A wonderful escape from the dreariness of script-for-movie-deal books.
Reviewed in Australia on 18 August 2020
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What a topic! Superb escape into another world with characters, settings and theme that are totally unexpected. So welcome after so much predictability in current writings. So much of our new choice is written in the hope of landing a movie deal; it is delightful and wonderful to rediscover the joy in reading a real book.
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Rosemary Nissen-Wade
5.0 out of 5 stars A beautiful and important book
Reviewed in Australia on 14 April 2022
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How gently and poignantly this author writes her fictional story, based on well-researched historical truths, of the creation of The Oxford English Dictionary and the kinds of words it initially omitted — words used by women, by the poor, by soldiers…. Slang words widely used, words in currency but not written down — set against the background of women’s suffrage and World War I. I grew to love the very real, unromanticised characters, and the author’s beautiful restraint which is powerful in telling this tale.
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Helereb
5.0 out of 5 stars A beautiful and addictive story.
Reviewed in Australia on 26 January 2021
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I absolutely loved this book about the origins of the Oxford dictionary. I was fascinated by the process of this creation which was so detailed and painstaking but it also opened another world - that of women behind the scenes. The main story of the book was of course about the making of the dictionary but the other story behind that was just as fascinating and and heart wrenching hung. A wonderful insight into an old and charming world.
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John Hunt
5.0 out of 5 stars The Dictionary of Lost Words - Pip Williams up there with Simon Winchester!
Reviewed in Australia on 10 December 2021
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‘The Surgeon of Crowthorne’, as my favourite book on the English language, is now replaced by ‘The Dictionary of Lost Words’.

Pip Williams has scripted a highly believable narrative on the development of the Oxford English Dictionary and has magnificently bought all the characters, both real and imagined, to life.

I have carried with me since 1952 a Pocket Oxford Dictionary, a gift from my parents, and ‘bondmaid’ is well described.

Thank you Pip for an amazing debut novel, your descriptive use of words (I could smell and feel the Scriptorium) and your attention to detail. The love between Esme and Gareth was palpable! Congratulations - well done!
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Vonnie54
5.0 out of 5 stars Well crafted and mesmerising
Reviewed in Australia on 31 July 2020
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If you wrote a synopsis of this story you could imagine a dull read about words and the creation of dictionaries. But Pip Williams takes you through a wormhole into a past time when women, regardless of their intelligence or social standing, were seen as facilitators to the needs of men...and were defined by that role.
A delightful read for anyone who loves language and the power of words.
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Letta
5.0 out of 5 stars Absorbing; extremely interesting; deeply engrossing; an absorbing story.
Reviewed in Australia on 26 April 2021
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I loved reading this book. It was not only factually fascinating, but the story woven in and around the real happenings of our history was spellbinding and so sensitvely portrayed that it had me in tears on many occasions. The writer skilfully conjured and encouraged feelings of empathy, sadness, frustration with the lot of women and above all respect for the unsung heroins who have contributed to the benefits we now enjoy; notwithstanding the fact there is still a long way to go to gain equality with men.
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Margaret
5.0 out of 5 stars Inspiring read
Reviewed in Australia on 5 April 2021
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What a wonderful book, beautifully written, full of wonderful description of life in the late 1800s and the early 1900s. And so informative with so much of the fictional story being woven around historical fact. One must read the information following the end of the story to really appreciate the research and passion that has gone into this. Pip Williams is a fine writer.
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